Poor stranger. Mayhem ensues. What kind of mayhem? The red, sticky, coagulating type. Pooty goes on a permanent sabbatical and leaves a mysterious stranger in his place. But ...Is this new guy friend or foe? Ohhhhhh.......cryptic.

    Exhausted Salarymen are pushed beyond the brink. Blood, sweat and screams of 'FUCK YOU!' pour out of the characters within The Pits of Hell, and yet a sense of humour always shines through. Bold, absurd and all too real, Ebisu Yoshikazu's work feels distinctly underground, almost punk. The Pits of Hell collects eight classic stories by Ebisu Yoshikazu, originally published between 1969 and 1981. The collection features a foreword by Minami Shinbo and an essay by Ryan Holmberg placing Ebisu Yoshikazu and his work into context.

    While most warriors shed blood on the battlefield for one clan or another, Okko the Ronin travels elsewhere on a more personal mission, hunting demons across the land. In his company are Noburo, an enigmatic giant who hides his face behind a red mask; Noshin, a whimsical monk and lover of saké with the power to commune with the spirits of nature; and the young fisherman Tikku, learning his way in the world.  From master storyteller Hub, The Complete Okko contains all five volumes of his ambitious fantasy series that explores one ronin’s journey of redemption across a world that is as beautful as it is violent. In addition, this completed collection includes over 120 pages of previously unreleased Okko story material.

    JOE's Special Missions, remastered, recolored, and collected for the very first time!Collects G.I. JOE: Special Missions #1-7.

    The Autobots are reformatted by the Ark to resemble cars and trucks; the Decepticons take the form of jets, weapons or in the case of Soundwave, a cassette deck with tapes.The Decepticons wreak havoc, steal energy and build a fortress. The Autobots, seen here as very weak underdogs, unsuited for war, fight valiantly to stop their foes.Ultimately, it's the humans that the Autobots befriend that save the day. Buster Witwicky's dad, captured by the Decepticons to formulate a fuel for them, secretly poisons his captors.In the final battle, five Autobots take on the entire Decepticon army. On the cusp of defeat, the tainted fuel concocted by Mr. Witwicky kicks in and the Decepticons fall.The Autobots don't even have time to celebrate, however, as the 4-part mini-series ends with Shockwave making an appearance, blowing the remaining Autobots to pieces. This cliffhanger led directly into the monthly Marvel run, which began 3 months after the miniseries ended. (Issue #4 had a cover date of Mar. 1985; issue #5 had a date of June.)Starting with issue 5, The Transformers had more drastic changes. Before reaching its 30th issue, both Optimus Prime and Megatron had been killed off to make way for newer characters.Starting in issue 35 (cover-dated December, 1987), the events became less Earth-centric, as the Transformers repaired their spacecraft and were able to revisit their homeworld Cybertron and other planets. This aspect was particularly prominent in the Matrix Quest sub-plot.In issue 75 (cover-dated February, 1991), the Autobots and Decepticons had united under one banner after Autobot commander Optimus Prime surrendered to Scorponok, in order to end their civil war. United, they finally faced their ancient nemesis: Unicron. The Transformers won, but with heavy losses, including the deaths of Scorponok and Optimus Prime (again). Peace between the two Transformers factions was shortlived after Unicron's death. Bludgeon, the new Decepticon leader, tried to strand the Autobots on Cybertron, which was apparently destroying itself. His plan failed and the final confrontation between the two factions played out, with the Autobots lead again by Grimlock. Optimus Prime is united with Hi-Q (his Powermaster) and given life by The Last Autobot. He returns to battle to save the Autobots and then exiles the Decepticons forever (until Transformers: Generation 2). After the battle with Unicron, the comic ran for only five issues before being cancelled. The final issue had the mini series banner above the title; "#80 IN A FOUR ISSUE LIMITED SERIES".Most of the issues of Transformers Marvel US were written by two writers. Although the first four issues were written by Jim Salicrup, editor Bob Budiansky was the one who contributed the most to the story, writing the character bios and backgrounds for the Transformers, even giving names to some of them. After the mini-series became an ongoing comic, Budiansky was promoted to constant writer. Except for issue #16 (Plight of the Bumblebee, written by Len Kaminski), issue #43 (The big broadcast of 2006, a Transformers cartoon episode adaptation by Ralph Macchio) and the two-part story Man of Iron (imported from Transformers Marvel UK), Bob wrote all the Transformers comics until issue #55.Most famous story arcs and issues are Warrior's school featuring the introduction of the Dinobots and the first clash between Autobot medic Ratchet and Megatron; Prime Time! when Optimus Prime is finally freed from captivity and battles current Decepticon commander Shockwave; Smelting Pool and The Bridge to Nowhere brought the story back to Cybertron where only a handful of Autobots fight an underground war against Straxus's Decepticons, also introducing Blaster, Budiansky's most-used character who was radically different from his cartoon and Marvel UK version. Afterdeath and Gone but not forgotten saw the deaths (for a while, anyway) of Optimus Prime and Megatron, after which Grimlock took control of the Autobot forces in King of the Hill. Starting at issue #28, Blaster and Goldbug (a rebuilt Bumblebee) defected from the Autobots due to Grimlock tyrannical leadership, which ended with Grimlock and Blaster having a duel in Totaled. The next issue, People Power saw the return of Optimus Prime, as a Powermaster. The "Underbase saga" began in issue #47 and ended in issue #50, Dark Star, where Starscream, absorbing the power of the Underbase, kills most of the active Transformers of the time. (Budiansky admitted in an interview that Hasbro was forcing him to introduce new characters so quickly, he had to do an epic to "make room" for them.) Budiansky's last 5 stories were very mediocre, he himself said that he lost the interest in Transformers, and asked Hasbro to hand over the comics to a new writer.From issue #56, the by then well-known writer of Transformers Marvel UK, Simon Furman took over the reins, having been asked by Marvel US. Furman used the characterisation he used at Marvel UK for the Transformers, and introduced many characters to the US comic who have already appeared in the UK comic. He wrote all the issues until the comic's cancellation at issue #80.Furmnan's most famous story arcs include Back from the Dead, the return of Megatron who kidnaps Ratchet to help him in his revenge against both Autobots and Decepticons; Primal Scream! which introduced Primus and re-told the origin of the Transformer race to the US readers too; the "Matrix Quest" which features the Autobots sending numerous teams to locate the Matrix that was lost when Optimus "died" and his body was shot into space; and the Unicron story arc from #67 to #75, featuring the Transformers' ultimate battle against the Chaos Bringer.Sadly the comic was cancelled shortly after issue #75, so Furman had to "wrap up" the ending. According to some interviews with him, he planned to feature the Neo-Knights and the "demons" inhabiting Cybertron's underground more in the never-written issues

    Armies are being raised and targets being set. All that stands between life and chaos are Alice Blood and a handful of unsuspecting federal agents. The war between the living and the undead has begun!

    Ever wonder how David Mack does his artwork? How his pages and covers go from sketches and drawings to finished art? How he uses models and figure drawings? It's all in here with tons of extras Collects Kabuki Reflections #5-10.

    Gumball thinks he’s the coolest kid on the block, but his little sister Anais begs to differ, and Darwin just wants to keep them all out of trouble.

    Sixteen pages of Sarah's Scribbles semi-autobiographical comics that follow the adventures of herself, her friends, and her beloved pets.

    When musical creativity spirals into chaos, KILL AUDIO discovers his life mission. From the creator of the best-selling THE AMORY WARS!

    It's nothing like the suburb you might live in . . . Unless, that is, an insane, Listerine-guzzling Realtor sold you your house? Or perhaps your postman happens to have a disturbing relationship with his claw hammer? A grieving Dan LaBarbara knows something is different in Helltown as soon as he comes back home. Yeah, sure, the town always been a little off. You can feel that about the place, like if you stepped into a house whose only occupants were freshly murdered corpses in an upstairs bedroom. But this is something else entirely. Standing in his little brother Barbie's basement workshop, holding one of those dioramas Barbie's been building since the accident, the ones that seem to move when you hold them, Dan can feel Barbie's terror. Barbie must know something is coming, something big, something evil. He's trying to warn Dan in the only way he knows. Why else would Barbie build a diorama depicting a man-sized version of a cartoon rabbit with bloody teeth about to devour a trembling teenager? Why else would he spend so much time crafting an intricate model of Death standing over a pimply teenager in the school library? And let's not even talk about that little model of the mob of undead surrounding the massive tower of vicious black spines behind the high school. Hilltown has a story to tell, and the lonely brain-damaged man who builds magical dioramas in his basement workshop has been telling it all along. As the evil closes in around them, Dan and his new love interest Jessica must do the impossible: save everyone one in Hilltown before it's too late.

    Ben Snakepit has been chronicling his life in three-panel comic strips for the past three and a half years. The material is funny at first, but becomes transcendently more than funny, showcasing repetitive patterns of behavior, common mistakes, the redeeming beauty of small moments and all the life that's in between.

    He and his fiancée, Shelly, are assaulted by a gang of street thugs after their car breaks down. Eric is shot in the head and is paralyzed, and can only watch as Shelly is savagely beaten and raped. They are then left for dead on the side of the road.He is resurrected by a crow and seeks vengeance on the murderers, methodically stalking and killing them. When not on the hunt, Eric stays in the house he shared with Shelly, spending most of his time there lost in memories of her. Her absence is torture for him; he is in emotional pain, even engaging in self-mutilation by cutting himself.The Crow acts as both guide and goad for Eric, giving him information that helps him in his quest but also chastising him for dwelling on Shelly's death, seeing his pining as useless self-indulgence that distracts him from his purpose.

    A group of raccoons gnaw on God’s severed head; a man brags to his friend about driving a Transformer out of its own funeral; a toaster revolts against its master. These are just some of the scenes in the pitch-black world of Hell Was Full, the popular webcomic that blends the bleak and the absurd into a delicious dadaist cocktail.

    His inky, rubbery drawings buttress his black humor.Psylicon --Ruin --Pulsar --Sorceress