Brodkey was hailed as an 'unusually gifted writer' (The Atlantic) and a 'rich talent' (San Francisco Chronicle), whose stories read like 'murmured confidences, highly personal yet carefully contrived' (Chicago Tribune).In First Love and Other Sorrows, the young Brodkey chronicles the world of the educated and affluent middle class of the 1950s, at leisure and in love. He establishes the themes that would appear throughout his career: the painful uncertainties of childhood, the halting intimacies of social life, with rare terseness, humor, and haunting insight. Two new stories, never before collected, from Brodkey's early writings, join the original volume to complete a much-loved classic.

    Magpies whisper to lonely drivers late at night. Trees can make wishes come true - provided you know how to wish properly first. Houses creak, fill with water and keep a fretful watch on their inhabitants, straightening shower curtains and worrying about frayed carpets. A teenager's growing pains are sometimes even bigger than him. And, on a windy beach, a small boy and his grandmother keep despair at bay with an old white door. In these stories, Cornish folklore slips into everyday life. Hopes, regrets and memories are entangled with catfish, wrecker's lamps, standing stones and baying hounds, and relationships wax and wane in the glow of a moonlit sea. This luminous, startling and utterly spellbinding debut collection introduces in Lucy Wood a spectacular new voice in contemporary British fiction. Lucy Wood has a Master's degree in Creative Writing from Exeter University. She grew up in Cornwall. Diving Belles is her first work.

    A long-lost stepbrother's visit to New York prompts a reckoning with a family's old taboos. An office worker, exhausted by the ambitions of the men around her, emerges into the gridlocked city one afternoon to make a decision. A wife, looking at her husband's passwords neatly posted on the wall, realizes there are no secrets left in their marriage.In these stories, thrilling desire and melancholic yearning animate women's lives--from the brink of adulthood, to the labyrinthine path between twenty and thirty, to middle age, when certain possibilities quietly elapse. With powerful observation and mordant humor, Clare Sestanovich opens up a fictional world where intimate and uncomfortable truths lie hidden in plain sight. Objects of Desire is a book pulsing with subtle drama, rich with unforgettable scenes and alive with moments of recognition, each more startling than the last--a spellbinding, brilliant debut.

    There are the surprising, fresh little phrases minted expressly to convey the delicate realities of the made-up world. There's the humor, fierce and sly but always kind. There's the imagination that changes gender and historical epoch at whim, and does so convincingly; and the characters themselves, a sundry bunch of men and women not necessarily successful or commendable but always, somehow, likable. Best of all, by their very diversity, these stories reveal glimpses of the smart and enigmatic woman behind the work. In "Atlantic Crossing," Winterson becomes a middle-aged businessman of the mid-20th century, accidentally assigned to share his second-class cabin with a young black woman on a transatlantic crossing. In the realm of event, little happens, but in its depth of perception and what it tells of the nuances of regret, the story is as rich as a novel in another writer's hands. A few scant pages later, Winterson becomes a kind of lost female Homer, telling Orion's story from Artemis's point of view: "When she returned she saw this huge rag of a man eating her goat, raw.... His reputation hung about him like bad breath." In "The Poetics of Sex," she creates a lesbian love story that evokes her characters' personalities as explicitly as their erotic pleasures. "The 24-Hour Dog," the story of a woman writer returning a puppy she had thought to adopt, is remorseless as a psychological thriller in the squirmy depths it plumbs: "I had made every preparation, every calculation, except for those two essentials that could not be calculated: his heart and mine." Read The World and Other Places twice, once for instruction, once for joy. --Joyce Thompson

    Enter Stacey Richter, a virtuoso contender for that very prize, whose offbeat characters manage to toe the line between eccentricity and banal daily life. Each story is organized around a pair of characters, and these characters are permitted to reach their full bizarre potential against mundane backdrops. The result is fiction that drives toward a place of surreal revelation, in these sometimes disturbing, often funny, short pieces. In Twin Study, Richter beautifully captures -- albeit through unlikely exemplars -- the essential experience of humanity.

    Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted.As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces—more than forty of which have never been published before. Two of Jackson’s children co-edited this volume, culling through the vast archives of their mother’s papers at the Library of Congress, selecting only the very best for inclusion.Let Me Tell You brings together the deliciously eerie short stories Jackson is best known for, along with frank, inspiring lectures on writing; comic essays about her large, boisterous family; and whimsical drawings. Jackson’s landscape here is most frequently domestic: dinner parties and bridge, household budgets and homeward-bound commutes, children’s games and neighborly gossip. But this familiar setting is also her most subversive: She wields humor, terror, and the uncanny to explore the real challenges of marriage, parenting, and community—the pressure of social norms, the veins of distrust in love, the constant lack of time and space.For the first time, this collection showcases Shirley Jackson’s radically different modes of writing side by side. Together they show her to be a magnificent storyteller, a sharp, sly humorist, and a powerful feminist.This volume includes a foreword by the celebrated literary critic and Jackson biographer Ruth Franklin.