She leaned against the glass front of the parlor, one leg bent like a crane's. Luring in the clients with sweet and oily words consumed a surprising amount of energy"Reserved, at times defiant, Lotus is different from the other streetwalkers. Her striking eyes glow under Shenzhen’s neon lights, capturing the attention of Funny Eye, Family Treasure, and a slew of other demanding clients determined to make Lotus their property. Choosing between wealthy, powerful, and dangerous men is no easy feat, but it is a surprising offer from Binbing, a soft-spoken and humble photojournalist, that presents the biggest challenge. Is Lotus willing to fall in love? Is she capable of it?Inspired by the deathbed revelation that the author’s grandmother had been sold to a brothel in her youth,Lotus offers compelling insight into China’s bustling underground world and reveals the surprising strength found in those confronted with impossible choices. Written with compassion and vivid prose, and packed with characters you won’t soon forget, Lijia Zhang's Lotus examines what it means to be an individual in a society that praises restraint in and obedience from its women.

    Now, renowned translators and longtime house authors Richard Pevear and Larissa Volokhonsky give us their peerless renderings of fifty-two Chekhov stories--a full deck! These stories, which span the full arc of his career, reveal the extraordinary variety and unexpectedness of his work, from the farcically comic to the darkly complex, showing that there is no one type of "Chekhov story." They are populated by a remarkable range of characters who come from all parts of Russia, all walks of life, and who, taken together, have democratized the short story. Included here are a number of never-before-translated stories, including "Reading" and "An Educated Blockhead." Here is a collection that promises profound delight.Contains:Joy--Fat and Skinny--At the Post Office--Reading--The Cook Gets Married--In a Foreign Land--Corporal Whompov--Grief--The Exclamation Point--An Educated Blockhead--A Slip-Up--Anguish--A Commotion--The Witch--A Little Joke--Agafya--Spring--A Nightmare--Grisha--Ladies--Romance with a Double Bass--The Chorus Girl--The First-Class Passenger--Difficult People--On the Road--The Beggar--Enemies--The Letter--Volodya--Luck--The Siren--The Shepherd's Pipe--Costly Lessons--The Kiss--Boys--Kashtanka--The Name-Day Party--A Breakdown--The Bet--The Princess--After the Theater--History of a Business Enterprise--Neighbors--Fear--Big Volodya and Little Volodya--The Teacher of Literature--In a Country House--The Pecheneg--In the Cart--About Love--Ionych--The New Dacha--

    Akira Kurosawa used this story as the basis for his award-winning movie Rashōmon."In a Grove" is an early modernist short story consisting of seven varying accounts of the murder of a samurai, Kanazawa no Takehiro, whose corpse has been found in a bamboo forest near Kyoto. Each section simultaneously clarifies and obfuscates what the reader knows about the murder, eventually creating a complex and contradictory vision of events that brings into question humanity's ability or willingness to perceive and transmit objective truth.The story is often praised as being among the greatest in Japanese literature.

    Omer, Abed and Piyu are roommates, foreigners all recently arrived in the United States. Omer, from Istanbul, is a Ph.D. student in political science who adapts quickly to his new home, and falls in love with the bisexual, suicidal, intellectual chocolate maker Gail. Gail is American yet feels utterly displaced in her homeland and moves from one obsession to another in an effort to find solid ground. Abed pursues a degree in biotechnology, worries about Omer's unruly ways, his mother's unexpected visit, and stereotypes of Arabs in America; he struggles to maintain a connection with his girlfriend back home in Morocco. Piyu is a Spaniard, who is studying to be a dentist in spite of his fear of sharp objects, and is baffled by the many relatives of his Mexican-American girlfriend, Algre, and in many ways by Algre herself. Keenly insightful and sharply humorous, The Saint of Incipient Insanities is a vibrant exploration of love, friendship, culture, nationality, exile and belonging.Translated into Turkish: Araf

    1760) is one of the greatest novels of Chinese literature. The first part of the story, The Golden Days, begins the tale of Bao-yu, a gentle young boy who prefers girls to Confucian studies, and his two cousins: Bao-chai, his parents' choice of a wife for him, and the ethereal beauty Dai-yu. Through the changing fortunes of the Jia family, this rich, magical work sets worldly events - love affairs, sibling rivalries, political intrigues, even murder - within the context of the Buddhist understanding that earthly existence is an illusion and karma determines the shape of our lives.

    One by one, over a hundred men and women are forced by the harsh feudal officialdom to take to the hills. They band together and defeat every attempt of the government troops to crush them. Within this framework we find intrigue, adventure, murder, warfare, romance ... in a connected series of fascinating individual tales, told in the suspenseful manner of the traditional storyteller.

    These short fictions set in the Indonesian everyday—in corporate boardrooms, in shanty towns, on dangdut stages—reveal a soupy otherworld stewing just beneath the surface. Sometimes wacky and always engrossing, this is subversive feminist horror at its best, where men and women alike are arbiters of fear, and where revenge is sometimes sweetest when delivered from the grave.Mara finds herself brainstorming an ad campaign for Free Maxi Pads, with a little help from the menstruation-eating hag of her childhood. Jamal falls in love with the rich and powerful Bambang, but it is the era of the smiling general and, if he’s not careful, he may find himself recruited to Bambang’s brutal cause. Solihin would give anything to make dangdut singer Salimah his wife – anything at all. In the globally connected and fast-developing Indonesia of Apple and Knife, taboos, inversions, sex and death all come together in a heady, intoxicating mix full of pointed critiques and bloody mutilations. Women carve a place for themselves in this world, finding ways to subvert norms or enacting brutalities on themselves and each other.

    One finger on the pulse of an exhausted Europe, another in the wounds of postindustrial America, Ugresic trawls the fallout of political failure and the detritus of popular culture, mining each for revelation.Infused with compassion and melancholic doubt, Europe in Sepia centers on the disappearance of the future, the anxiety that no new utopian visions have emerged from the ruins of communism; that ours is a time of irreducible nostalgia, our surrender to pastism complete. Punctuated by the levity of Ugresic’s raucous instinct for the absurd, despair has seldom been so beguiling.

    In this intimate memoir, Shen Fu recounts the domestic and romantic joys of his marriage to Yun, the beautiful and artistic girl he fell in love with as a child. He also describes other incidents of his life, including how his beloved wife obtained a courtesan for him and reflects on his travels through China. Shen Fu's exquisite memoir shows six parallel "layers" of one man's life, loves and career, with revealing glimpses into Chinese society of the Ch'ing Dynasty.

    The “angel in the house” rarely expressed an opinion, and certainly not one that challenged the status quo.But not so within the social sphere of the seance–a mysterious, lamplit world dominated by enterprising women whose apparent ability to move between the realms of the dead and the living rewarded them with otherwise unthinkable fame and power. Such talents allowed them to cross rigid boundaries of gender and class, and to summon unique political voices–voices capable of reaching some of the era’s most famous personalities, including even Victoria herself.Out of the Shadows, which draws on original diaries, letters, and memoirs, tells the stories of six such visionary Victorians. The clairvoyance of Kate, Leah, and Maggie Fox, three sisters from upstate New York, inspired some of the era’s best-known female suffrage activists and set off an international séance craze. British performer Emma Hardinge Britten left behind a career on Broadway for the life of a “trance lecturer,” whose oration on the death of Abraham Lincoln was celebrated by tens of thousands. The meteoric rise of Victoria Woodhull, born into poverty in Ohio, took her from childhood medium to Wall Street broker to America’s first female presidential candidate. And Georgina Weldon, whose interest in spiritualism nearly saw her confined to an asylum, went on to become a favorite of the press and a successful campaigner against Britain’s archaic lunacy laws.

    Never before had a fiction writer dealt with the Cultural Revolution in such Daoist-Confucian terms, discarding Mao-speak, and mixing both traditional and vernacular elements with an aesthetic that emphasized not the hardships and miseries of those years, but the joys of close, meaningful friendships. In The King of Chess, a student’s obsession with finding worthy chess opponents symbolizes his pursuit of the dao; in The King of Children—made into an award-winning film by Chen Kaige, the director of Farewell My Concubine—an educated youth is sent to teach at an impoverished village school where one boy’s devotion to learning is so great he is ready to spend 500 days copying his teacher’s dictionary; and in the title novella a peasant’s innate connection to a giant primeval tree takes a tragic turn when a group of educated youth arrive to clear the mountain forest. The King of Trees is a masterpiece of world literature, full of passion and noble emotions that stir the inner chambers of the heart.

    Yoel Hoffmann explores the attitudes and customs surrounding death in historical and present-day Japan and gives examples of how these have been reflected in the nation's literature in general. The development of writing jisei is then examined—from the poems of longing of the early nobility and the more "masculine" verses of the samurai to the satirical death poems of later centuries. Zen Buddhist ideas about death are also described as a preface to the collection of Chinese death poems by Zen monks that are also included. Finally, the last section contains three hundred twenty haiku, some of which have never been assembled before, in English translation and romanized in Japanese.

    I try to tell what it was like for me and my brother Marines without fanfare or bravado and give the reader a vivid description of my 13 months.

    Their job was to recruit indigenous people, train and house them, and make them ready for combat.

    With their elegant prose, witty wordplay and subtle charm, the 104 stories in this selection reveal a world in which nothing is as it seems.