Exotic beasts and improbable travelers roam restlessly through these darkly diverting and finely honed tales.In “The Situation,” a beleaguered office worker creates a child-swallowing manta-ray to be used for educational purposes (once described as Dilbert meets Gormenghast). In “Three Days in a Border Town,” a sharpshooter seeks the truth about her husband in an elusive floating city beyond a far-future horizon; “Errata” follows an oddly familiar writer who has marshaled a penguin, a shaman, and two pearl-handled pistols with which to plot the end of the world. Also included are two stories original to this collection, including “The Quickening,” in which a lonely child is torn between familial obligation and loyalty to a maligned talking rabbit.Chimerical and hypnotic, VanderMeer leads readers through the postmodern into a new literature of the imagination.

    An alien dying to stop him. Could a government conspiracy put them both six feet under?Investigator Bill Taggart will stop at nothing to find his missing wife. But standing between him and the truth is a secretive alien species on a distant planet. When his government pushes him to observe the species ahead of plans to relocate Earth’s population, Bill veers off course and straight into the path of one alien.The surprising confrontation forces Bill to question whether the investigation into the savage species is needed. But when official government intel disagrees with the cold hard facts, he worries there might be another reason for the relocation plans.A snap government order leaves the investigator in limbo and facing off against a new enemy that is more dangerous than the first. Worse, this enemy appears to live close to home.A devastating set of plans is soon revealed that will destroy the lives on two worlds. And Bill is caught in the middle. Can he stop chasing ghosts long enough to save humanity from the real enemy?Genesis Code is the first novel in this dystopian society thriller. If you enjoy incredible world building, complex characters, and disturbing secrets, then you'll love Eliza Green's intricately woven dystopian series. Fans of Lindsay Buroker, Jasper T. Scott and Chris Fox have read and enjoyed this series.

    It was the root of all her chords.Seventeen-year-old Cade is a fierce survivor, solo in the universe with her cherry-red guitar. Or so she thought. Her world shakes apart when a hologram named Mr. Niven tells her she was created in a lab in the year 3112, then entangled at a subatomic level with a boy named Xan.    Cade’s quest to locate Xan joins her with an array of outlaws—her first friends—on a galaxy-spanning adventure. And once Cade discovers the wild joy of real connection, there’s no turning back.

    But her best friend, Libby, is determined to give it a try, longing for a new, improved version of herself.What starts as Libby’s dream turns into Clair’s nightmare when Libby falls foul of a deadly trap. With the help of Jesse, the school freak, and a mysterious—but powerful—stranger called Q, Clair’s attempt to protect Libby leads her to an unimagined world of conspiracies and cover-ups. Soon her own life is at risk, and Clair is chased across the world in a desperate race against time.Action and danger fuel Sean Williams’ tale of technology, identity, and the lengths to which one girl will go to save her best friend.

     NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLYSet in an amoral future where genetically engineered monstrosities fight each other to the death in an Olympic event, The Games envisions a harrowing world that may arrive sooner than you think.   Silas Williams is the brilliant geneticist in charge of preparing the U.S. entry into the Olympic Gladiator competition, an internationally sanctioned bloodsport with only one rule: no human DNA is permitted in the design of the entrants. Silas lives and breathes genetics; his designs have led the United States to the gold in every previous event. But the other countries are catching up. Now, desperate for an edge in the upcoming Games, Silas’s boss engages an experimental supercomputer to design the genetic code for a gladiator that cannot be beaten.   The result is a highly specialized killing machine, its genome never before seen on earth. Not even Silas, with all his genius and experience, can understand the horror he had a hand in making. And no one, he fears, can anticipate the consequences of entrusting the act of creation to a computer’s cold logic.   Now Silas races to understand what the computer has wrought, aided by a beautiful xenobiologist, Vidonia João. Yet as the fast-growing gladiator demonstrates preternatural strength, speed, and—most disquietingly—intelligence, Silas and Vidonia find their scientific curiosity giving way to a most unexpected emotion: sheer terror.Praise for The Games   “Blends the best of Crichton and Koontz.”—Publishers Weekly (starred review)   “Outstanding . . . very like something Michael Crichton might have written . . . [a] bold mix of horror and SF . . . Expect big things from [Ted] Kosmatka.”—Booklist (starred review)   “Kosmatka successfully captures the thrill of groundbreaking technology. . . . The pleasure of his polished, action-packed storytelling is deepened by strong character development. This near-future SF thriller . . . seems destined for the big screen.”—Library Journal (starred review)

    No wars, no conflict, no hunger. And no free will. Opposing them is a guerrilla group of teens, code name BZRK, who are fighting to protect the right to be messed up, to be human.This is no ordinary war, though. Weapons are deployed on the nano-level. The battleground is the human brain.  And there are no stalemates here: It’s victory . . . or madness.

    In 2040, the South African National Space Agency receives a mysterious package containing a memoir and a set of digital recordings from an unnamed woman who claims the world will end in ten years. Assigned to the case, Dr Naomi Buthelezi, a retired professor and science fiction writer, is hired to investigate the veracity of the materials, and whether or not the woman's claim to have heard from a "force more powerful than humankind" is genuine. Thus begins TRIANGULUM, a found manuscript composed of the mysterious woman's memoir and her recordings. Haunted by visions of a mysterious machine, the narrator is a seemingly adrift 17-year-old girl, whose sick father never recovered from the shock of losing his wife. She struggles to navigate school, sexual experimentation, and friendship across racial barriers in post-apartheid South Africa.When three girls go missing from their town, on her mother's birthday, the narrator is convinced that it has something to do with "the machine" and how her mother also went missing in the '90s. Along with her friends, Litha and Part, she discovers a puzzling book on UFOs at the library, the references and similarities in which lead the friends to believe that the text holds clues to the narrators's mother's abduction. Drawing upon suggestions in the text, she and her friends set out on an epic journey that takes them from their small town to an underground lab, a criminal network, and finally, a mysterious, dense forest, in search of clues as to what happened to the narrator's mother. With extraordinary aplomb and breathtaking prose, Ntshanga has crafted an inventive and marvelous artistic accomplishment.s crafted an inventive and marvelous artistic accomplishment.

    The Last Days -- some say; the First, say others. The climate has altered irrevocably, the cities have imploded into vicious shards and the stars haven't been seen for months. The sky is a glimmering wash of reds and greens and golds, the result of global warming...it is thought. A breathtaking novel that weaves into one faultless tapestry the shimmering strands of science fiction and fantasy, Glimmering explores the violent margins and the soft decadent center of a world giving birth to a new millennium. Hand has captured in one powerful narrative both the unspoken dreams and the unspeakable nightmares of a generation. Glimmering will open more than eyes. It will open hearts to the wonder and terror of the world to come.Ms. Hand is a superior stylist. -- The New York Times Book Review If Stephen King set out to rewrite 'The Waste Land' as a novel, the result might resemble Glimmering.' The Washington Post Wild, psychedelic thoughtful thriller ... Another dynamite read!' Des Moines Register SUPERIOR.' The New York Times The tropic lushness of Hand's descriptions are only one reward awaiting her reader.'The Cleveland Plain DealerSuperior! An author worth watching, not to mention recommending.' Booklist Glimmering is her best work yet ... there is beauty in the writing and how, amidst all the madness of the possible end of mankind, individuals can still come to care for each other.' The Courier Gazette (Rockland, ME)Glimmering is a haunting, cross-genre meditation on loss, change, and transcendence'thanks tothe grace and vitality of Hand's writing.' San Francisco Chronicle

    From The Wizard of Oz to The Dark Tower, from Philip Pullman's The Golden Compass to C. S. Lewis's The Chronicles of Narnia, there is a rich tradition of this kind of fiction, but never before have the best parallel world stories and portal fantasies been collected in a single volume—until now.

    This novel by two bestselling sci-fi authors details the wrenching changes wrought by such a scientific feat--with nothing less than global peace at stake.

    Morgan arrived on the scene. He unleashed Takeshi Kovacs–private eye, soldier of fortune, and all-purpose antihero–into the body-swapping, hard-boiled, urban jungle of tomorrow in Altered Carbon, Broken Angels, and Woken Furies, winning the Philip K. Dick Award in the process. In Market Forces, he launched corporate gladiator Chris Faulkner into the brave new business of war-for-profit. Now, in Thirteen, Morgan radically reshapes and recharges science fiction yet again, with a new and unforgettable hero in Carl Marsalis: hybrid, hired gun, and a man without a country . . . or a planet.Marsalis is one of a new breed. Literally. Genetically engineered by the U.S. government to embody the naked aggression and primal survival skills that centuries of civilization have erased from humankind, Thirteens were intended to be the ultimate military fighting force. The project was scuttled, however, when a fearful public branded the supersoldiers dangerous mutants, dooming the Thirteens to forced exile on Earth’s distant, desolate Mars colony. But Marsalis found a way to slip back–and into a lucrative living as a bounty hunter and hit man before a police sting landed him in prison–a fate worse than Mars, and much more dangerous.Luckily, his “enhanced” life also seems to be a charmed one. A new chance at freedom beckons, courtesy of the government. All Marsalis has to do is use his superior skills to bring in another fugitive. But this one is no common criminal. He’s another Thirteen–one who’s already shanghaied a space shuttle, butchered its crew, and left a trail of bodies in his wake on a bloody cross-country spree. And like his pursuer, he was bred to fight to the death. Still, there’s no question Marsalis will take the job. Though it will draw him deep into violence, treachery, corruption, and painful confrontation with himself, anything is better than remaining a prisoner. The real question is: can he remain sane–and alive–long enough to succeed?2007 1st Ed Del Rey 9 8 7 6 5 4 3 2 1

    Clinging to its skin are the zones, a series of semi-autonomous city-states, each of which enjoys a different—and rigidly enforced—level of technology. Horsetown is pre-industrial; in Neon Heights they have television and electric trains . . .Following an infiltration mission that went tragically wrong, Quillon has been living incognito, working as a pathologist in the district morgue. But when a near-dead angel drops onto his dissecting table, Quillon's world is wrenched apart one more time, for the angel is a winged posthuman from Spearpoint's Celestial Levels—and with the dying body comes bad news.If Quillon is to save his life, he must leave his home and journey into the cold and hostile lands beyond Spearpoint's base, starting an exile that will take him further than he could ever imagine. But there is far more at stake than just Quillon's own survival, for the limiting technologies of the zones are determined not by governments or police, but by the very nature of reality—and reality itself is showing worrying signs of instability . . .Terminal World is a snarling, drooling, crazy-eyed mongrel of a book: equal parts steampunk, western, planetary romance, and far-future SF.

    Now they face extinction.For three hundred years, arks have carried the last remnants of humanity through dark space. The ships are old, failing, and every colonist must do their duty to ensure the fleet's survival.Maeve is a metalworker, toiling in the blistering sublevels of the London. She's lost friends and family to the hazardous work conditions and fears every job she's assigned could be her last. All she wants is a little control over her life, but the oppressive sublevel enforcers ensure that’s not an option.Now, after decades of traveling, the ships have finally reached their destination: Soren, a toxic planet that may have the resources they desperately need. But mining a planet comes at a price, and Maeve and the other workers will be expected to pay it with their lives.If a better world awaits, Maeve's sure to be dead long before the fleet finds it… unless she finds a way to control her destiny and change it.

    The journey promises to be a memorable one.

    Before they can go home, they will visit Foreverland, an alternate reality that will heal their minds.Reed dreams of a girl that tells him to resist Foreverland. He doesn’t remember her name, but knows he once loved her. He’ll have to endure great suffering and trust his dream. And trust he’s not insane.Danny Boy, the new arrival, meets Reed’s dream girl inside Foreverland. She’s stuck in the fantasy land that no kid can resist. Where every heart’s desire is satisfied. Why should anyone care how Foreverland works?