A Syrian mother, a Lebanese father, and three American children: all have lived a life of migration. Still, they’ve always had their ancestral home in Beirut—a constant touchstone—and the complicated, messy family love that binds them. But following his father's recent death, Idris, the family's new patriarch, has decided to sell. The decision brings the family to Beirut, where everyone unites against Idris in a fight to save the house. They all have secrets—lost loves, bitter jealousies, abandoned passions, deep-set shame—that distance has helped smother. But in a city smoldering with the legacy of war, an ongoing flow of refugees, religious tension, and political protest, those secrets ignite, imperiling the fragile ties that hold this family together.   In a novel teeming with wisdom, warmth, and characters born of remarkable human insight, award-winning author Hala Alyan shows us again that “fiction is often the best filter for the real world around us” (NPR).

    To Dylan’s surprise they are met with support and congratulations, and an amazing reception at their high school dance. Perhaps people aren’t as narrow-minded as he thought?But Dylan’s happiness is short-lived. Ellis suddenly becomes angry, withdrawn, and as they drive home from the dance, he loses control of the car, sending it plunging into Hunter’s Lake. Barely conscious, Dylan is pulled free of the wreck, while Ellis is left to drown.Grief-stricken, Dylan vows to discover what happened to Ellis that night and piece together the last months of his boyfriend’s life – and realises just how little he knew about the boy he loved.

    Larissa Lai interweaves three narrative voices and their attendant cultures: an elusive fox growing toward wisdom and her 1000 birthday, the ninth-century Taoist poet/nun Yu Hsuan-Chi (a real person executed in China for murder), and the oddly named Artemis, a young Asian-American woman living in contemporary Vancouver.With beautiful and enchanting prose, and a sure narrative hand, Lai combines Chinese mythology, the sexual politics of medieval China, and modern-day Vancouver to masterfully revise the myth of the Fox (a figure who can inhibit women’s bodies in order to cause mischief).

    Unfortunately, he spends his days writing copy about underwear and abs for a gay lifestyle magazine. When a troubled young porn star brings him a tip about a recently deceased marine’s secret visit to an infamous pimp for underage boys, Adam is determined to break the story…until someone starts threatening his life.Undeterred, Adam begins to unravel a deadly conspiracy involving runaway sugar daddies, salacious A-list parties, and three handsome young men who have vanished without a trace. Now he must enter the seedy underbelly of LA to find the truth behind their disappearance, as well as the disappearance of his ex-lover, Corey—who may have some deadly secrets of his own.In this supercharged modern noir tale of sex, drugs, and revenge from New York Times bestselling author Christopher Rice, getting to the bottom of a scandalous story can be dangerous…if not downright fatal.Revised edition: This edition of Light Before Day includes editorial revisions.

    Instead, he’s surfing the real estate listings, searching for a sanctuary—a nice farmhouse in Kansas, perhaps. Although James lives in twenty-first-century Manhattan, he’s more at home in the faraway worlds of Eric Rohmer or Anthony Trollope—or his favorite writer, the obscure and tragic Denton Welch. James’s sense of dislocation is exacerbated by his willfully self-absorbed parents, a disdainful sister, his Teutonically cryptic shrink, and an increasingly vague, D-list celebrity grandmother. Compounding matters is James’s growing infatuation with a handsome male colleague at the art gallery his mother owns, where James supposedly works at his summer job but where he actually plots his escape to the prairie.

    The bright and driven daughter of a Boston-area Irish-Arab family that has risen over the generations from poor immigrants to part of the coastal elite, Rita grows up in a 1980s cultural mishmash. Corned beef and cabbage sit on the dinner table alongside stuffed grape leaves and tabooleh, all cooked by Rita's mother, an Irish nurse who met her Lebanese surgeon husband while working at a hospital together. The unconventional yet close-knit family bonds over summers at the beach, wedding line-dances, and a shared obsession with the Red Sox. Rita charts herself an ambitious path through Harvard to one of the best newspapers in the country. She is posted in cosmopolitan Beirut and dates a handsome Palestinian would-be activist. But when she is assigned to cover the America-led invasion of Baghdad in 2003, she finds herself unprepared for the warzone. Her lifeline is her interpreter and fixer Nabil al-Jumaili, an equally restless young man whose dreams have been restricted by life in a deteriorating dictatorship, not to mention his own seemingly impossible desires. As the war tears Iraq apart, personal betrayal and the horrors of conflict force Rita and Nabil out of the country and into twisting, uncertain fates. What lies in wait will upend their lives forever, shattering their own notions of what they're entitled to in a grossly unjust world.Epic in scope, by turns satirical and heartbreaking, and speaking sharply to America's current moment, Correspondents is a whirlwind story about displacement from one's own roots, the violence America promotes both abroad and at home, and the resilience that allows families to remake themselves and endure even the most shocking upheavals.

    Her uncle, Pol, who has offered her a fresh start and a place to stay in the Bay Area, knows not to ask about her past. And his younger wife, Paz, has learned enough about the might and secrecy of the De Vera family to keep her head down. Only their daughter, Roni, asks Hero why her hands seem to constantly ache.Illuminating the violent political history of the Philippines in the 1980s and 1990s and the insular immigrant communities that spring up in the suburban United States with an uncanny ear for the unspoken intimacies and pain that get buried by the duties of everyday life and family ritual, Castillo delivers a powerful, increasingly relevant novel about the promise of the American dream and the unshakable power of the past. In a voice as immediate and startling as those of Junot Díaz and NoViolet Bulawayo, America Is Not the Heart is a sprawling, soulful telenovela of a debut novel. With exuberance, muscularity, and tenderness, here is a family saga; an origin story; a romance; a narrative of two nations and the people who leave home to grasp at another, sometimes turning back.

    A runaway bestseller, the novel hit the top five lists of all the major bookstores and went into nine printings. Both award-winning for its unique literary voice and perspective, and particularly resonant with young readers, it has been a phenomenon in Korea and is poised to capture a worldwide readership.Love in the Big City is an energetic, joyful, and moving novel that depicts both the glittering nighttime world of Seoul and the bleary-eyed morning-after. Young is a cynical yet fun-loving Korean student who pinballs from home to class to the beds of recent Tinder matches. He and Jaehee, his female best friend and roommate, frequent nearby bars where they push away their anxieties about their love lives, families, and money with rounds of soju and ice-cold Marlboro Reds that they keep in their freezer. Yet over time, even Jaehee leaves Young to settle down, leaving him alone to care for his ailing mother and to find companionship in his relationships with a series of men, including one whose handsomeness is matched by his coldness, and another who might end up being the great love of his life.A brilliantly written novel filled with powerful sensory descriptions and both humor and emotion, Love in the Big City is an exploration of millennial loneliness as well as the joys of queer life, that should appeal to readers of Sayaka Murata, Han Kang, and Cho Nam-Joo.

    Set in Mexico City during the early fifties, Queer follows William Lee's hopeless pursuit of desire from bar to bar in the American expatriate scene. As Lee breaks down, the trademark Burroughsian voice emerges; a maniacal mix of self-lacerating humor and the Ugly American at his ugliest. A haunting tale of possession and exorcism, Queer is also a novel with a history of secrets, as this new edition reveals.

    What Alex doesn’t know is that in moving, Priya is running from her past—from a fraught relationship with an old friend, Prakash, who pursued her for many years, both online and off. Time has passed, however, and Priya, confident that her ties to Prakash have been successfully severed, decides it’s once more safe to establish an online presence. In no time, Prakash discovers Priya online and contacts her. Impulsively, inexplicably, Priya invites him to visit her and Alex in the country, without ever having come clean with Alex about their relationship— or its tumultuous end. Prakash’s sudden arrival at their home reveals cracks in Priya and Alex’s relationship and brings into question Priya’s true intentions.Seductive and tension-filled, Polar Vortex is a story of secrets, deceptions, and revenge. It asks readers: Are we ever free from our pasts? Do we deserve to be?

    Their language is forbidden, their names are changed to Jeremiah and Gabriel, and both boys are abused by priests.As young men, estranged from their own people and alienated from the culture imposed upon them, the Okimasis brothers fight to survive. Wherever they go, the Fur Queen--a wily, shape-shifting trickster--watches over them with a protective eye. For Jeremiah and Gabriel are destined to be artists. Through music and dance they soar.

    Some are small, like how it bothers her when her friends don’t invite her to parties. Some are big, like that fact that her father may be having an affair. And then there’s the one that she can barely even admit to herself—the one about how she might have a crush on her best friend.When Sana and her family move to California she begins to wonder if it’s finally time for some honesty, especially after she meets Jamie Ramirez. Jamie is beautiful and smart and unlike anyone Sana’s ever known. There are just a few problems: Sana’s new friends don’t trust Jamie’s crowd; Jamie’s friends clearly don’t want her around anyway; and a sweet guy named Caleb seems to have more-than-friendly feelings for her. Meanwhile, her dad’s affair is becoming too obvious to ignore anymore.Sana always figured that the hardest thing would be to tell people that she wants to date a girl, but as she quickly learns, telling the truth is easy… what comes after it, though, is a whole lot more complicated.

    Having been fired from his job because of a sex scandal involving a student, the teacher travels to Paris under an assumed name -- that of his best friend, Herbert. In Paris, "Herbert" becomes enchanted by Stephane, a fifteen-year-old boy. As he unravels the gilded but sad childhood of Allan Stein, "Herbert" is haunted by memories of his own boyhood, particularly his odd, flamboyant mother. Moving from the late twentieth century back to the 1900s, effortlessly blending fact and fiction, Allan Stein is a charged exploration of eroticism, obsession, and identity.

    But her quiet life is shattered when her husband, Kamal, is found brutally murdered with a hatchet in the courtyard of their home. Nearly catatonic with shock, Zeba is unable to account for her whereabouts at the time of his death. Her children swear their mother could not have committed such a heinous act. Kamal’s family is sure she did, and demands justice. Barely escaping a vengeful mob, Zeba is arrested and jailed.Awaiting trial, she meets a group of women whose own misfortunes have led them to these bleak cells: eighteen-year-old Nafisa, imprisoned to protect her from an “honor killing”; twenty-five-year-old Latifa, a teen runaway who stays because it is safe shelter; twenty-year-old Mezghan, pregnant and unmarried, waiting for a court order to force her lover’s hand. Is Zeba a cold-blooded killer, these young women wonder, or has she been imprisoned, like them, for breaking some social rule? For these women, the prison is both a haven and a punishment; removed from the harsh and unforgiving world outside, they form a lively and indelible sisterhood.Into this closed world comes Yusuf, Zeba’s Afghan-born, American-raised lawyer whose commitment to human rights and desire to help his homeland have brought him back. With the fate this seemingly ordinary housewife in his hands, Yusuf discovers that, like the Afghanistan itself, his client may not be at all what he imagines.A moving look at the lives of modern Afghan women, The House with No Windows is astonishing, frightening, and triumphant.

    Get into UCLA. And have the chance to move away from Corpus Christi, Texas, and the suffocating expectations of others that have forced Jules into an inauthentic life.Then in one reckless moment, with one impulsive tweet, his plans for a low-key nine months are thrown—literally—out the closet. The downside: the whole world knows, and Jules has to prepare for rejection. The upside: Jules now has the opportunity to be his real self.Then Mat, a cute, empathetic Twitter crush from Los Angeles, slides into Jules’s DMs. Jules can tell him anything. Mat makes the world seem conquerable. But when Jules’s fears about coming out come true, the person he needs most is fifteen hundred miles away. Jules has to face them alone.Jules accidentally propelled himself into the life he’s always dreamed of. And now that he’s in control of it, what he does next is up to him.