In part, he was right. By 1945, his armies were being crushed on all fronts, his regime collapsing with many fleeing retribution for their crimes. Yet, even before the war started, there were Germans very high in Hitler’s command committed to bringing about his death and defeat.Paddy Ashdown tells, for the first time, the story of those at the very top of Hitler’s Germany who tried first to prevent the Second World War and then to deny Hitler victory. Based on newly released files, the repeated attempts of the plotters to warn the Allies about Hitler’s plans are revealed. Key strands to the book’s narrative lie with the actions of Abwehr head Admiral Wilhelm Canaris to frustrate Hitler’s policies once the war had started; the plots to kill Hitler and, finally the systematic passage of key German military secrets to London, Washington and Moscow through MI6, the OSS (fore-runner to the CIA) and the “Lucy Ring” Russian spy network based in Switzerland. From 1943 onwards, concerted efforts were made to strike a separate peace with the West to shorten the war and prevent eastern Europe falling under the Soviet yoke.What is revealed is that the anti-Hitler bomb plots, which have received so much attention are, in fact only a small part of a much wider story; one in which those at the highest levels of the German state used every means possible – conspiracy, assassination, espionage – to ensure that, for the sake of the long-term reputation of their country and the survival of liberal and democratic values, Hitler could not be allowed to win the war. It is a matter of record that the European Union we have today and the nature and central position of Germany within it, is, in very large measure, the future envisaged by the plotters and for which they gave their lives.

    Glowingly reviewed, What I Saw introduces a new generation to the genius of this tortured author with its "nonstop brilliance, irresistible charm and continuing relevance" (Jeffrey Eugenides, New York Times Book Review). As if anticipating Christopher Isherwood, the book re-creates the tragicomic world of 1920s Berlin as seen by its greatest journalistic eyewitness. In 1920, Joseph Roth, the most renowned German correspondent of his age, arrived in Berlin, the capital of the Weimar Republic. He produced a series of impressionistic and political essays that influenced an entire generation of writers, including Thomas Mann, and a young Christopher Isherwood. Translated and collected here for the first time, these pieces record the violent social and political paroxysms that constantly threatened to undo the fragile democracy that was the Weimar Republic. Roth, like no other German writer of his time, ventured beyond Berlin's official veneer to the heart of the city, chronicling the lives of its forgotten inhabitants: the war cripples, the Jewish immigrants from the Pale, the criminals, the bathhouse denizens, and the nameless dead who filled the morgues. Warning early on of the dangers posed by the Nazis, Roth evoked a landscape of moral bankruptcy and debauched beauty—a memorable portrait of a city and a time of commingled hope and chaos. What I Saw, like no other existing work, records the violent social and political paroxysms that compromised and ultimately destroyed the precarious democracy that was the Weimar Republic.

    Evans), Ian Kershaw's Hitler is a new, distilled, one-volume masterpiece that will become the standard work. From Hitler's origins as a failed artist in fin-de-siecle Vienna to the terrifying last days in his Berlin bunker, Kershaw's richly illustrated biography is a mesmerizing portrait of how Hitler attained, exercised, and retained power. Drawing on previously untapped sources, such as Goebbels's diaries, Kershaw addresses crucial questions about the unique nature of Nazi radicalism, about the Holocaust, and about the poisoned European world that allowed Hitler to operate so effectively.

    But while it lasted, his closest lieutenants competed ferociously for power and position as his chosen successor. This peculiar leadership dynamic resulted in millions of deaths and some of the worst excesses of World War II. The Devil's Disciples is the first major book for a general readership to examine those lieutenants, not only as individuals but also as a group. It focuses on the three most important Nazi paladins—Göring, Goebbels, and Himmler—with their nearest rivals—Bormann, Speer, and Ribbentrop—in close attendance. Perceptive, illuminating, and grandly ambitious, The Devil's Disciples is above all a powerful chronological narrative, showing how the personalities of Hitler's inner circle developed and how their jealousies and constant intrigues affected the regime, the war, and Hitler himself.

    Perhaps less familiar are Carin, Emmy, Magda, Margaret, Lina, Ilse and Gerda... These are the women behind the infamous men—complex individuals with distinctive personalities who were captivated by Hitler and whose everyday lives were governed by Nazi ideology. Throughout the rise and fall of Nazism these women loved and lost, raised families and quarreled with their husbands and each other, all the while jostling for position with the Fuhrer himself. Until now, they have been treated as minor characters, their significance ignored, as if they were unaware of their husbands' murderous acts, despite the evidence that was all around them: the stolen art on their walls, the slave labor in their homes, and the produce grown in concentration camps on their tables.James Wyllie's Nazi Wives explores these women in detail for the first time, skillfully interweaving their stories through years of struggle, power, decline and destruction into the post-war twilight of denial and delusion.

    Verbatim reports of speeches by leaders, and comments of bystanders—set against an idealized backdrop of the proletariat united with soldiers, sailors, and peasants—are balanced by passionate narratives describing the fall of the provisional government, the assault on the Winter Palace, and Lenin's seizure of power.Accompanied by contemporaneous photographs, this gripping record by a western journalist has been acclaimed worldwide since its first publication in 1919. Endorsed by Lenin as a "truthful and most vivid exposition," the work was the basis for the Academy Award-winning 1981 film Reds.

    The existing social culture was manipulated and subverted as the German people had their ethical values and their thoughts about politics, history and daily life recast in a new language. This Notebook, originally called LTI (Lingua Tertii Imperii)-the abbreviation itself a parody of Nazified language-was written out of Klemperer's conviction that the language of the Third Reich helped to create its culture. As Klemperer writes: "it isn't only Nazi actions that have to vanish, but also the Nazi cast of mind, the typical Nazi way of thinking, and its breeding ground: the language of Nazism." This brilliant, entertaining, profound, and ultimately saddening and horrifying book is one of the great twentieth-century studies of language and of its engagement with history.

    Only the fall of the Roman Empire fifteen hundred years earlier compares to the destruction visited on Germany. The country's cities lay in ruins, its economic base devastated. The German people stood at the brink of starvation, millions of them still in POW camps. This was the starting point as the Allies set out to build a humane, democratic nation on the ruins of the vanquished Nazi state-arguably the most monstrous regime the world has ever seen.In Exorcising Hitler, master historian Frederick Taylor tells the story of Germany's Year Zero and what came next. He describes the bitter endgame of war, the murderous Nazi resistance, the vast displacement of people in Central and Eastern Europe, and the nascent cold war struggle between Soviet and Western occupiers. The occupation was a tale of rivalries, cynical realpolitik, and blunders, but also of heroism, ingenuity, and determination-not least that of the German people, who shook off the nightmare of Nazism and rebuilt their battered country.Weaving together accounts of occupiers and Germans, high and low alike Exorcising Hitler is a tour de force of both scholarship and storytelling, the first comprehensive account of this critical episode in modern history.

    B&W photos.

    It led to a global panic, brought down the international monetary system, and turned a worldwide recession into a prolonged depression. The German crisis also contributed decisively to the rise of Hitler. Soon after the crisis, the Nazi Party became the largest party of the country which paved the way for Hitler's eventual seizure of power in 1933.The reason for the financial collapse was Germany's large pile of foreign debt denominated in gold currency which condemned the government to cut spending, raise taxes, and lower wages in the middle of a worldwide recession. As the political resistance to this austerity policy grew, the German government began to question its debt obligations, prompting foreign investors to panic and sell their German assets. The resulting currency crisis led to the failure of the already weakened banking system and a partial sovereign default.Hitler managed to profit from the crisis, because he had been the most vocal critic of the reparation regime. As the financial system collapsed, his populist attacks against foreign creditors and the alleged complicity of the German government resonated more than ever with the electorate. Sadly enough, Germany's creditors hesitated too long to take the wind out of Hitler's sails by offering debt relief.In 1931, Tobias Straumann reveals the story of the fatal crisis, demonstrating how a debt trap contributed to the rapid financial and political collapse of a European country, and to the rise of the Nazi Party.

    How easy was it to know what was actually going on, to grasp the essence of National Socialism, to remain untouched by the propaganda or predict the Holocaust?Travellers in the Third Reich is an extraordinary history of the rise of the Nazis based on fascinating first-hand accounts, drawing together a multitude of voices and stories, including students, politicians, musicians, diplomats, schoolchildren, communists, scholars, athletes, poets, journalists, fascists, artists, tourists, even celebrities like Charles Lindbergh and Samuel Beckett. Their experiences create a remarkable three-dimensional picture of Germany under Hitler – one so palpable that the reader will feel, hear, even breathe the atmosphere.These are the accidental eyewitnesses to history. Disturbing, absurd, moving, and ranging from the deeply trivial to the deeply tragic, their tales give a fresh insight into the complexities of the Third Reich, its paradoxes and its ultimate destruction.

    Decorated for bravery in World War I and the author of the acclaimed memoir from the western front, Storm of Steel, he frankly depicted the war’s horrors even as he extolled its glories. As a Wehrmacht captain during the Second World War, Jünger faithfully kept a journal in occupied Paris and continued to write on the eastern front and in Germany until its defeat—writings that are of major historical and literary significance.Jünger’s Paris journals document his Francophile excitement, romantic affairs, and fascination with botany and entomology, alongside mystical and religious ruminations and trenchant observations on the occupation and the politics of collaboration. Working as a mail censor, he led the privileged life of an officer, encountering artists such as Céline, Cocteau, Braque, and Picasso. His notes from the Caucasus depict chaos and misery after the defeat at Stalingrad, as well as candid comments about the atrocities on the eastern front. Returning to Paris, Jünger observed resistance and was peripherally involved in the 1944 conspiracy to assassinate Hitler. After fleeing France, he reunited with his family as Germany’s capitulation approached. Both participant and commentator, close to the horrors of history but often hovering above them, Jünger turned his life and experiences into a work of art. These wartime journals appear here in English for the first time, giving us fresh insight into the quandaries of the twentieth century from the keen pen of a paradoxical observer.Ernst Jünger (1895–1998) was a major figure in twentieth-century German literature and intellectual life. He was a young leader of right-wing nationalism in the Weimar Republic, but although the Nazis tried to court him, Jünger steadfastly kept his distance from their politics. Among his works is On the Marble Cliffs, a rare anti-Nazi novel written under the Third Reich.

    The world would know them as the dreaded SS the most loyal and ruthless enforcers of the Third Reich It began as a small squad of political thugs. Yet by the end of 1935, the SS had taken control of all police and internal security duties in Germany ranging from local village gendarmes all they way up to the secret political police and the Gestapo. And by 1944 the militarized Waffen SS had more than eight hundred thousand men serving in the field, even rivaling Germany s regular armed forces, the Wehrmacht. In "Army of Evil: A History of the SS," author Adrian Weale delves into materials not previously available, including recently released intelligence files, the most up-to-date research and rare and never-before-published photographs. Going beyond the myths and characterizations, this comprehensive account reveals the reality of the SS as a cadre of unwavering political fanatics and power-seeking opportunists who slavishly followed an ideology that disdained traditional morality, and were prepared to implement it to the utmost, murderous extreme that ultimately resulted in the Holocaust. This is a definitive historical narrative of the birth, legacy, and ultimate demise of one of the most feared political and military organizations ever known, and those twisted, cruel men who were responsible for one of the most appalling crimes against humanity in all history."

    He skewers contemporary idols such as Mel Gibson, Niall Ferguson, and Howard Dean; unlocks some secret doors in the Pentagon and the California prison system; visits Star Wars in the Arctic and vigilantes on the border; predicts ethnic cleansing in New Orleans more than a year before Katrina; recalls the anarchist avengers of the 1890s and “teeny-bopper” riots on the Sunset Strip in the 1960s; discusses the moral bankruptcy of the Democrats in Kansas and West Virginia; remembers “Private Ivan,” who defeated fascism; and looks at the future of capitalism from the top of Hubbert’s Peak.No writer in the United States today brings together analysis and history as comprehensively and elegantly as Mike Davis. In these contemporary, interventionist essays, Davis goes beyond critique to offer real solutions and concrete possibilities for change."Davis remains our penman of lost souls and lost scenarios: He culls nuggets of avarice and depredation the way miners chisel coal."--The Nation“A rare combination of an author, Rachel Carson and Upton Sinclair all in one.”--Susan Faludi, author, Backlash"Davis' work is the cruel and perpetual folly of the ruling elites."--New York TimesMike Davis is the author many books, including City of Quartz, The Ecology of Fear, The Monster at Our Door, and Planet of Slums. Davis teaches in the Department of History at the University of California, Irvine, and lives in San Diego.

    In a country where the headquarters of the secret police can become a museum literally overnight, and one in 50 East Germans were informing on their countrymen and women, there are a thousand stories just waiting to get out. Anna Funder tells extraordinary tales from the underbelly of the former East Germany - she meets Miriam, who as a 16-year-old might have started World War III, visits the man who painted the line which became the Berlin Wall and gets drunk with the legendary 'Mik Jegger' of the East, once declared by the authorities to his face to 'no longer to exist'. Written with wit and literary flair, Stasiland provides a rivetting insight into life behind the wall.