The family’s only regret is leaving their garden where, we can imagine, because it is September the dahlias are at their fiery best: as they flash past in the train they get a glimpse of their back garden, where ‘a shaft of sunlight fell through the side passage and lit up the clump of white asters by the apple tree.’ This was what the First World War soldiers longed for; this, he imagined, was what he was fighting for and would return to (as in fact Sherriff did).He had had the idea for his novel at Bognor Regis: watching the crowds go by, and wondering what their lives were like at home, he ‘began to feel the itch to take one of those families at random and build up an imaginary story of their annual holiday by the sea...I wanted to write about simple, uncomplicated people doing normal things.’

    This story of three closely related Oxfordshire communities - a hamlet, the nearby village and a small market town - is based on the author's experiences during childhood and youth. It chronicles May Day celebrations and forgotten children's games, the daily lives of farmworkers and craftsmen, friends and relations - all painted with a gaiety and freshness of observation that make this trilogy an evocative and sensitive memorial to Victorian rural England.With a new introduction by Richard Mabey

    She finds the passion her spirit craves in the love of a daring French pirate who is being hunted by all of Cornwall.Together, they embark upon a quest rife with danger and glory, one which bestows upon Dona the ultimate choice: sacrifice her lover to certain death or risk her own life to save him.

    When he remarries, a new step-sister enters Molly's quiet life – loveable, but worldly and troubling, Cynthia. The narrative traces the development of the two girls into womanhood within the gossiping and watchful society of Hollingford.Wives and Daughters is far more than a nostalgic evocation of village life; it offers an ironic critique of mid-Victorian society. 'No nineteenth-century novel contains a more devastating rejection than this of the Victorian male assumption of moral authority', writes Pam Morris in her introduction to this new edition, in which she explores the novel's main themes – the role of women, Darwinism and the concept of Englishness – and its literary and social context.

    Actual opening line of the novel is: "To J. Halford, Esq. Dear Halford, when we were together last..."This is the story of a woman's struggle for independence. Helen "Graham" has returned to Wildfell Hall in flight from a disastrous marriage. Exiled to the desolate moorland mansion, she adopts an assumed name and earns her living as a painter.

    A world famous composer, a honeymooning couple, a novelist in search of a plot, a German film star, a young crown prince and a sister of charity are among the disparate group of travellers on the boat train to continental Europe. “It would be very interesting to know the life history of everybody on this train – why we are travelling on it …” Set amid the political upheaval of the 1930s, this is the witty, insightful and bittersweet story of the passengers on the Four-thirty from Victoria. Each is facing a different journey, with their own hopes, fears and challenges; and for some, their lives will cross in unexpected ways. The 80th anniversary edition of the newly rediscovered classic bestseller from the 1930s.

    Their niece, Lois Farquar, attempts to live her own life and gain her own freedoms from the very class that her elders are vainly defending. The Last September depicts the tensions between love and the longing for freedom, between tradition and the terrifying prospect of independence, both political and spiritual.

    ‘So it was that it came out in the same year as Sylvia Plath’s The Bell Jar. The Pumpkin Eater by Penelope Mortimer and The L-Shaped Room by Lynne Reid Banks had been published just a year or so earlier. As a needle on the historical compass of the previous decade, it quivers with the anticipation of change, poised at the very end of what had gone before.When the manuscript was first submitted to a publisher they complained that they couldn’t imagine why anyone would want to read about a funeral. But that is precisely this book’s appeal; people behave strangely and badly around death and a family funeral has a dark comic drama all of its own. The plot is simple; a wealthy family gathers at the family home (a 2,000 acre country estate in Derbyshire) in the aftermath of the patriarch’s death; to mourn him, bury him and read his will. Jane Hervey restricts herself to four chapters, corresponding to four days, and the weight of the novel lies in the relationships between the old man’s surviving wife and adult children as they begin to realise what his death will mean.Jane Hervey is brilliant on the power play within a family: who gets what and who does what in the vacuum left by a dead parent. She observes the struggle between husband and wife, child and parent, older and younger siblings, those with status and those without and how that status is achieved. Her novel is restless with these constantly shifting positions as the characters jostle and bicker for advantage."- Persephone

    Describes the mind of a child torn between her mother, whom she leaves behind in London, and the couple who take her in.

    It is 1906 and Cadenabbia's visitors are ending the summer, their many nationalities, titles, money, idle chatter making a new world for Bernard, while Count Kavonski's pursuit of Madame Solario gives him a chance to protect the woman who has infatuated him. The antagonism between the two is dissolved when Eugene appears, and envelops Madame in his plans for an opportunist alliance with wealth.

    But when they are unable to pay their debts to the stunted, lecherous and demonic money-lender Daniel Quilp, the shop is seized and they are forced to flee, thrown into a shadowy world in which there seems to be no safe haven. Dickens's portrayal of the innocent, tragic Nell made The Old Curiosity Shop an instant bestseller that captured the hearts of the nation, even as it was criticised for its sentimentality by figures such as Oscar Wilde. Yet alongside the story's pathos are some of Dickens's greatest comic and grotesque creations: the ne'er-do-well Dick Swiveller, the mannish lawyer Sally Brass, the half-starved 'Marchioness' and the lustful, loathsome Quilp himself.This edition, based on the original text of 1841, contains an introduction by Norman Page discussing the various contrasting themes of the novel and its roots in Dickens's own personal tragedy, with prefaces to the 1841 and 1848 editions, a chronology, notes and original illustrations produced for the serial version.Charles Dickens is one of the best-loved novelists in the English language, whose 200th anniversary was celebrated in 2012. His most famous books, including Oliver Twist, Great Expectations, A Tale of Two Cities, David Copperfield and The Pickwick Papers, have been adapted for stage and screen and read by millions.If you enjoyed The Old Curiosity Shop, you might like Dickens's Hard Times, also available in Penguin Classics.

    Out of nowhere, a great-aunt leaves her a Georgian mansion in another city--and she sheds her old life without delay. Gone is her dull administrative job, her mousy wardrobe, her downer of a roommate. She will live as a woman of leisure, devoted to beauty, creativity, expression, and love. Once installed in her new quarters, Rachel plants a garden, takes up writing, and impresses everyone she meets with her extraordinary optimism. But as Rachel sings and jokes the days away, her new neighbors begin to wonder if she might be taking her transformation just a bit too far.In Wish Her Safe at Home, Stephen Benatar finds humor and horror in the shifting region between elation and mania. His heroine could be the next-door neighbor of the Beales of Grey Gardens or a sister to Jane Gardam's oddball protagonists, but she has an ebullient charm all her own.

    Strongly autobiographical, it vividly conveys the intensely felt worlds of the adolescent - love, poetry and England - and the enthralling but sometimes painful experience of growing up female; and its picture of family life in early-twentieth-century Wellington, in all its physical details, emotional tensions, muddle and variety, lingers in the mind.

    Portraying her heroine's inner life, creating a thick atmosphere of fear, and providing a gripping plot that continues to thrill readers today, The Mysteries of Udolpho is the story of orphan Emily St. Aubert, who finds herself separated from the man she loves and confined within the medieval castle of her aunt's new husband, Montoni. Inside the castle, she must cope with an unwanted suitor, Montoni's threats, and the wild imaginings and terrors that threaten to overwhelm her. This new edition includes an introduction that discusses the publication and early reception of the novel, the genre of Gothic romance, and Radcliffe's use of history, exotic settings, the supernatural, and poetry.

    As she describes her heroine's entry into society, womanhood and, inevitably, love, Burney exposes the vulnerability of female innocence in an image-conscious and often cruel world where social snobbery and sexual aggression are played out in the public arenas of pleasure-gardens, theatre visits, and balls. But Evelina's innocence also makes her a shrewd commentator on the excesses and absurdities of manners and social ambitions—as well as attracting the attention of the eminently eligible Lord Orville. Evelina, comic and shrewd, is at once a guide to fashionable London, a satirical attack on the new consumerism, an investigation of women's position in the late eighteenth century, and a love story. The new introduction and full notes to this edition help make this richness all the more readily available to a modern reader.