What will she be like, and will they be friends? But when Isabelle starts being really mean, Zoe has to choose between being mean too, or standing tall and being a good friend.  Over one million GO GIRL! copies in print in Australia!

    Detailed facts and figures as well as a focus on the issue of diversity make this a great book for reference and a basis for discussion, both at home and in the classroom.

    This beautifully illustrated padded storybook is a perfect way to share the true classic fairytale of Cinderella with your little princess! Plus with it's sparkly padded cover, this book is a wonderful companion to the Cinderella: Special Edition DVD.

    The tales are told with glorious full-color illustrations, making this handsome edition a treasure for all ages.

    

    But to do this they need to outwit the evil General Woundwort.

    A turtle afraid of small dark places, and therefore of crawling into his shell, asks a variety of animals for advice, only to find out that each has a fear of its own.

    This is the best known version of the original story that inspired Walt Disney’s classic and has been retold countless times and adapted for screen, stage, prose, and television.

    Burgess was also a noted conservationist. In writing for youngsters he combined a gift for storytelling with his love of the outdoors, creating an entertaining menagerie of animals whose adventures he skillfully recounted in a series of charming fables. In them, he taught young readers about nature and encouraged them to love the "lesser folk in fur and feathers."In this delightfully told tale, Burgess chronicles the escapades of Chatterer the Red Squirrel, who's known throughout the Green Forest as a mischief maker. Narrowly escaping the clutches of Shadow the Weasel and Redtail the Hawk, the bushy-tailed little fellow decides to leave the forest for a new home, only to learn that curiosity, carelessness, and mistrust can lead to a heap of troubles.First published in 1915, this engaging story will charm readers of all ages — as well as young listeners.

    A contemporary of Randolph Caldecott and Walter Crane, she attracted a wide audience in the United States and England, and many of her books were even translated into German and French.One of Greenaway's early successes was Mother Goose, or the Old Nursery Rhymes, first published in 1881, featuring such favorite poems as "Little Jack Horner," "Little Bo Peep," and "Jack and Jill" paired with whimsical illustrations of children playing in an idyllic countryside. Her enchanting watercolors evoked the urban Victorian reader's nostalgia for the rural life of earlier times and echoed Greenaway's own longing to retreat to a more tranquil setting than her native London.This new edition of Kate Greenaway's Mother Goose reproduces illustrations from the rare 1881 edition in the Huntington Library's collections. The Huntington owns an extensive collection of books illustrated by Greenaway, several of her manuscripts, and nearly one hundred of her original drawings.

     If there was one thing James loved to do more than anything else, it was to be in the great outdoors watching his beloved feathered friends. In the fall of 1804, he was determined to find out if the birds nesting near his Pennsylvania home would really return the following spring. Through careful observation, James laid the foundation for all that we know about migration patterns today. Capturing the early passion of this bird-obsessed young man as well as the meticulous study and scientific methods behind his research, this lively, gorgeously illustrated biography will leave young readers listening intently for the call of birds large and small near their own home.

    Duration ca. 22 minutes.

    Suitable for all Flower Fairy enthusiasts, this title celebrates the annual rejuvenation of the natural world at spring and introduces children to the season's flowers by making them magical.

    Now they are alone. With the war raging around them, food and shelter are hard to come by. They live in constant fear.Finally, they get word that their father is alive. He has made it to Switzerland. Edek and Ruth are determined to find him, though they know how dangerous the long trip from Warsaw will be. But they also know that if they don't make it, they may never see their parents again.Their gripping story is taken from actual accounts.

    Tom lives with his Aunt Polly, half-brother Sid, and cousin Mary in the quaint town of St. Petersburg, just off the shore of the Mississippi River. St. Petersburg is described as a typical small-town atmosphere where the Christian faith is predominant, the social network is close-knit, and familiarity resides. Unlike his brother Sid, Tom receives "lickings" from his Aunt Polly; ever the mischief-maker, would rather play hooky than attend school and often sneaks out his bedroom window at night to adventure with his friend, Huckleberry Finn ­ the town's social outcast. Tom, despite his dread of schooling, is extremely clever and would normally get away with his pranks if Sid were not such a "tattle-tale." As punishment for skipping school to go swimming, Aunt Polly assigns Tom the chore of whitewashing the fence surrounding the house. In a brilliant scheme, Tom is able to con the neighborhood boys into completing the chore for him, managing to convince them of the joys of whitewashing. At school, Tom is equally as flamboyant, and attracts attention by chasing other boys, yelling, and running around. With his usual antics, Tom attempts to catch the eye of Becky Thatcher, a new girl in town, and persuades her to get "engaged" by kissing him. But their romance collapses when she learns Tom has been "engaged" previously to Amy Lawrence. Shortly after Becky shuns him, he accompanies Huckleberry Finn to the graveyard at night, where they witness the murder of Dr. Robinson.Excerpt:"TOM!" No answer. "TOM!" No answer. "What's gone with that boy,  I wonder? You TOM!" No answer. The old lady pulled her spectacles down and looked over them about the room; then she put them up and looked out under them. She seldom or never looked through them for so small a thing as a boy; they were her state pair, the pride of her heart, and were built for "style," not service—she could have seen through a pair of stove-lids just as well. She looked perplexed for a moment, and then said, not fiercely, but still loud enough for the furniture to hear: "Well, I lay if I get hold of you I'll—" She did not finish, for by this time she was bending down and punching under the bed with the broom, and so she needed breath to punctuate the punches with. She resurrected nothing but the cat. "I never did see the beat of that boy!"