Her sickly mother is the only person still determined to find the culprit. Chronicling a difficult journey across the suburbs of the city, an old debt and a revealing conversation, Elena Knows unravels the secrets of its characters and the hidden facets of authoritarianism and hypocrisy in our society.

    She didn't tell her actor husband where she was going or even that she was going, but he shows up looking for her. What ensues is the human turmoil of jealousy, passion, desire, possession, violence, and reconciliation.

    Although Flush has adventures of his own with bullying dogs, horrid maids, and robbers, he also provides the reader with a glimpse into Browning’s life. Introduction by Trekkie Ritchie.

    M. Barnard." Louisa May Alcott's novel of romance and sexual intrigue is one of her lesser-known gems. Its tone and characterizations strike a markedly different chord from her best-known works, such as "Little Women" and "Little Men," and it remains a popular addition to her oeuvre.

    Few saw his face and lived. In present-day Miami Beach, he has resurfaced--to silence forever the survivors who remember. Unless retired homicide detective Simon Winter can find him first.

    The book describes life in early-20th century Venezuela, a world of gold, diamonds and raw rubber, white foreigners and African slaves.

    Three long stories that draw the reader into the lives of three women, all past their first youth, all facing unexpected crises.

    Of unnatural parentage, he grows at an uncanny pace to an unsettling height, but the boy’s arrival simply precedes that of a true horror — One of the Old Ones, that forces the people of the town to hole up by night, fearing for their lives, only able to trace the wreckage wrought by the gigantic, unseen monster by the bright light of day.In his classic style, H. P. Lovecraft weaves unearthly fantasies of creatures beyond conception — existing between the dimensions that we know.

    Pronounced ‘cheena’: designation for female, from the Quechua. Iron: The English word for Fierro, reference to the gaucho Martín Fierro, from José Hernández’s epic poem.) This is a riotous romp taking the reader from the turbulent frontier culture of the pampas deep into indigenous territories. It charts the adventures of Mrs China Iron, Martín Fierro’s abandoned wife, in her travels across the pampas in a covered wagon with her new-found friend, soon to become lover, a Scottish woman named Liz. While Liz provides China with a sentimental education and schools her in the nefarious ways of the British Empire, their eyes are opened to the wonders of Argentina’s richly diverse flora and fauna, cultures and languages, as well as to its national struggles. After a clash with Colonel Hernández (the author who ‘stole’ Martín Fierro’s poems) and a drunken orgy with gauchos, they eventually find refuge and a peaceful future in a utopian indigenous community, the river- dwelling Iñchiñ people. Seen from an ox-drawn wagon, the narrative moves through the Argentinian landscape, charting the flora and fauna of the Pampas, Gaucho culture, Argentinian nation-building and British colonial projects. In a unique reformulation of history and literary tradition, Gabriela Cabezón Cámara, with humour and sophistication, re-writes Martín Fierro from a feminist, LGBT, postcolonial point of view. She creates a hilarious novel that is nevertheless incisive in its criticism of the way societies come into being, and the way they venerate mythical heroes.

    Yet World War I and the changes that follow seem to mock the emotions and experiences of her youth.

    The first-person narrative is supplemented by forty-four photographs which form an integral part of the work -- pictures of various surreal people, places, and objects which the author visits or is haunted by in naja's presence and which inspire him to mediate on their reality or lack of it. The Nadja of the book is a girl, but, like Bertrand Russell's definition of electricity as not so much a thing as a way things happen, Nadja is not so much a person as the way she makes people behave. She has been described as a state of mind, a feeling about reality, k a kind of vision, and the reader sometimes wonders whether she exists at all. yet it is Nadja who gives form and structure to the novel.

    When he is discovered to be an exceptionally gifted student, the entire community presses him onto a path of serious scholarship. Hans dutifully follows the regimen of tireless study and endless examinations, his success rewarded only with more crushing assignments. When Hans befriends a rebellious young poet, he begins to imagine other possibilities outside the narrowly circumscribed world of the academy. Finally sent home after a nervous breakdown, Hans is revived by nature and romance, and vows never to return to the gray conformity of the academic system.

    But with “antitechno” rage on the rise and a rash of premature deaths striking her fellow replicants, she may have even less time than she thought.Investigating the mysterious deaths, Bruna delves into the fractious, violent history shared by humans and replicants, and struggles to engage the society that fails to understand her — yet created her. The deeper she gets, the deadlier her work becomes as she uncovers a vast, terrifying conspiracy bent on changing the very course of the world. But even as the darkness of her reality closes in, Bruna clings fiercely to life.

    It recounts the mercurial lot of Keawe, a Hawaiian who purchases a bottle inhabited by an imp capable of granting any wish. Yet this enticing object holds a dark curse: anyone who dies with it in his possession will burn forever in hell. And here's the rub: one can sell the bottle only for less than its purchase price. Keawe rids himself of the bottle after acquiring a palatial home. But when he needs it again to ensure his happiness with a newfound love, its cost is, chillingly, one cent, and the responsibility of ownership becomes a good deal more complex.Newly designed and typeset in a modern 5.5-by-8.5-inch format by Waking Lion Press.

    First published in 1889, Aves sin nido drew fiery protests for its unsparing expose of small town officials, judicial authorities, and priests who oppressed the native peoples of Peru. Matto de Turner was excommunicated by the Catholic Church, burned in effigy, and forced to emigrate to Argentina. In 1904, the novel was published in an English translation as with a modified ending. Successive English editions restored the original ending and translator's omissions. This edition follows the original version in Spanish, but comprises no less than 332 notes, adding more than 270 to the author's own 58 lexicographic annotations on Quecha and Spanish unusual terms, so necessary to grasp the real power of her prose. This annotated edition constitutes an important reading for all students of the indigenous cultures of South America.