Where everyone is kind. Where you can be your truest self. It was the summer of 1980, and Marianne Boucher was ready to chase her figure skating dream. Fuelled by the desire to rise above her mundane high-school life, she sought a new adventure as a glamorous performer in L.A.And then a chance encounter on a California beach introduced her to a new group of people. People who shared her distrust of the status quo. People who seemed to value authenticity and compassion above all else. And they liked her. Not Marianne the performer, but Marianne the person.Soon, she'd abandoned school, her skating and, most dramatically, her family to live with her new friends and help them fulfill their mission of "saving the world." She believed that no sacrifice was too great to be there—and to live with real purpose. They were helping people, and they cared about her . . . didn't they?Talking to Strangers is the true story of Marianne Boucher's experiences in a cult, where she was subjected to sophisticated brainwashing techniques that took away her freedom, and took over her mind. Told in mesmerizing graphic memoir form, with vivid text and art alike, Marianne shares how she fell in with devotees of a frightening spiritual abuser, and how she eventually, painfully, pulled herself out.

    Nominally Muslim, the Kazakhs and their culture owed as much to shamanism and paganism as they did to Islam. Their ancient traditions and economy depended on the breeding and herding of stock across the vast steppes of central Asia, and their independent, nomadic way of life was anathema to the Soviets. Seven-year-old Shayakhmetov and his mother and sisters were left to fend for themselves after his father was branded a "kulak" (well-off peasant and thus class enemy), stripped of his possessions, and sent to a prison camp where he died. In the following years the family traveled thousands of miles across Kazakhstan by foot, surviving on the charity of relatives. Told with dignity and detachment, this central Asian Wild Swans awakens the reader to the scale of suffering of millions of Kazakhs, and also astonishes and inspires as a most singular survivor's tale.

    However the advancing Japanese army soon leads to a mass evacuation of the island but, as Sylvie's family begins to board their ship, there is no sign of Sylvie. Somehow, in the confusion, Sylvie finds refuge with her governess, Virginia Chen. But neither Virginia nor her family believe they will escape the Japanese internment camps, where Virginia may have to pay the ultimate price for Sylvie's survival.For ten-year-old Sylvie Sambuck, Singapore seems a long way from the fighting of the Second World War. However the advancing Japanese army soon leads to a mass evacuation of the island but, as Sylvie's family begins to board their ship, there is no sign of Sylvie. Somehow, in the confusion, Sylvie finds refuge with her governess, Virginia Chen. But neither Virginia nor her family believe they will escape the Japanese internment camps, where Virginia may have to pay the ultimate price for Sylvie's survival.

    Its author Gu Hua was brought up in the Wuling Mountains of south Hunan. He presents the ups and downs of some families in a small mountain town there during the hard years in the early sixties, the "cultural revolution," and after the downfall of the "gang of four." He shows the horrifying impact on decent, hard-working people of the gang's ultra-Left line, and retains a sense of humor in describing the most harrowing incidents. In the end wrongs are righted, and readers are left with a deepened understanding of this abnormal period in Chinese history and the sterling qualities of the Chinese people.

    Against the vivid, gritty backdrop of 1980s China, Lu Yao traces the proud and passionate Gao Jialin’s difficult path to professional, romantic, and personal fulfillment—or at least hard-won acceptance.With the emotional acuity and narrative mastery that secured his reputation as one of China’s great novelists, Lu Yao paints a vivid, emotional, and unsparing portrait of contemporary Chinese life, seen through the eyes of a working-class man who refuses to be broken.

    It is at o­nce an exposé of the oppression of plantation workers in South Sumatra, a lyrical quest to understand the place of religion and spirituality in contemporary lives, a playful exploration of female sexuality and a story about love in all its guises, while touching o­n all of Indonesia’s taboos: extramarital sex, political repression and the relationship between Christians and Muslims.Saman has taken the Indonesian literary world by storm and sold over 100,000 copies in the Indonesian language, and is now available for the first time in English.ABOUT THE AUTHORAyu Utami was born in Bogor, grew up in Jakarta and obtained her bachelor degree in Literature Studies from University of Indonesia. She worked as a journalist for Matra, Forum Keadilan, and D&R. Not long after the New Order regime closed Tempo, Editor, and Detik, she participated in the founding of Indonesia’s Alliance of Independent Journalists to protest the closure of those three weeklys. Currently she is working for the cultural journal Kalam, and at Teater Utan Kayu. Saman was awarded the Prince Claus Award in the year 2000.

    Selenis was immediately smitten; she doted on the baby, who in turn looked up to Selenis and followed her everywhere. The siblings realized, almost at the same moment, that the younger of the two was struggling with their identity. As Marizol transitioned and fought to define herself, Selenis and the family wanted to help, but didn't always have the language to describe what Marizol was going through. In My Sister, Selenis and Marizol narrate, in alternating chapters, their shared journey, challenges, and triumphs. They write honestly about the issues of violence, abuse, and discrimination that trans people and women of color -- and especially trans women of color -- experience daily. And they are open about the messiness and confusion of fully realizing oneself and being properly affirmed by others, even those who love you.Profoundly moving and instructive, My Sister offers insight into the lives of two siblings learning to be their authentic selves. Ultimately, theirs is a story of hope, one that will resonate with and affirm those in the process of transitioning, watching a loved one transition, and anyone taking control of their gender or sexual identities.

    The professional meeting explodes into an intense, passionate relationship. Prague in winter is a beautiful and moody setting to the feverish love affair. The complicated and inevitably short-lived romance is poignant and deeply moving in its telling by the master of the modern Hindi novel, Nirmal Verma.This book is translation of original novel in Hindi, called Ve Din.

    Her most representative early work, the 1987 Wonmi-dong saramdeul, is available in English as A Distant and Beautiful Place. In the 1990s her writing took an increasingly personal turn with a series of popular works including Contradictions (Mosun), South Korea's best-selling novel in 1998.Contradictions is a coming-of-age tale that explores the paradoxes and contradictions of the human condition and delves into the meaning of personal happiness. The book opens with a moment of epiphany as the main character An Jin-jin awakens to the realization that her entire energy must be devoted to her own life. She struggles over whom to marry with an awareness of consequences gleaned from seeing the divergence in the lives of twin sisters--her mother and her aunt. A host of binary oppositions is also presented in the lives of the men around her: a wannabe gang boss brother, an Ivy League cousin, an alcoholic schizophrenic father, a steadfast but rigid uncle, and her two suitors. Yang skillfully develops these characters in increasingly complex threads as the novel unfolds in a series of surprises.

    The brute fact of Ah Yao's death focuses Shao's simultaneously erudite and erotic reflections magnetically on the core theme of mortality. By turns humorous and despondent, the narrator struggles to come to terms with Ah Yao's risky lifestyle, radical political activism, and eventual death; the fragility of romantic love; the awesome power of eros; the solace of writing; the cold ennui of a younger generation enthralled only by video games; and life on the edge of mainstream Taiwanese society. His feverish journey through forests of metaphor and allusion--from Fellini and Levi-Strauss to classical Chinese poetry--serves as a litany protecting him from the ravages of time and finitude.Impressive in scope and detail, Notes of a Desolate Man employs the motif of its characters' marginalized sexuality to highlight Taiwan's vivid and fragile existence on the periphery of mainland China. Howard Goldblatt and Sylvia Li-chun Lin's masterful translation brings Chu T'ien-wen's lyrical and inventive pastiche of political, poetic, and sexual desire to the English-speaking world.

    Each chapter is narrated by a different character, beginning with Jasmine herself. The mystery surrounding her disappearance comes into clearer focus with each self-serving and idiosyncratic account provided by an acquaintance, family member, or detective. The hallucinatory ending, although appropriately foreshadowed, may come as a Sufi surprise for the reader. Less mystically inclined readers may want to reread this tale to construct an alternative ending. This short novel has echoes of both the Sherlock Holmes stories and The Catcher in the Rye as, in addition to the mystery and a murder, the novel contains candid discussions of coming of age in a land of sexual repression. Wajdi al-Ahdal is a satirical author with a fresh and provocative voice and an excellent eye for the telling details of his world.

    It is also the first collection of Lao short stories to be published in the English language. Peter Koret's Introduction explores the history of modern Lao literature and considers Outhine's writing within this broader context.