Attrib. and other stories celebrates the tricksiness of language just as it confronts its limits. Correspondingly, the stories are littered with the physical ephemera of language: dictionaries, dog-eared pages, bookmarks and old coffee stains on older books. This is writing that centres on the weird, tender intricacies of the everyday where characters vie to 'own' their words, tell tall tales and attempt to define their worlds. With affectionate, irreverent and playful prose, the inability to communicate exactly what we mean dominates this bold debut collection from one of Britain’s most original new writers.

    I don’t need the perfect guy. I don’t need candlelight or roses. Honestly, I don’t even need a real bed.The guys I know complain that girls are always looking for Mr. Right—do I have to wear a sign that says I’m only looking for Mr. Right Now?Sooooo…anyone out there want sex? Anyone? Hello? Just for fun?I am not going to die a virgin. One way or another I am going to make this happen.Hey, what have I got to lose? Besides the obvious.

    In Prague, working as a translator, she has found a home of sorts—or, at least, refuge. That changes when her friend Karel discovers a mysterious letter in the library, a strange confession and a curious warning that speaks of Melmoth the Witness, a dark legend found in obscure fairy tales and antique village lore. As such superstition has it, Melmoth travels through the ages, dooming those she persuades to join her to a damnation of timeless, itinerant solitude. To Helen it all seems the stuff of unenlightened fantasy.But, unaware, as she wanders the cobblestone streets Helen is being watched. And then Karel disappears. . . .

    No, not since Treasure Island... Actually, not since Jonah and the Whale has there been a sea saga to rival The Pirates! In an Adventure with Scientists, featuring the greatest sea-faring hero of all time, the immortal Pirate Captain, who, although he lives for months at a time at sea, somehow manages to keep his beard silky and in good condition. Worried that his pirates are growing bored with a life of winking at pretty native ladies and trying to stick enough jellyfish together to make a bouncy castle, the Pirate Captain decides it's high time to spearhead an adventure. While searching for some major pirate booty, he mistakenly attacks the young Charles Darwin's Beagle and then leads his ragtag crew from the exotic Galapagos Islands to the fog-filled streets of Victorian London. There they encounter grisly murder, vanishing ladies, radioactive elephants, and the Holy Ghost himself. And that's not even the half of it.

    Barbecue-Smith, who writes 1,500 publishable words an hour by "getting in touch" with his "subconscious," to Henry Wimbush, who is obsessed with writing the definitive "History of Crome." Denis's stay proves to be a disaster amid his weak attempts to attract the girl of his dreams and the ridicule he endures regarding his plan to write a novel about love and art. Lambasting the post-Victorian standards of morality, Crome Yellow is a witty masterpiece that, in F. Scott Fitzgerald's words, "is too ironic to be called satire and too scornful to be called irony."

    Vanessa, Virginia, Thoby, and Adrian are leaving behind their childhood home and taking a house in the leafy heart of avant-garde Bloomsbury. There they bring together a glittering circle of bright, outrageous artistic friends who will grow into legend and come to be known as the Bloomsbury Group. And at the center of this charmed circle are the devoted, gifted sisters: Vanessa, the painter, and Virginia, the writer.   Each member of the group will go on to earn fame and success, but so far Vanessa Bell has never sold a painting. Virginia Woolf’s book review has just been turned down by The Times. Lytton Strachey has not published anything. E. M. Forster has finished his first novel but does not like the title. Leonard Woolf is still a civil servant in Ceylon, and John Maynard Keynes is looking for a job. Together, this sparkling coterie of artists and intellectuals throw away convention and embrace the wild freedom of being young, single bohemians in London.   But the landscape shifts when Vanessa unexpectedly falls in love and her sister feels dangerously abandoned. Eerily possessive, charismatic, manipulative, and brilliant, Virginia has always lived in the shelter of Vanessa’s constant attention and encouragement. Without it, she careens toward self-destruction and madness. As tragedy and betrayal threaten to destroy the family, Vanessa must decide if it is finally time to protect her own happiness above all else.   The work of exciting young newcomer Priya Parmar, Vanessa and Her Sister exquisitely captures the champagne-heady days of prewar London and the extraordinary lives of sisters Vanessa Bell and Virginia Woolf.Advance praise for Vanessa and Her Sister   “Priya Parmar is on a high-wire act all her own in this radiantly original novel about the Bloomsbury Set. Irrepressible, with charm and brio to spare, Vanessa and Her Sister boldly invites us to that moment in history when famous minds sparked and collided. Prepare to be dazzled.”—Paula McLain, author of The Paris Wife   “With sparkling wit and insight, Priya Parmar sets us down into the legendary Bloomsbury household of the Stephen siblings, where sisters Vanessa and Virginia vie for love and primacy amidst a collection of eccentric guests. Vanessa and Her Sister kidnapped me for a couple of days. I couldn’t put it down.”—Nancy Horan, author of Under the Wide and Starry Sky   “I loved this brilliant depiction of the true price of genius. Parmar’s novel shines a bright light into the empty spaces between the lines of history.”—Helen Simonson, author of Major Pettigrew’s Last Stand   “This is the novel I didn’t know I was waiting for, and it is, quite simply, astonishing: not just because of Priya Parmar’s preternatural skill at evoking the moment when the lid was coming off the Victorians, but because of how she has caught the two sisters at the center of that swirl. It is beautiful, wise, and as deft as a stroke upon the canvas.”—Sarah Blake, author of The Postmistress

    A note instructs him to see a Dr. Randle immediately, who informs him that he is undergoing yet another episode of acute memory loss that is a symptom of his severe dissociative disorder. Eric's been in Dr. Randle's care for two years -- since the tragic death of his great love, Clio, while the two vacationed in the Greek islands.But there may be more to the story, or it may be a different story altogether. As Eric begins to examine letters and papers left in the house by "the first Eric Sanderson," a staggeringly different explanation for what is happening to Eric emerges, and he and the reader embark on a quest to recover the truth and escape the remorseless predatory forces that threatens to devour him.The Raw Shark Texts is a kaleidoscopic novel about the magnitude of love and the devastating effect of losing that love. It will dazzle you, it will move you, and will leave an indelible imprint like nothing you have read in a long time.

    He spends his nights meticulously archiving the traces his long-absent mother left behind. He spends his days plotting with his only friend, Sunny, trying to contrive ways to protect himself from neighborhood bullies and an abusive father. But the stories they tell and the realities they live are painfully far apart, and when Sunny is forced to move away, Bobby fears he has no one else to turn to.Then Bobby encounters two outcasts like himself: Rosa, a girl with a red tricycle who collects names in her notebook and whose disability invites the scorn of the same bullies that haunt Bobby; and Val, her mother, a lonely divorcee who cleans the town's mobile library for work. They connect deeply, filling the gaps in each other's lives, but the bond between the older woman and young boy also draws the town's suspicion and outrage, as rumors begin to fly about the nature of their relationship. Val loses her job, Bobby is beaten severely by his father, and, with worse sure to follow, they abscond with Rosa in their sixteen-wheel bookmobile, embarking on a picaresque adventure that comes to rival those in the classic books that fill their library on wheels.

    Josh, Samantha and their two young daughters seem to represent everything Michael fears he may now never have: intimacy, children, stability and a family home. Despite this, the new friendship at first seems to offer the prospect of healing, but then a catastrophic event changes everything. Michael is left bearing a burden of grief and a secret he must keep, but the truth can only be kept at bay for so long.Moving from London and New York to the deserts of Nevada, I Saw a Man is a brilliant exploration of violence, guilt and attempted redemption, written with the pace and grip of a thriller. Owen Sheers takes the reader from close observation of the domestic sphere to some of the most important questions and dilemmas of the contemporary world.

    Too bad his superior plans to assign him to the Case Progression Unit, where the biggest threat he’ll face is a paper cut. But Peter’s prospects change in the aftermath of a puzzling murder, when he gains exclusive information from an eyewitness who happens to be a ghost. Peter’s ability to speak with the lingering dead brings him to the attention of Detective Chief Inspector Thomas Nightingale, who investigates crimes involving magic and other manifestations of the uncanny. Now, as a wave of brutal and bizarre murders engulfs the city, Peter is plunged into a world where gods and goddesses mingle with mortals and a long-dead evil is making a comeback on a rising tide of magic.

    In both their cases, it was to be rock stars. Fifteen years later, their mid-thirties are bearing down fast, and just like everybody else, they're having to accept the less glamorous hands reality has dealt them. Nervous new father Ray takes refuge from his responsibilities by living a virtual existence in online games. People say he needs to grow up, but everybody has to find their own way of coping. For some it's affairs, for others it's the bottle, and for Simon it's serial murder, mass slaughter and professional assassination.

    . . but before I go there are some things you should know . . . !!!! Set in a London ad agency desperate to land a coveted big account, e follows the bureaucratic bungling, cutthroat maneuvers, and outrageous sexual antics of a group of Miller-Shanks employees as they scheme, lie, lust, and claw their way up (and down) the company ladder.Written by a former advertising copywriter, this hilarious, dead-on-target novel marks the debut of a hip and exciting new voice in contemporary fiction. With the click of a mouse, Matt Beaumont brings the novel of letters into the twenty-first century, turning his merciless, unerring eye on today's Machiavellian corporate culture-with uproarious results. Rachel Stevenson, Personnel-1/5/00, 3:09 pm to: Chandra Kapoor cc: David Cruttonre: Urgent: Please delete Carla Browne's ID from e-mail with immediate effect. Thank you.

    Yet her present-day success- heading her own PR company, owning a gorgeous apartment, planning a future with her devoted boyfriend- only heightens the shock of a visit from the past. "Lottie," Charlotte's twenty-one-year-old self, drives onto the scene at the wheel of a rusty, orange Volkswagen Beetle identical to Charlotte's first UK ride. Charlotte pursues a friendship aimed to bestow upon Lottie a decade of wisdom. Yet Charlotte's prosperous polish proves a pale substitute for Lottie's innate, youthful graces- openness, passion, and kindness. Will the student become the teacher in this witty turnabout?

    Yet he always seems to be troubled by disagreeable tradesmen, impertinent young office clerks and wayward friends, not to mention his devil-may-care son Lupin with his unsuitable choice of bride. Try as he might, he cannot avoid life's embarrassing mishaps. In the bumbling, absurd, yet ultimately endearing figure of Pooter, the Grossmiths created an immortal comic character and a superb satire on the snobberies of middle-class suburbia - one which also sends up late Victorian crazes for spiritualism and bicycling, as well as the fashion for publishing diaries by anybody and everybody.

    L. Carr's deeply charged poetic novel, Tom Birkin, a veteran of the Great War and a broken marriage, arrives in the remote Yorkshire village of Oxgodby where he is to restore a recently discovered medieval mural in the local church. Living in the bell tower, surrounded by the resplendent countryside of high summer, and laboring each day to uncover an anonymous painter's depiction of the apocalypse, Birkin finds that he himself has been restored to a new, and hopeful, attachment to life. But summer ends, and with the work done, Birkin must leave. Now, long after, as he reflects on the passage of time and the power of art, he finds in his memories some consolation for all that has been lost.