What if he did not go to Meryton that autumn and instead met Elizabeth Bennet later in London during the winter? What if their introduction was not an insult, but rather a challenge to smile, and how does the strength of an ex... Full description

    Sons and daughters share the physical and personality traits of their parents, but of course have minds of their own, and as Lizzie says to Jane: "The romantic attachments of one's children are a constant distraction.""Jane would be proud of you." -Juliet McMaster, Professor of English, University of Alberta"A tour de force." -Marilyn Sachs, author of First Impressions

    Only in the quiet solitude of the churchyard does he indulge his grief. None but his unlikely mentor recognize the heartache and insecurity plaguing him as he shoulders the enormous burden of being Master of Pemberley.Not all are pleased with his choice of adviser. Lady Catherine complains Darcy allows him too much influence. Lord Matlock argues, "Who is he to question the God-appointed social order?" But the compassionate wisdom Darcy finds in his counselor keeps him returning for guidance even though it causes him to doubt everything he has been taught.In the midst of his struggles to reinvent himself, his school chum, Charles Bingley, arrives. Darcy hopes the visit will offer some respite from the uproar in his life. Instead of relief, Darcy discovers his father's darkest secret staring him in the face. Pushed to his limits, Darcy must overcome the issues that ruined his father and, with his friends and mentor at his side, restore his tarnished birthright.

    Life was prodigiously good until the day Emma finds her husband in bed with another woman.

    Riddled with guilt, Elizabeth comes to the aid of the comatose Mr. Darcy and stays by his side until he regains consciousness. She soon learns that although Mr. Darcy has awoken, he has not returned to himself. And with no memory of his first disastrous proposal, he has concluded that there is nothing he wants more than to propose to Miss Elizabeth. This humorous journey of love leaves one asking, can persistence pacify prejudice? Can Elizabeth see the real gentleman behind the injury, a man who persists in professing his love to her every chance he gets? In this Regency variation of Jane Austen’s beloved Pride and Prejudice, Mr. Darcy and Elizabeth Bennet both learn the value of persistence.

    One of the crucial points in Austen’s novel is Miss Elizabeth Bennet’s fiery and passionate refusal and denunciation of the equally passionate but infinitely more repressed Fitzwilliam Darcy. What might eventuate if the robustly healthy Elizabeth falls prey to illness for almost the first time in her life just when Darcy comes to call? Bemused by her illness, she hardly comprehends what Darcy is asking, and her simple nod of acknowledgment is misinterpreted as acceptance of his suit by a joyous Darcy. By the time Elizabeth regains her health, it seems that every one of her acquaintance and many outside of it accept that she has become engaged to the last man in the world she would ever have considered marrying. Can she openly demand her engagement to the amorous but prideful Darcy be broken, a course fraught with hazards in the social milieu of Regency England? In a maelstrom of confusion, choices have to be made and disclosures closely considered. Elizabeth knows that nothing in her life will ever be the same, and the consequences will likely spread further than she can imagine.

    Finally confronted with a woman who ignites all his hopes , he agonizes over the cruel trick of fate which placed her in a situation beneath his notice. The morning after the Netherfield ball, he resolves to put as much distance between himself and her as possible.That very morning, however, Elizabeth's future is jeopardized by her father's untimely accident. With Mr Bennet unconscious and surrounded by concerned neighbors, Mr Collins presses his suit. Elizabeth's mother frantically demands her acceptance to secure the familiy's welfare. With so many witnesses to his proposal and everyone expecting her to make a practical choice, Elizabeth's reputation hangs in the balance.Without her father to defend her refusal of Mr Collins, there is no one to speak up for her... except the last man in the world she would ever marry.

    Darcy has captivated readers' imaginations as the ultimate catch. Rich. Powerful. Noble. Handsome. And yet, as Miss Austen's Pride and Prejudice is established through Elizabeth Bennet's fine eyes, how are we to know his mind? How does Darcy progress from "She is tolerable: but not handsome enough to tempt me" to "I thought only of you"?In this romance anthology, fifteen Austenesque authors assemble to sketch Darcy's character through a series of re-imaginings, set in the Regency through contemporary times--from faithful narratives to the fanciful. Herein The Darcy Monologues, the man himself reveals his intimate thoughts, his passionate dreams, and his journey to love--all told with a previously concealed wit and enduring charm. "It is your turn to say something now, Mr. Darcy."

    At fifteen, Jane is already a sharp observer of the customs of courtship. So when Jenny falls utterly in love with Captain Thomas Williams, who better than Jane to help her win the heart of this dashing man? But is that even possible? After all, Jenny’s been harboring a most desperate secret. Should it become known, it would bring scandal not only to her, but also to the wonderful Austen family. What’s a poor orphan girl to do? In this delicious dance between truth and fiction, Cora Harrison has crafted Jenny’s secret diary by reading everything Jane Austen wrote as a child and an adult, and by researching biographies, critical studies, and family letters. Jenny’s diary makes the past spring vividly to life and provides insight into the entire Austen family—especially the beloved Jane.

    Sarah, the orphaned housemaid, spends her days scrubbing the laundry, polishing the floors, and emptying the chamber pots for the Bennet household. But there is just as much romance, heartbreak, and intrigue downstairs at Longbourn as there is upstairs. When a mysterious new footman arrives, the orderly realm of the servants’ hall threatens to be completely, perhaps irrevocably, upended. Jo Baker dares to take us beyond the drawing rooms of Jane Austen’s classic—into the often overlooked domain of the stern housekeeper and the starry-eyed kitchen maid, into the gritty daily particulars faced by the lower classes in Regency England during the Napoleonic Wars—and, in doing so, creates a vivid, fascinating, fully realized world that is wholly her own.

    Darcy's younger sister, who must choose between two suitors, a well-placed navy captain and a brash young architect. Masterfully adapted to Austen's original nineteenth-century style, Presumption brings back to life the book's most memorable characters, the Bennets, Darcys, Collins, and de Bourghs."An elegant emulation and continuation of Pride and Prejudice. . . . Jointly composed by two admirers of Jane Austen, the book often achieves crisp replication of her style. . . . Presumption shows how sequel-writing can, like parody, be a sharp exercise in literary appreciation."—Peter Kemp, Times Literary SupplementJulia Barrett is a pseudonym for Julia Braun Kessler and Gabrielle Donnelly.

    In the society of her cousins Darcy and Georgiana, and, of course, the lively Mrs. Darcy, Anne reveals a talent for writing and a zest for life.Meanwhile, Lady Catherine is determined to choose a husband for Anne. But now that Anne has found her courage, she may not be so easy to rule.Anne de Bourgh is a sympathetic character whose obedience and meekness were expected of women in her day. As she frees herself from these expectations, Anne discovers strength, independence, and even true love in a wonderfully satisfying coming-of-age story.

    the wishes, the hopes, the confidence, the predictions of the small band of true friends who witnessed the ceremony, were fully answered in the perfect happiness of the union."Thus the last line of Jane Austen's Emma. A year later, Emma and Knightley are still living at Hartfield, surrounded by the Westons, the Eltons and the Bateses. But as events unfold, the couple must deal with the return of Frank Churchill, now widowed, and Knightley's apparently endless patience is tried by events in his brother's family, as well as his beloved Emma's whims and fancies.But the irrepressible Emma is restless ...Emma wants Knightley to stop treating her like a child. Knightley meanwhile wants his young bride to love him as a husband, not as the man she's always looked up to. With tragedy in the offing, and events unfolding that include beloved characters from Emma, the couple must find their way to each other, and to perfect happiness.With a wonderful grasp of the manners and style of the day, this warm and witty exploration of a marriage between a sheltered (not to say spoiled) young lady and the man she looked upon as an older brother fulfills the romantic longings of Jane Austen lovers everywhere.

    Their return finds Rosings swathed in mourning. In death, Anne is revealed as having lived a rich life of the mind, and she plotted rather constantly to escape her loathsome mother, Lady Catherine de Bourgh. Anne’s journal—spirited into the hands of Elizabeth and Charlotte Collins—holds her candid observations on life and her family. It also exposes her final, and sadly fatal, means of outwitting her mother. Anne’s Last Will and Testament, with its peculiar bequests, sends Lady Catherine into a tailspin and throws into turmoil every relationship amongst the Bennets, Darcys, Fitzwilliams, Collinses, and even the Bingleys! Was Anne de bourgh a shrewder judge of character than Elizabeth Bennet and Fitzwilliam Darcy combined?Includes mature content.

    She learns that she can only expect joy when she has accepted who she really is. She must throw off the false expectations and wrong ideas that have combined to obscure her true nature and prevented her from what makes her happy. Only when she undergoes this evolution does she have a chance at finding fulfillment; only then does she have the clarity to recognize her partner when he presents himself—and only at that moment is she genuinely worthy of love.Mary’s destiny diverges from that of her sisters. It does not involve broad acres or landed gentry. But it does include a man; and, as in all Austen novels, Mary must decide whether he is the truly the one for her. In The Other Bennet Sister, Mary is a fully rounded character—complex, conflicted, and often uncertain; but also vulnerable, supremely sympathetic, and ultimately the protagonist of an uncommonly satisfying debut novel.