After twenty years under the Pygmalion-like direction of his older partner Walter, Aaron at last decides it is time to stop letting life happen to him and to take control of his own fate. But soon after establishing himself in San Francisco—where he alternates between a shoddy garage apartment and the absurdly ramshackle ESL school where he teaches—Aaron sees that real freedom will not come until he has made peace with his memories of Morton, Minnesota: a cramped town whose four hundred souls form a constellation of Aaron’s childhood heartbreaks and hopes.After Aaron’s father died in the town parade, it was the larger-than-life misfits of his childhood—sardonic, wheel-chair bound dwarf named Clarence, a generous, obese baker named Bernice, a kindly aunt preoccupied with dreams of The Rapture—who helped Aaron find his place in a provincial world hostile to difference. But Aaron’s sense of rejection runs deep: when Aaron was seventeen, Dolores—Aaron’s loving, selfish, and enigmatic mother—vanished one night with the town pastor. Aaron hasn’t heard from Dolores in more than twenty years, but when a shambolic PI named Bill offers a key to closure, Aaron must confront his own role in his troubled past and rethink his place in a world of unpredictable, life-changing forces.Lori Ostlund’s debut novel is an openhearted contemplation of how we grow up and move on, how we can turn our deepest wounds into our greatest strengths. Written with homespun charm and unceasing vitality, After the Parade is a glorious new anthem for the outsider.

    An only child, he lives alone with Emilie, the mother he adores but who treats him with bitter severity. He begins an intense friendship with a Jewish boy his age, talented and mercurial Anton Zweibel, a budding concert pianist. Moving backward to the war years and the painful repercussions of an act of conscience, and forward through the lives and careers of two men, The Gustav Sonata explores the passionate love of childhood friendship as it is lost, transformed, and regained over a lifetime. Moving between the 1930s and the 1990s, this fierce and beautifully orchestrated novel explores the vast human issues of racism and tolerance, flight and refuge, cruelty and tenderness. It is a powerful and deeply moving addition to the beloved oeuvre of one of our greatest contemporary novelists.

    After discovering a photograph of the forgotten Black modernist poet Hermia Druitt, who ran in the same circles as the Bright Young Things that she adores, Mathilda becomes transfixed and resolves to learn as much as she can about the mysterious figure. Her search brings her to a peculiar artists’ residency in Dun, a small European town Hermia was known to have lived in during the 30s. The artists’ residency throws her deeper into a lattice of secrets and secret societies that takes hold of her aesthetic imagination, but will she be able to break the thrall of her Transfixions?From champagne theft and Black Modernisms, to art sabotage, alchemy and lotus-eating proto-luxury communist cults, Mathilda’s journey through modes of aesthetic expression guides her to truth and the convoluted ways it is made and obscured.

    No experience is required. Choose from twenty-five preset post-realities! Rejoice at obstacles unquestionably bested and conflicts efficiently resolved. Bring denouement to your drama with THE FOOLPROOF AUGMENTATION DEVICE FOR OUR CONTEMPORARY UTOPIA.

    Not stories of triumph over adversity, but something completely other. Described in language that is brilliantly sardonic, Woods's characters return repeatedly to places where they don't belong—often the places where they were born. In "Zombie," a coming-of-age story like no other, two young girls find friendship with a mysterious woman in the local cemetery. "Take the Way Home That Leads Back to Sullivan Street" describes a lesbian couple trying to repair their relationship by dropping acid at a Mensa party. In "A New Mohawk," a man in romantic pursuit of a female political activist becomes inadvertently much more familiar with the Palestine/Israel conflict than anyone would have thought possible. And in the title story, Woods brings us into the mind of a queer goth teenager who faces ostracism from her small-town evangelical church.In the background are the endless American wars and occupations and too many early deaths of friends and family. This is fiction that is fresh and of the moment, even as it is timeless.

    Justin Vivian Bond makes a brilliant literary debut with this candid and hilarious coming-of-age tale.Bond recalls in vivid detail how it looked and felt to first discover Mom's lipstick (Iced Watermelon by Revlon), and how dreary it could be for a trans/queer kid to join the Cub Scouts. Always haunted by the knowledge of being "different," Bond began to create intimate friendships with girls, and to feel increasingly at risk with boys. But when the bully next door wanted to meet secretly, Bond couldn't resist. Their trysts went on for years, making Bond acutely aware of how sexual power and vulnerability can be experienced at the same time. With inimitable style, Bond raises issues about LBGTQ adolescence, parenting trans/queer children, and bullying, while being utterly entertaining.

    While her current spends the summer researching public housing in Stockholm, a moderately wealthy, object-oppressed, and terminally hip New York female of a certain age seeks adventure in the sedate dyke bars of lower Manhattan. Finding none, she answers a personal ad. She is ordered to put on a blindfold before the first meeting with the woman she knows only as Sir. Not knowing what someone looks like turns out to be freeing, as do the escalating constraints that alienate her not just from her former life, but from her very conception of who she is. Part Georges Bataille, part Fran Leibowitz, this is the Story of O told with a self-referentially perverse sense of humor. Leash extends the logic of S&M to its inexorable and startling conclusion, darkly and hilariously revealing the masochistic impulse as the urge to disappear from the chores, obligations, and emotional vacuity of daily life. First published in 2002.

    Inside is a gigantic taxidermied aardvark. This outrageous, edge-of-your-seat novel hurtles between contemporary Washington, DC, where Wilson tries to get rid of the unsightly beast before it destroys his career, and Victorian England--where we meet Titus Downing, the taxidermist who stuffed the aardvark, and Richard Ostlet, the naturalist who hunted her. Our present world, we begin to see, has been shaped in profound and disturbing ways by the secret that binds these men.

    Phil is the bright one, George the plodder. Phil is tall and angular; George is stocky and silent. Phil is a brilliant chess player, a voracious reader, an eloquent storyteller; George learns slowly, and devotes himself to the business.Phil is a vicious sadist, with a seething contempt for weakness to match his thirst for dominance; George has a gentle, loving soul. They sleep in the room they shared as boys, and so it has been for forty years. When George unexpectedly marries a young widow and brings her to live at the ranch, Phil begins a relentless campaign to destroy his brother's new wife. But he reckons without an unlikely protector.From its visceral first paragraph to its devastating twist of an ending, The Power of the Dog will hold you in its grip.WITH AN AFTERWORD BY ANNIE PROULX

    But what if the marriage at risk is a gay one, and having a baby involves a surrogate mother?    Pat Faunce is a faltering romantic, a former poetry major who now writes textbooks. A decade into his relationship with Stu, an airline pilot from a fraught Jewish family, he fears he’s losing Stu to other men—and losing himself in their “no rules” arrangement. Yearning for a baby and a deeper commitment, he pressures Stu to move from Manhattan to Cape Cod, to the cottage where Pat spent boyhood summers.    As they struggle to adjust to their new life, they enlist a surrogate: Debora, a charismatic Brazilian immigrant, married to Danny, an American carpenter. Gradually, Pat and Debora bond, drawn together by the logistics of getting pregnant and away from their spouses. Pat gets caught between loyalties—to Stu and his family, to Debora, to his own potent desires—and wonders: is he fit to be a father?    In one of the first novels to explore the experience of gay men seeking a child through surrogacy, Michael Lowenthal writes passionately about marriages and mistakes, loyalty and betrayal, and about how our drive to create families can complicate the ones we already have. The Paternity Test is a provocative look at the new “family values.”

    Marc Jacobs suits. Hugo Boss suits, Food, Drinks, Dry cleaning. A room at the five-star hotel or a lane at the bowling alley. Of course, something things are harder to come by just ask... Vienna. She's one beautiful sister who is not going to be dependent on any man ever again, thanks to her cheating, should-be-dead ex. When she's not selling overpriced mascara to rich snobs, Vienna's checking out the scenery. Not that she wants another man. Much. Good thing she can tell it all to... Davii. The top hairdresser at CosmicTology is fast with a wickedly funny quip and with his shears. Nobody gets one over on Davii. But what he craves is a nice guy to come home to. A guy who makes him want to be a better person. A guy who looks an awful lot like... Derek. He never planned to become a kept man, but it's hard to give up Belgian waffles delivered by room service. But no more. It's time for a New Derek - new life, new friends, new job. And who better to help him take those baby steps toward independence than... Christian. Cool and savvy, he's cornered the market on charm. His sales skills have won him a fawning clientele. There's nothing he can't do, no point he can't score, no woman he can't woo. But there's a first time for everything.Meeting for coffee, dishing over drinks, dealing with heinous bosses, scheming backstabbers, clueless customers, and the occasional object of desire, four new friends are about to discover the joys of shopping for love in a place where what you need most might just be where you least expect to find it.

    Before, he had always brought men with him on his visits, lovers with whom his mother had been “civil, even flirtatious,” while his father retreated into his sacred woodshop. Now his mother has died and, at age thirty-six, Raphael has come back to see his dying father, who knows and disapproves of Raphael’s boyfriends but who is unaware that this, his youngest child, may be ill as well. Raphael’s halting, often painful attempt to reconcile with his father forms the centerpiece of Fenton Johnson’s astonishing novel. At times funny, at times heartbreakingly poignant, Scissors, Paper, Rock explores with wisdom and humor the many kinds of family, the infinite varieties of love. Through the intricately interwoven stories of the Hardin parents and children, Scissors, Paper, Rock contrasts the families we inherit — our blood ties — with the families we choose, our partners in love and our friends.

    She substitutes sleep with Red Bull and, through a combination of repression and bad habits, has managed to score herself a luxury apartment, a fabulous boyfriend and the approval of her billionaire CEO. Things are looking pretty awesome… well, apart from those body image issues that constantly plague her. But Min thinks she's got everything worked out. She's arranged her comfort zone and has zero desire to look outside of it… or, so she tells herself. It’s not until a troubled schoolgirl tracks her down from the Internet, stalks her to her home and noses her way into life that Min begins to admit that something is wrong in her perfect world. Something that she's never thought about before, and doesn’t even want to think about. Something that has the power to ruin all her relationships and dismantle everything in her life she’s worked so very hard for. What if ‘she’ isn’t the right word for Min at all?

    It was directed by Tony Speciale; it was produced by Dixon Place; the original music was by Duncan Sheik; the visuals were by Matthew Sandager; and the clothing was by Paul Marlow.

    Beginning in 1949 and moving to the present day, Mordden puts a unique and innovating spin on modern history. An adventurous, adroit, and fascinating novel by one of the finest gay writers of our time.