Based on the present political situation in Kashmir valley.

    In an era when rogue nations like North Korean and Iran strive to create their own precarious weapons programs, Younger’s The Bomb provides much-needed background and insight for students, policy makers, and readers who wish to better understand the important issues involving nuclear weapons and national security.

    Beyond Bogotá is framed around the eleven hours that Leech was held captive by the FARC, Colombia's largest leftist guerrilla group, in August of 2006. He recalls nearly thirty years of travel and work in Latin America while weaving in a historical context of the region and on-the-ground reporting with each passing hour of his detention.More than $5 billion in U.S. aid over the past seven years has failed to end Colombia's civil conflict or reduce cocaine production. Leech finds that ordinary Colombians, not drug lords, have suffered the most and that peasants and indigenous peoples have been caught in the crossfire between the armed groups. Meanwhile, more than thirty Colombian journalists have been murdered over the last three decades, making Colombia one of the most dangerous countries in which to practice journalism. Consequently, the majority of the Western media rarely leave Bogotá to find the real story. Leech, however, learns the truth about the conflict and the U.S. war on drugs directly from the source: poor coca farmers whose fields and food crops have been sprayed with toxic aerial fumigations, female FARC guerrillas who see armed struggle as their only option, union organizers whose lives are threatened because they defend workers' rights, indigenous peoples whose communities have been forcibly displaced by the violence, and many others. Leech also investigates the presence of multinational oil and mining companies in Colombia by gaining access to army bases where U.S. soldiers train Colombian troops to fight the guerrillas in resource-rich regions and by visiting local villages to learn what the foreign presence has meant for the vast majority of the population. Drawing on unprecedented access to soldiers, guerrillas, paramilitaries, and peasants in conflict zones and cocaine-producing areas, Leech's documentary memoir is an epic tale of a journalist's search for meaning in the midst of violence and poverty, as well as a humanizing firsthand account that supplies fresh insights into U.S. foreign policy, the role of the media, and the plight of everyday Colombians caught in the midst of a brutal war.

    prefer socialism to capitalism. But after being declared dead and buried for decades, socialism has come to mean little more than something vaguely less cruel and stupid than what we have now. That's not exactly going to inspire millions to storm the barricades. Danny Katch brings together the two great Marxist traditions of Karl and Groucho to provide an entertaining and insightful introduction to what the socialist tradition has to say about democracy, economics and the potential of human beings to be something more than being bomb-dropping, planet-destroying racist fools.

    Our shared values - equality and fairness, democracy and freedom, community and solidarity - can both provide the basis for a critique of capitalism, and help to guide us towards a socialist and democratic society.In this elegant book, Erik Olin Wright has distilled decades of work into a concise and tightly argued manifesto - analyzing the varieties of anti-capitalism, assessing different strategic approaches, and laying the foundations for a society dedicated to human flourishing. How to Be an Anticapitalist in the 21st Century is an urgent and powerful argument for socialism, and a unparalleled guide to help us get there. Another world is possible.

    Now Michael Casey tells the remarkable story of this image, detailing its evolution from a casual snapshot to an omnipresent graphic—plastered on everything from T-shirts to vodka to condoms—and into a copyrighted brand. As Casey follows it across the Americas and through cyberspace, he finds governments exploiting it and their dissenters attacking it, merchants selling it and tourists buying it. We see how this image is, ultimately, a mercurial icon that still ignites passion—and a reflection of how we view ourselves.

    We have to see that the economy is itself the crisis. It's not that there's not enough work, it's that there is too much of it. The Coming Insurrection is an eloquent call to arms arising from the recent waves of social contestation in France and Europe. Written by the anonymous Invisible Committee in the vein of Guy Debord—and with comparable elegance—it has been proclaimed a manual for terrorism by the French government (who recently arrested its alleged authors). One of its members more adequately described the group as “the name given to a collective voice bent on denouncing contemporary cynicism and reality.” The Coming Insurrection is a strategic prescription for an emergent war-machine capable of “spreading anarchy and live communism.” Written in the wake of the riots that erupted throughout the Paris suburbs in the fall of 2005 and presaging more recent riots and general strikes in France and Greece, The Coming Insurrection articulates a rejection of the official Left and its reformist agenda, aligning itself instead with the younger, wilder forms of resistance that have emerged in Europe around recent struggles against immigration control and the “war on terror.” Hot-wired to the movement of '77 in Italy, its preferred historical reference point, The Coming Insurrection formulates an ethics that takes as its starting point theft, sabotage, the refusal to work, and the elaboration of collective, self-organized life forms. It is a philosophical statement that addresses the growing number of those—in France, in the United States, and elsewhere—who refuse the idea that theory, politics, and life are separate realms.

    recounted in vivid prose.'"--The New YorkerA unique and epic history, Eduardo Galeano's Memory of Fire trilogy is an outstanding Latin American eye view of the making of the New World. From its first English language publication in 1985 it has been recognized as a classic of political engagement, original research, and literary form.“Memory of Fire is devastating, triumphant... sure to scorch the sensibility of English-language readers.” (New York Times)“An epic work of literary creation... there could be no greater vindication of the wonders of the lands and people of Latin America than Memory of Fire.” (Washington Post)“[Memory of Fire] will reveal to you the meaning of the New World as it was, and of the world as we have it now.” (Boston Globe)“A book as fascinating as the history it relates.... Galeano is a satirist, realist, and historian, and... deserves mention alongside John Dos Passos, Bernard DeVoto, and Gabriel Garcia Marquez.” (Los Angeles Times)

    With the same breath, they implore us to leave the job of understanding the magical powers of the market to the “experts."Despite the efforts of these mainstream commentators to convince us otherwise, many of us have begun to question why this system has produced such vast inequality and wanton disregard for its own environmental destruction. This book offers answers to exactly these questions on their own terms: in the form of a radical economic theory.

    Drawing from his unique cultural vision, Žižek brings new light to the Paris riots of 2005; he questions the permissiveness of violence in philanthropy; in daring terms, he reflects on the powerful image and determination of contemporary terrorists.Violence, Žižek states, takes three forms--subjective (crime, terror), objective (racism, hate-speech, discrimination), and systemic (the catastrophic effects of economic and political systems)--and often one form of violence blunts our ability to see the others, raising complicated questions.Does the advent of capitalism and, indeed, civilization cause more violence than it prevents? Is there violence in the simple idea of "the neighbour"? And could the appropriate form of action against violence today simply be to contemplate, to think?Beginning with these and other equally contemplative questions, Žižek discusses the inherent violence of globalization, capitalism, fundamentalism, and language, in a work that will confirm his standing as one of our most erudite and incendiary modern thinkers.

    He captures the Palestinian people's stubborn refusal to be erased, gives voice to the ongoing struggle for liberation, and explores the meaning of international solidarity.In this latest collection, Kanazi expands his focus outside the sphere of Palestine and presents pieces examining racism in America, police brutality, US militarism at home and wars abroad, conflict voyeurism, Islamophobia, and a range of other issues.

    A tale of exploration, conquest, money, politics, and medicine, Panama Fever charts the challenges that marked the long, labyrinthine road to the building of the canal. Drawing on a wealth of new materials and sources, Matthew Parker brings to life the men who recognized the impact a canal would have on global politics and economics, and adds new depth to the familiar story of Teddy Roosevelt's remarkable triumph in making the waterway a reality.As thousands of workers succumbed to dysentery, yellow fever, and malaria, scientists raced to stop the deadly epidemics so that work could continue. The treatments they developed changed the course of medical history. The opening of the Panama Canal in 1914 spelled the end of the Victorian Age and the beginning of the "American Century." Panama Fever brilliantly captures the innovative thinking and backbreaking labor, as well as the commercial and political interests, that helped make America a global power.

    But in Julia Alvarez's new novel, In the Name of Salome, the mother, Dominican poet and political muse Salomé Ureña, only lives long enough to hear her three-year-old daughter Camila recite one of her consumptive mother's poems. What we get, then, is a compelling work of fiction based on remarkably tireless research and shaped by Camila's reach into the past, into her mother's history and her mother's place in history, in order to make sense of the choices she has made about her own. A masterful manipulator of time, Alvarez alternates points of view, shuttling us not only back and forth between Salomé and Camila, but also moving us forward in Salome's life as she moves us backward in Camila's. Salomé writes in secret as a child, publishes briefly under a pseudonym and soon emerges as herself, a figure of inspiration for a nation. But all the while she longs for that other kind of passion, the one her family and her readers would like to believe she is above: the passionate love of a man. Sadly, though she finds that love in Papancho, he is never fully hers. He belongs in turn to his country, to his studies, and inevitably to another woman. How Salomé withstands losing this managain andagain has to do with what we all withstand — wisely and unwisely — in the name of love. Camila writes poetry only as a mature woman. As a child her life is shaped by the political values that shape Papancho's life. Those values find only cautious expression in the U.S. where she studies at the University of Minnesota and later becomes a professor at Vassar. But in Cuba, where she spends the last 13 years of her life, she fulfills the dream of both her mother and father as a vital and dedicated participant in Fidel Castro's "revolutionary experiment." Through skillful mechanics Alvarez makes characters of time itself and the history that marks it. And what troubling history it is, spanning over 100 years (1856-1973) in the life of the Dominican Republic, where the government changes hands with as much frequency as a señorita changes her linens, and "Depending on the president, the pantheon of heroes changes, one regime's villain is the next one's hero, until the word hero, like the word patria, begins to mean nothing.". But if history renders language meaningless, what is left? Only the struggle to make meaning, and only love makes that struggle real and worthwhile; on this matter mother and daughter agree. So this is also a love story, in which Salomé discovers that she will give up everything — her writing, her social activism, finally her health — for the man she loves, and Camilla discovers that she will sacrifice her secure teaching position in the U.S., the approval of family, friends and erstwhile lovers for the very thing her mother's passionate poetry taught her: love for the land and the people who give life to it. Alvarez's skillful prose styling distinguishes the two women not only through the details of their lives but also through their meticulously wrought voices. Moreover, just as interesting as what distinguishes them from one another is what unites them: the pull of public life on their private lives and the challenges presented by the conventions that govern their lives as women. And they and we thrill equally to the ultimate discovery we're all reaching for, "that hushed and holy moment...when the word becomes flesh." In a book rich in extended metaphor, where poetry and idealism play a huge role, we are never encumbered with abstraction. This is a writer going at full tilt: wry, wise, ironic, forgiving. She, like both the women of this novel, is an educator, though neither didactic nor condescending. Even though we know from the beginning the details about the end of both mother's and daughter's lives, Alvarez manages to sustain an air of suspense throughout, the point being not what happens, but how it comes about, and at what cost. Susan Thames is the author of a book of short stories, AS MUCH AS I KNOW. Her novel I'll Be Home Late Tonight was a Barnes & Noble Discover Great New Writers selection.

    In Four Futures, Frase imagines how this post-capitalist world might look, deploying the tools of both social science and speculative fiction to explore what communism, rentism, socialism and exterminism might actually entail.Could the current rise of real-life robocops usher in a world that resembles Ender’s Game? And sure, communism will bring an end to material scarcities and inequalities of wealth—but there’s no guarantee that social hierarchies, governed by an economy of “likes,” wouldn’t rise to take their place. A whirlwind tour through science fiction, social theory and the new technologies already shaping our lives, Four Futures is a balance sheet of the socialisms we may reach if a resurgent Left is successful, and the barbarisms we may be consigned to if those movements fail.

    But aren’t they the biggest issues for the vast majority of women around the globe?Taking as its inspiration the new wave of feminist militancy that has erupted globally, this manifesto makes a simple but powerful case: feminism shouldn’t start—or stop—with the drive to have women represented at the top of their professions. It must focus on those at the bottom, and fight for the world they deserve. And that means targeting capitalism. Feminism must be anticapitalist, eco-socialist and antiracist.