During that time, some of these poems appeared in various journals and on Web sites, including The Poetry Daily site, which ran thirty of Lehman's poems in as many days throughout the month of April 1998. For The Daily Mirror, Lehman has selected the best of these "daily poems" -- each tied to a specific occasion or situation -- and telescoped two years into one. Spontaneous and immediate, but always finely crafted and spiced with Lehman's signature irony and wit, the poems are akin to journal entries charting the passing of time, the deaths of great men and women, the news of the day. Jazz, Sinatra, the weather, love, poetry and poets, movies, and New York City are among their recurring themes. A departure from Lehman's previous work, this unique volume provides the intimacy of a diary, full of passion, sound, and fury, but with all the aesthetic pleasure of poetry. More a party of poems than a standard collection, The Daily Mirror presents an exciting new way to think about poetry.

    But England presents more than a contrast of scenery to this German couple, as Edelgard seems to undergo a change of temperament. This is an account of an ill-assorted group of upper-class people grappling with the hardships of the open road.

    could have predicted the delayed depth-charge of this explosive second book, motored by vividly earthly language and disguised philosophical sophistication." —Publishers Weekly, starred review"Throughout Made Flesh, one of the most powerful poetry books this year, Arnold gets at both the contradictions and timelessness of love." —Time Out New York"The readers delighted with (Arnold's) first book (Shells) will be differently enchanted with these. They contain a wealth of contemplation as well as observation and experience. Their unpunctuated free style carries the reader into the poems, piling up events and details in a breathless rush....The poems of Made Flesh are unforgettable, and it is tragic that readers will have no new books from Craig Arnold."—Magill Book ReviewsA girl wakes up to find out just how completely her lover has possessed her. A couple realizes they’ve been trapped inside an ancient myth. A traveler glances out through a train window and catches the dim reflection of another world.This is the world of Made Flesh, the long-awaited second book by Craig Arnold, a finalist for the Utah Book Award and the High Plains book award. Made Flesh delineates a new mythology of what it means to be in the body. Marrying narrative precision to lyric ecstasy, the archaic to the avant-garde, these poems celebrate the fragility of our very selves and “the joy of self-forgetting,” the acts of surrender that loves asks of us. Fierce, exuberant, and erotic, they invite the reader to share a rare and startling vision: how, if we would only permit ourselves to be drawn out of our mental privacies, out to the very surface of our skin, we might admit the beauty of being for a moment in the world, and with each other.Craig Arnold is the author of Shells, a Yale Series of Younger Poets selection chosen by W.S. Merwin. He taught at the University of Wyoming in Laramie. In late April 2009, Craig Arnold went missing on the Japanese island of Kuchinoerabu-jima, where he was working on a book about volcanoes as part of a Creative Artists' Exchange Fellowship from the Japan-United States Friendship Commission. He was forty-one years old.

    The old man, who has never known love, lives barricaded in a former monastery, surrounded by an atmosphere of death and decay. Portraying the friction between these two characters with keen psychological insight, Stifter's masterful bildungsroman explores conflicting attitudes to life and their existential effects: stillness and movement, light and dark, openness and withdrawal.

    The only saga rumored to have been written by a woman, it tells of the centuries predating 1245, when magic rites and sorcery clashed with the spread of Christianity throughout a rapidly changing Viking world.

    One stormy night, their solitude is interrupted by a benighted traveller, a Countess who turns out to be a friend from Clermont's past.

    Emphasizing conflict and change, One Vast Winter Count offers a new look at the early history of the region by blending ethnohistory, colonial history, and frontier history. Drawing on a wide range of oral and archival sources from across the West, Colin G. Calloway offers an unparalleled glimpse at the lives of generations of Native peoples in a western land soon to be overrun.

    Set in fin-de-siècle Austria—the cafés, salons, and musical concerts frequented by the Viennese elite—Schnitzler's perceptive exploration of the creative process and the private lives and public aspirations of urban Jewish intellectuals ranks with the highest achievements of Karl Kraus and Robert Musil.The novel's central character, Baron Georg von Wergenthin, is a handsome young composer whose troubled relations with women, musical collaborators, and representatives of the old social order make Schnitzler's book a revealing investigation of individual psychology and social allegory. In his comprehensive introduction, Russell Berman situates the book within the literary and political history of Central Europe and analyzes its relation to psychoanalysis, Marxism, musical aesthetics, and the legacy of European modernism.

    Including drawings, cartoons, manuscripts, personal letters and illustrations as well as prose and poetry by Bukowski, this pictorial and textual biography of the great polemicist also features revelations gleaned from FBI documentation.

    Every year on the anniversary of her incarceration, she taunts him with a phone call, giving him one message; when I get out, I'll kill you.Now, Bracken has transferred back to Edinburgh from Fife and is thrown into the deep end on his first day back on duty.There's a killer who is emulating Ailsa, threatening to surpass her body count.Bracken knows he needs her on board to help him track the killer down, but she's reluctant to get involved.Then the case takes an unexpected twist, and she agrees to help. But this new killer is taking them down a dark, twisted path, where nobody sees the outcome.Until it's too late.

    Moving to Vienna, he becomes involved both in revolutionary agitation and a love affair before he is caught by the authorities on his first trip to Russia, enduring a Siberian interlude before escaping. He eventually returns to Russia after the February Revolution, becoming leader of the Red Army, but realizes during the civil war that the revolution seems to be over before it has begun; the cause has been betrayed, yesterday’s proletariat has become today’s bourgeoisie; exile might offer the only choice. A beautifully descriptive journey from loneliness into an illusory worldliness and back into loneliness, this is a haunting study in alienation by a master of realistic imagination.

    Bailey investigates the woman in an attempt to stop the extortion, and as the story unfolds, there are many twists and turns. Following The Double Take, Huggins turned his attention to creating memorable TV shows such as “Maverick,” “The Fugitive,” “City of Angels,” and “The Rockford Files.” Huggins passed away in 2002 at age 87.

    The narrator and anti-hero is not Bonaventura, but a night watchman named Kreuzgang, a failed poet, actor, and puppeteer who claims to be the spawn of the devil himself. As a night watchman, Kreuzgang takes voyeuristic pleasure in spying on the follies of his fellow citizens, and every night he makes his rounds and stops to peer into a window or door, where he observes framed scenes of murder, despair, theft, romance, and other private activities. In his responses, Kreuzgang is cynical and pessimistic, yet not without humor. For him, life is a grotesque, macabre, and base joke played by a mechanical and heartless force. Since its publication, fans have speculated on the novel’s authorship, and it is now believed to be by theater director August Klingemann, who first staged Goethe’s Faust. Organized into sixteen separate night watches, the sordid scenes glimpsed through parted curtains, framed by door chinks, and lit by candles and shadows anticipate the cinematic. A cross between the gothic and Romantic, The Nightwatches of Bonaventura is brilliant in its perverse intensity, presenting an inventory of human despair and disgust through the eyes of a bitter, sardonic watcher who draws laughter from tragedy. Translated by Gerald Gillespie, who supplies a fresh introduction, The Nightwatches of Bonaventura will be welcomed by a new generation of English-language fans, eager to sample the night’s dark offerings.

    As you contemplate the reality of volunteering, your mind races with questions. Which programs are my skills best suited to? How will the culture shock affect me? What will my life overseas be like? Will my work really make a difference? Written by a returned Peace Corps volunteer, SO, YOU WANT TO JOIN THE PEACE CORPS...is a candid, straightforward guide that answers all these questions and many more. Author Dillon Banerjee shares his personal insights--and those of returned volunteers who served all over the world--to help prepare you for the experience of a lifetime. Whether you're thinking of joining, or have already been accepted and are getting ready to leave, this book provides answers you simply can't find elsewhere.