An incorrigible wanderer, Shaffer has a habit of fleeing domesticity for the joys and rigors of the open road. This time her destination is Ghana, and what results is a transformative year spent roaming the African continent. Eager to transcend the limitations of tourism, Shaffer works as a volunteer, building schools and hospitals in remote villages. At the heart of her tale are the profound, complex, often challenging relationships she forms with those she meets along the way.Whether recounting a perilous boat trip to Timbuktu, a night of impassioned political debate in Ghana, or a fumbled romance in Burkina Faso, Shaffer portrays the collision of African and North American cultures with self-deprecating humor and clear-eyed compassion. Filled with warmth, candor, and an exuberant sense of adventure, Somebody’s Heart is Burning raises provocative questions about privilege, wealth, and the true meaning of friendship.

    . . a masterly synthesis." --The New York Times Book Review"Deeply penetrating, intensely thought-provoking and thoroughly informed . . . one of the most important general surveys of Africa that has been produced in the last decade." --The Washington PostIn 1978, paleontologists in East Africa discovered the earliest evidence of our divergence from the apes: three pre-human footprints, striding away from a volcano, were preserved in the petrified surface of a mudpan over three million years ago. Out of Africa, the world's most ancient and stable landmass, Homo sapiens dispersed across the globe.  And yet the continent that gave birth to human history has long been woefully misunderstood and mistreated by the rest of the world.In a book as splendid in its wealth of information as it is breathtaking in scope, British writer and photojournalist John Reader brings to light Africa's geology and evolution, the majestic array of its landforms and environments, the rich diversity of its peoples and their ways of life, the devastating legacies of slavery and colonialism as well as recent political troubles and triumphs. Written in simple, elegant prose and illustrated with Reader's own photographs, Africa: A Biography of the Continent is an unforgettable book that will delight the general reader and expert alike.  "Breathtaking in its scope and detail." --San Francisco Chronicle

    Inspired by firsthand accounts, Juan Tomás Ávila Laurel has written an urgent novel, by turns funny and sad, bringing a distinctly African perspective to a major issue of our time.Juan Tomás Ávila Laurel was born in 1966 in Equatorial Guinea. The Gurugu Pledge is his second novel, and follows his 2015 Independent Foreign Fiction Prize-shortlisted debut By Night The Mountain Burns, which was based on his memories of growing up on the remote island of Annobón. He made headlines in 2011 by embarking on a hunger strike, in an anti-government protest. He now lives exiled in Barcelona.Jethro Soutar translates from Spanish and Portuguese. He has translated Argentinian and Brazilian crime novels, written two nonfiction books of his own, and recently co-edited The Football Crónicas, a collection of football writing from Latin America. He divides his time between London and Lisbon.

    The unflinchingly observant narrator of this memoir reveals his missionary parents’ struggles in a sometimes hostile country. Sent reluctantly to boarding school in the capital, young Tim finds that beyond the gates enclosing that peculiar, isolated world, conflict roils Ethiopian society. When secret riot drills at school are followed with an attack by rampaging students near his parents' mission station, Tim witnesses the disintegration of his family’s African idyll as Haile Selassie’s empire begins to crumble.Like Alexandra Fuller’s Don’t Let’s Go to the Dogs Tonight, Chameleon Days chronicles social upheaval through the keen yet naive eyes of a child. Bascom offers readers a fascinating glimpse of missionary life, much as Barbara Kingsolver did in The Poisonwood Bible.

    In this compelling biography, Charles Nicholl pieces together the shadowy story of Rimbaud's life as a trader, explorer, and gunrunner in Africa. Following his fascinating journey, Nicholl shows how Rimbaud lived out that mysterious pronouncement of his teenage years: "Je est un autre"—I is somebody else."Rimbaud's fear of stasis never left him. 'I should like to wander over the face of the whole world,' he told his sister, Isobelle, 'then perhaps I'd find a place that would please me a little.' The tragedy of Rimbaud's later life, superbly chronicled by Nicholl, is that he never really did."—London Guardian"Nicholl has excavated a mosaic of semi-legendary anecdotes to show that they were an essential part of the poet's journey to become 'somebody else.' Not quite biography, not quite travel book, in the end Somebody Else transcends both genres."—Sara Wheeler, Daily Telegraph"At the end of Somebody Else Rimbaud is more interesting and more various than before: he is not less mysterious, but he is more real."—Susannah Clapp, Observer Review

    Crippled with rheumatism as a result of the cutting, Fadumo Korn, who once freely roamed the deserts of her native Somalia, is sent to live with a wealthy uncle, brother to the Somali president. She enters a world of luxury underpinned with political instability and cruelty, but receives an invaluable education. Korn eventually moves to Germany for therapy and recounts her life there—her marriage, the birth of her son, and her involvement in the movement to end genital cutting—with warm and inspiring humor.

    But if “figuring it all out” and “wanting it all” were Olympic sports, Emily would have been a gold medalist in both categories. Never one to admit defeat in the face of the enemy, Emily gets back in the dating ring again and again. But, the more she tries to make her therapist proud, the deeper down the rabbit hole she goes. While recovering the pieces of her broken heart, straight-A Emily’s dating world morphs into a mad soirée of drug addicts, embezzlers, perverts, and pimps. Just as she begins to believe that a bottle of wine might be her only shot at happiness, a chance encounter with a man she should never should have met resets Emily’s buttons. What she experience next satiates her heart, her soul, and her stomach, as she frees herself from the perils of her mid-twenties and becomes exactly who she is supposed to be.

    An allegorical tale, in which a collision between Westerners and tribalmembers imperils the stoic traditionalism of the Africans.

    It reveals how, from as early as 1990, the political, military and administrative leadership of Rwanda became involved in planning the complete extermination of the Tutsi population. A vicious hate campaign filled the media, urging Hutus to kill; a network of roadblocks was devised to prevent any escape; civil-defence groups were established throughout the country, with eventually every third Hutu being armed; half a million machetes and other agricultural tools were imported, and 85 tons of munitions were distributed country-wide, in the year leading up to the genocide.In an outstanding example of investigative journalism, Linda Melvern reveals the full story behind the conspiracy, detailing the involvement of world governments whose responses ranged from complicity to apathy. She shows how the killers outmanoeuvred the Security Council and led UN peacekeepers into a steady trap; how the French military trained the killers and how their 'humanitarian intervention' in June 1994 enabled many of those killers to escape justice; how the John Major government ignored warnings and then proceeded to mislead the British Parliament about what was really happening; how the US is still withholding wiretap and satellite evidence showing that the genocide had begun; and how significant was the knowledge of then Secretary General Boutros Boutros-Ghali.

    Here are the adventures of Akara-ogun – son of a brave warrior and a wicked witch – as he journeys into the forest, encountering and dealing with all-too-real unforeseen forces, engaging in dynamic spiritual and moral relationships with personifications of his fate, perhaps projections of the terrors and obsessions that haunt man.

    Abraham, Jacob, David, Solomon were Black. Pictures of the ancient Hebrews show this part of Biblical record to be accurate. These pictures are presented here!

    embassy in Liberia, twelve-year-old Linus Tuttle knows it's his chance for a fresh start. Instead of being his typical anxious self, from now on he'll be cooler and bolder: the new Linus. But as soon as his family gets off the plane, they see a black mamba--one of the deadliest snakes in Africa. Linus's parents insist mambas are rare, but the neighborhood is called Mamba Point, and Linus can barely go outside without tripping over one--he's sure the venomous serpents are drawn to him. Then he hears about kasengs, and the belief that some people have a deep, mysterious connection to certain animals. Unless Linus wants to hide in his apartment forever (drawing or playing games with the strange kid downstairs while his older brother meets girls and hangs out at the pool), he has to get over his fear of his kaseng animal. Soon he's not only keeping a black mamba in his laundry hamper; he's also feeling braver than ever before. Is it his resolution to become the new Linus, or does his sudden confidence have something to do with his scaly new friend? From Kurtis Scaletta, author of Mudville, comes a humorous and compelling story of a boy learning about himself through unexpected friends, a fascinating place, and an extraordinary animal.

    Pearce and Rehana begin a passionate illicit love affair, which resonates fifty years later when the narrator’s brother falls madly in love with Rehana’s granddaughter. In the story of two forbidden love affairs and their effects on the lovers’ families, Abdulrazak Gurnah brilliantly dramatizes the personal and political consequences of colonialism, the vicissitudes of love, and the power of fiction.

    While it focuses mainly on Spain and Portugal, it also examines the races and roots of the original North African before the later ethnic mix of the blackamoors and tawny Moors in the medieval period. The study ranges from the Moor in the literature of Cervantes and Shakespeare to his profound influence upon Europe's university system and the diffusion via this system of the ancient and medieval sciences. The Moors are shown to affect not only European mathematics and map-making, agriculture and architecture, but their markets, their music and their machines. The ethnicity of the Moor is re-examined, as is his unique contribution, both as creator and conduit, to the first seminal phase of the industrial revolution.

    The history of the Camino is recounted, as well as several of the myths, legends, and miracle stories that have become attached--and given special meaning--to this itinerary. Emphasizing that personal myths are an essential part of this lore, this chronicle also includes stories from the confraternity of the pilgrims, people from all corners of the world who visit this walk for a great diversity of reasons, but all of whom leave having experienced the same miracle--that this pilgrimage will play a defining role in their lives.