Told with disarming honesty, the book propels the reader into the mind of an addict and shows us the depths of degradation one man sunk to before finding the inner strength to save himself.Terry Donaldson met with success early in life but his struggle with addiction soon became an all-out war. His Jekyll and Hyde lifestyle – TV presenter by day, whilst he scoured the streets of London in search of drugs and prostitutes by night – caused him to lose everything.Facing financial ruin, he agreed to smuggle drugs from Barbados, but was caught and sent to one of the world’s worst prisons, where he remained for over 3 years. Honest and disturbing, Hell in Barbados is the true story of how Donaldson witnessed stabbings, beatings, shootings and a full scale riot as the prison went up in flames.
In this extraordinary book, he describes the true horror of prison life in the Caribbean, the depravity that brought him there, and the years of brutality he was forced to endure.

    This innocuous sound, which no one else in the house can hear, has no obvious source or medical cause, but it begins to upset the balance of Claire’s life. When she discovers that one of her students can also hear the hum, the two strike up an unlikely and intimate friendship. Finding themselves increasingly isolated from their families and colleagues, they fall in with a disparate group of people who also perceive the sound. What starts out as a kind of neighbourhood self-help group gradually transforms into something much more extreme, with far-reaching, devastating consequences. The Listeners is an electrifying novel that treads the thresholds of faith, conspiracy and mania. Compelling and exhilarating, it forces us to consider how strongly we hold on to what we perceive, and the way different views can tear a family apart.

    Now, more than ever before, our country needs to see full legalization of medical/recreational marijuana and hemp. Any way you look at it, for whoever is using it, marijuana is a medicinal plant, in abundant supply. Every month and every year that goes by, we find out more positive things about it. Medicinal marijuana has been demonized through the years but obviously this plant has a great deal of positive attributes, and it’s also a renewable resource. Being a cash crop, marijuana is bad for the pharmaceutical industry. Is Big Pharma pressuring the government to continue to deny sick people access? If so, that’s truly a crime against American citizens. And as Ventura writes: “Our government won’t do the right thing and legalize marijuana unless we the people demand it, because there are so many people within our government on the payroll, all thanks to the War on Drugs." Jesse Ventura’s Marijuana Manifesto calls for an end to the War on Drugs. Just because something is illegal, that doesn’t mean it goes away, it just means that criminals run it. Legalizing marijuana and marijuana dispensaries will serve to rejuvenate our pathetic economy, and just might make people a little happier. Ventura’s book will show us all how we can take our country back.

    A recently divorced, early retiree accidentally burns down his house on the day he pays off the mortgage, only to discover that for the first time in his life he’s forgotten to pay a bill: his insurance premium. An old friend of his, a middle-aged musician, prepares for her suicide to end the pain of esophageal cancer. Her father, who left his family to study Buddhism in Nepal, ends his days in a Toronto facility for Alzheimer’s patients. The three are tied together not only by their bonds of affection, but by a book called The World, written by the old man in his youth. The book, possibly biographical, tells the story of a historian who unearths a cache of letters, written in Chinese, in an abandoned leper colony off the coast of Victoria. He and the young Chinese translator fall in love, only to betray each other in the cruellest way possible, each violating what the other reveres most.

    While her almost-but-not-quite ex-boyfriend Adam is on a work assignment in Europe, Anna finds herself tricked into a ditch-the-loser intervention by her supportive yet meddling girlfriends. More frustrated than ever, Anna starts to smoke, asks Buddy, the backyard squirrel, for advice, and finally seeks out the help of a caring but fashion-challenged therapist. Adding to the emotional overload, Anna's beautiful but rash sister decides to move to the Middle East. Luckily, Anna has a resource even better than Buddy or the therapist: her devoted grandmother, who tells it like it is, refuses to conform to anyone's expectations, and who continues to live on her prairie farm all alone, half-blind, and completely happy. In her richly rewarding debut novel, Daria Salamon explores the bonds that make and break family, friendship, and love with warmth and good humor.

    Di Cintio shares tea with Saharan refugees on the wrong side of Morocco’s desert wall. He meets with illegal Punjabi migrants who have circumvented the fencing around the Spanish enclave of Ceuta. He visits fenced-in villages in northeast India, walks Arizona’s migrant trails, and travels to Palestinian villages to witness the protests against Israel’s security barrier.From Native American reservations on the U.S.-Mexico border and the “Great Wall of Montreal” to Cyprus’s divided capital and the Peace Lines of Belfast, Di Cintio seeks to understand what these structures say about those who build them and how they influence the cultures that they pen in. He learns that while every wall fails to accomplish what it was erected to achieve – the walls are never solutions – each wall succeeds at something else. Some walls define Us from Them with Medieval clarity. Some walls encourage fear or feed hate. Some walls steal. Others kill. And every wall inspires its own subversion, either by the infiltrators who dare to go over, under, or around them, or by the artists who transform them.

    Ranging from an island holiday gone wrong to a dive bar on the upswing to a yuppie mother in a pricey subdivision seeing her worst fears come true, these deftly written stories are populated by barkeeps, good men down on their luck, rebellious teens, lonely immigrants, dreamers and realists, fools and quiet heroes. In author Kerry-Lee Powell’s skillful hands, each character, no matter what their choices, is deeply human in their search for connection. Powell holds us in her grasp, exploring with a black humour themes of belonging, the simmering potential for violence and the meaning of art no matter where it is found, and revealing with each story something essential about the way we see the world.A selection of these stories have won significant awards including the Boston Review fiction contest and The Malahat Review’s Far Horizons award for short fiction. For readers of Lorrie Moore, Denis Johnson and Michael Christie.

    Set in the vividly imagined streets of 1920s Montreal, Serafim and Claire is the beautiful, moving, and compulsively readable story of two dreamers whose worlds become forever connected.Claire Audette is a dancer whose reputation in the vaudeville houses of 1920s Montreal is rapidly on the rise. Serafim Vieria is a photographer and lonely immigrant, wandering the streets of the same city haunted by memories of a lost love in his native Portugal. Around them, the Twenties are roaring, and the metropolis is simmering: corrupt politicians, the burgeoning of jazz, the emerging suffragette movement, trouble in the Red Light, fascism in the Italian community, with the English/French divide cleaving through it all. And as Serafim and Claire’s lives begin to intertwine, a dangerous plot forms that could boost both their fortunes. Can their naïve yet cunning plan succeed? Can they make their own luck? And, if they fail, what will become of their budding love? Serafim and Claire is the unforgettable story of two idealistic yet flawed dreamers being drawn together, and of the vibrant city and times in which they live. In lush and beautiful prose, Mark Lavorato brings an entire world vividly to life.

    John Gould has updated and westernized the form of the palm-of-the-hand story, invented eighty years ago by Yasunari Kawabata, who wanted a way to write a fiction writer’s poetry. In spare, elegant prose, Gould crafts quirky gems, compact fusions of humor and pathos. At the center of this multifaceted collection is a vision of human beings as paradoxical creatures, finite and haunted by infinite longings. In story after story, Gould locates the fulcrum on which a life tilts from kilter to off-kilter and back again. “There are big ideas in these small packages. . . . Kilter, at once quiet and terribly ambitious, funny and moving, is a keeper.”—The Globe and Mail