After agreeing to help out a friend by shopping and cleaning for the unknown man staying at Cuckoo House, she soon becomes suspicious that her strange and obnoxiously rude client has something to hide. Clayton Miller's life is a mess. His career as one of the country's best comedy scriptwriters has stalled, and his long-term girlfriend has left him for his ex-best friend and ex-writing partner. Just when he thinks his life couldn't get any worse, he commits a spectacularly public fall from grace, and with the press hounding him, his agent banishes him to the middle of nowhere until the dust has settled. When Alice and Clayton discover the truth about each other they form an unlikely friendship—until Alice discovers Clayton has betrayed her in the worst possible way.

    But sometimes it can also mean entry to a new kind of life, a bigger world. Greer Kadetsky is a shy college freshman when she meets the woman she hopes will change her life. Faith Frank, dazzlingly persuasive and elegant at sixty-three, has been a central pillar of the women’s movement for decades, a figure who inspires others to influence the world. Upon hearing Faith speak for the first time, Greer—madly in love with her boyfriend, Cory, but still full of longing for an ambition that she can’t quite place—feels her inner world light up. And then, astonishingly, Faith invites Greer to make something out of that sense of purpose, leading Greer down the most exciting path of her life as it winds toward and away from her meant-to-be love story with Cory and the future she’d always imagined. Charming and wise, knowing and witty, Meg Wolitzer delivers a novel about power and influence, ego and loyalty, womanhood and ambition. At its heart, The Female Persuasion is about the flame we all believe is flickering inside of us, waiting to be seen and fanned by the right person at the right time. It’s a story about the people who guide and the people who follow (and how those roles evolve over time), and the desire within all of us to be pulled into the light.

    But all that changes when the reindeer-antlered Fabio drags in a very desperate, on-the-run detective who decides to take refuge in her house.

    She started the habit of writing down everything that happened to her when she was no more than eight years old, and now she had six journals completely full. She thought about the prize at school, almost prayed to win, but somehow she could not. “God,” she finally said, “I’ll do my best, and if you’ll help me, that’s all I ask.”Fourteen-year-old Lanie Belle Freeman of Fairhope, Arkansas, has high hopes for her future. Happy on the five-acre family homeplace, she dreams of going to college and becoming a writer. And with her father launching a new business and her mother expecting the fifth baby, the bright days of an early Southern spring seem to herald expansive new beginnings for the Freeman family.But her mother isn’t as strong as she should be, and it’s going to take time for the business to pay back the mortgage. When unexpected tragedy strikes, it is left to Lanie to keep the family together and hold on to their home. In a world shaken by the Great Depression, it is faith in God and love in a tightly knit family that will help Lanie and her siblings overcome the odds and create a future that promises the fulfillment of love.The Homeplace offers a warmhearted and inspiring saga of a courageous young woman who holds her family together through the Depression era.

    Amid the strange, disjointed rhythms of her days and nights and another impending winter in upstate New York, Ari is a tree without roots, struggling to keep her branches aloft.When Mina, a one-time cult musician — older, self-contained, alone, and nine-months pregnant —moves to town, Ari sees the possibility of a new friend, despite her unfortunate habit of generally mistrusting women. Soon they become comrades-in-arms, and the previously hostile terrain seems almost navigable.With piercing insight, purifying anger, and outrageous humor, Elisa Albert issues a wake-up call to a culture that turns its new mothers into exiles, and expects them to act like natives. Like Lionel Shriver’s We Need to Talk About Kevin and Anne Enright’s The Gathering, this is a daring and resonant novel from one of our most visceral writers.