In the dead of night, three men with swords burst into the bed chamber of the Marquis de Montferrat. Their leader, Raimundo di Sangro – the Prince of San Severo – accuses him of being an imposter, and demands to know a secret he believes the marquis harbors. The false marquis resists and manages to escape, leaving behind a burning palazzo and a raging prince now obsessed with finding his quarry – and his secret – at any cost.Baghdad, 2003. An army unit tracking Saddam’s cronies stages a spectacular raid on a fortified villa and makes a horrifying discovery in its basement: a state- of-the-art, concealed lab where dozens—men, women, children—have died, the subjects of gruesome experiments. The mysterious scientist they were after, a man believed to be working on a bioweapon and known only as the hakeem—the doctor—escapes, taking with him the startling truth about his work. In one of his victims’ cells, a puzzling clue is left behind: an Ouroboros – the tail devourer – a circular symbol of a snake that’s feeding on its own tail.As the power of the symbol comes to light, revealing the centuries of mystery and pain left in its wake, one unsuspecting woman – Mia Bishop, a geneticist – stands at the center of a conspiracy that could change the world forever. From Baghdad to the chaos of a Beirut still reeling from a fresh war in the fall of 2006, to the lost villages of eastern Turkey and northern Iraq by way of epic chapters set in eighteenth century Europe, and in the masterful hands of international bestseller Raymond Khoury, The Sanctuary delivers the same rapid-fire suspense and provocative scholarship that made The Last Templar an international blockbuster.

    Flora, an amateur American botanist, is contracted by an international ring of flower thieves to infiltrate the household and acquire the coveted bloom. Her search is at once brightened by new love and threatened by her discovery of a series of ghastly crimes.More than half a century later, garden designer Addison takes up residence at the manor, now owned by the family of her husband, Rex. The couple’s shared passion for mysteries is fueled by the enchanting camellia orchard and an old gardener’s notebook. Yet its pages hint at dark acts ingeniously concealed. If the danger that Flora once faced remains very much alive, will Addison share her fate?

    When music student Sarah Weston lands a summer job at Prague Castle cataloging Beethoven’s manuscripts, she has no idea how dangerous her life is about to become. Prague is a threshold, Sarah is warned, and it is steeped in blood.      Soon after Sarah arrives, strange things begin to happen. She learns that her mentor, who was working at the castle, may not have committed suicide after all. Could his cryptic notes be warnings? As Sarah parses his clues about Beethoven’s “Immortal Beloved,” she manages to get arrested, to have tantric sex in a public fountain, and to discover a time-warping drug. She also catches the attention of a four-hundred-year-old dwarf, the handsome Prince Max, and a powerful U.S. senator with secrets she will do anything to hide.      City of Dark Magic could be called a rom-com paranormal suspense novel—or it could simply be called one of the most entertaining novels of the year.

    Socially awkward and perpetually ill at ease, he spends his evenings quietly drinking and surreptitiously observing Adele Bedeau, the sullen but alluring waitress at a drab bistro in the unremarkable small French town of Saint-Louis. One day, she simply vanishes into thin air and Georges Gorski, a detective haunted by his failure to solve one of his first murder cases, is called in to investigate the girl's disappearance. He sets his sights on Manfred. As Manfred cowers beneath Gorski's watchful eye, the dark secrets of his past begin to catch up with him and his carefully crafted veneer of normalcy begins to crack. Graeme Macrae Burnet's masterful play on literary form featuring an unreliable narrator makes for a grimly entertaining psychological thriller that questions if it is possible--or even desirable--to know another man's mind.

     Shunned and ridiculed all her life for something she can’t control, Samantha Blair hides her psychic abilities and lives on the fringes of society. Against her will, however, she’s tapped into a killer—or rather, his victims. Each woman’s murder, blow-by-blow, ravages her mind until their death releases her back to her body. Sam knows she must go to the authorities, but will the rugged, no-nonsense detective in charge of tracking down the killer believe her? Detective Brandt Sutherland only trusts hard evidence, yet Sam’s visions offer clues he needs to catch a killer. The more he learns about her incredible abilities, however, the clearer it becomes that Sam’s visions have put her in the killer’s line of fire. Now Brandt must save her from something he cannot see or understand…and risk losing his heart in the process. As danger and desire collide, passion raises the stakes in a game Sam and Brandt don’t dare lose. Length - 90,000 words. Excerpt Agony. Pain. Terror. A voice whispered through the blackness of her mind, so odd, so different it caught her attention. She strained to hear the words. “Let go. It’s time to let go.” Sam stared through the flames, stunned. Let go of what? She couldn’t hear over the roaring fire and could barely see, but knowing that someone was there stirred her survival instinct, and she fought with the seatbelt buckle jammed at her side. She was saved. Just another minute and they’d open the door and pull her free. She’d be fine. “Please hurry,” she cried out. “Let go. You don’t need to be in there. Let it all go, and come with me.” She peered through the golden orange windshield to see a strange male face peering at her through the flames. He smiled. “Come with me.” “I want to, damn it. Can’t you see I’m trapped?” she screamed, her vocals crisping in the heat. “Release yourself. Come with me. Say yes.” The pain hit a crescendo. She twisted against it, hearing her spine splinter. The car seat melted into her skin. So much pain, she couldn’t breathe. Blackness crowded into her mind, blessed quiet, soothing darkness. She reached for it. “Let it go. You don’t need to go through this. Hurry.” She started. Why wasn’t he opening the door or getting others to help? He should be trying to save her. Shouldn’t he? Sam, so confused and so tired, she could barely feel the pain overtaking her body. Where had he gone? She tried to concentrate. His face was now only a vague outline that rippled with the heat waves. A soft smile played at the corner of his mouth. The flames burned around him, weird as they centered him in the warm glow. She wanted to be with him. To live. “Here, take my hand.” Dazed and on the brink of death, Sam focused on the hand reaching for her. She struggled to raise the charred piece of flesh that had been her arm and reached out to grasp his. She was free. Overwhelmed, she turned to hug her savior, her head just reaching his shoulder. He stood beside her, the same radiant beaming look on his face. His blond hair glowed, and he had the brightest teeth. She sighed. This beautiful man pointed to her right arm. Confused, Sam glanced down at her burned arm, realizing she could feel none of her injuries. Just like her other one, her broken arm had miraculously healed – whole, smooth and soft. Her skin hadn’t looked this good in ten years. She spun around to find a massive fireball below. What the hell? She had to be dead.

    And then one night there came a knock at the door of a quiet lodging house in the Marylebone Road. . . . This novel, based on the Jack the Ripper murders, was made into a film by Alfred Hitchcock.

    As an expert in her field, she must trace the history of each painting and discover who has concealed them for so long.Thrown in amongst the glamorous Vermeil family as they move between Paris and Antibes, Flora begins to discover that things aren't all that they seem, while back at home her own family is recoiling from a seismic shock. The terse and brooding Xavier Vermeil seems intent on forcing Flora out of his family's affairs - but just what is he hiding?

    City of Medicine, Money, Murder.Young women are being discovered dead across the Old Town, all having suffered similarly gruesome ends. In the New Town, medical student Will Raven is about to start his apprenticeship with the brilliant and renowned Dr Simpson.Simpson's patients range from the richest to the poorest of this divided city. His house is like no other, full of visiting luminaries and daring experiments in the new medical frontier of anaesthesia. It is here that Raven meets housemaid Sarah Fisher, who recognises trouble when she sees it and takes an immediate dislike to him. She has all of his intelligence but none of his privileges, in particular his medical education.With each having their own motive to look deeper into these deaths, Raven and Sarah find themselves propelled headlong into the darkest shadows of Edinburgh's underworld, where they will have to overcome their differences if they are to make it out alive.

    John, a scholar, unwittingly discovers the Knights of Templar's secret treasure. Suddenly, her life is upturned when she spies her boss murdering her husband and brother. With no reason to live, except to extract vengeance, Grace becomes a fugitive of the law as she attempts to find an explanation for this horrible act.Grace simultaneously translates 14th century medieval documents written by Black Niall. This embittered knight reaches into Grace's subconscious and the two begin to share dreams 700 years apart. A scholar specializing in ancient manuscripts, Grace St. John never imagined that a cache of fragile, old documents she discovered was the missing link to a lost Celtic treasure. But as soon as she deciphers the intriguing legend of the Knights of the Templar -- long fabled to hold the key to unlimited power -- Grace becomes the target of a ruthless killer bent on abusing the coveted force.Determined to stop him, Grace needs the help of a celebrated warrior bound by duty to uphold the Templar's secret for all eternity. But to find him -- and to save herself -- she must go back in time.Summoning the magic of an arcane ritual, Grace steps back to the barren hills of 14th-century Scotland, enduring the perils of an untamed land to confront Black Niall, a fierce man of dark fury and raw, unbridled desire. Driven by a mix of fear and passion, Grace enlists this brazen knight to join her in a modern-day search for a killer.In their quest to protect a timeless secret, they uncover a love for all time -- and a deadly duel of honor that risks everything they have.

    This portrait of a beguiling Southern city was a best-seller (though a flop as a movie). ~ Shots rang out in Savannah's grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this city of moss-hung oaks and shaded squares. John Berendt's narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt interweaves a first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case.The story is peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the "soul of pampered self-absorption"; the uproarious black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else.

    Humans are scarce; ferocious predators roam freely. Locals say spirits do, too.Rookie cop Tana Larsson doesn’t mind the dark and quiet. Five months pregnant and hoping to escape the mistakes of her past, she takes a post in Twin Rivers, population 320. Maybe here she can find peace and community for her child.But with her superior out of commission, Tana becomes the sole police officer in 17,500 square miles. One bitter night, she gets a call about the fatal wolf mauling of two students, and the only way to reach the remote scene is to enlist the help of the arrogant, irritatingly handsome Cameron “Crash” O’Halloran, a local bush pilot with a shady reputation for smuggling and a past cloaked in shadow.When the macabre scene they uncover suggests violence much more sinister than animal, Tana must trust Crash if she wants to protect the town—and herself—from the evil that lurks in the frozen dark.IN THE BARREN GROUND, a dark, atmospheric romance and police procedural with gothic/horror overtones set in a remote fly-in community just south of the arctic circle ...

    Europe is modernizing, and the sultan of the Ottoman Empire feels he has no choice but to follow suit. But just as he's poised to announce sweeping political change, a wave of murders threatens the fragile balance of power in his court. Who is behind the killings? Deep in the Abode of Felicity, the most forbidden district of Topkapi Palace, the sultan - ruler of the Black Sea and the White, ruler of Rumelia and Mingrelia, lord of Anatolia and Ionia, Romania and Macedonia, Protector of the Holy Cities, steely rider through the realms of bliss - announces, "Send for Yashim." Leading us through the palace's luxurious seraglios and Istanbul's teeming streets, Yashim places together the clues. He is not alone. He depends on the wisdom of a dyspeptic Polish ambassador, a transsexual dancer, and the Creole-born queen mother. He manages to find sweet salvation in the arms of another man's wife (this is not your everyday eunuch!). And he introduces us to the Janissaries. For four hundred years, they were the empire's elite soldiers. But they grew too powerful, and ten years earlier the sultan had them crushed. Are the Janissaries staging a brutal comeback? And if they are, how can they be stopped without throwing Istanbul into political chaos?

    Newly arrived to Birmingham, Alabama, Jane is a broke dog-walker in Thornfield Estates—a gated community full of McMansions, shiny SUVs, and bored housewives. The kind of place where no one will notice if Jane lifts the discarded tchotchkes and jewelry off the side tables of her well-heeled clients. Where no one will think to ask if Jane is her real name.But her luck changes when she meets Eddie­ Rochester. Recently widowed, Eddie is Thornfield Estates’ most mysterious resident. His wife, Bea, drowned in a boating accident with her best friend, their bodies lost to the deep. Jane can’t help but see an opportunity in Eddie—not only is he rich, brooding, and handsome, he could also offer her the kind of protection she’s always yearned for. Yet as Jane and Eddie fall for each other, Jane is increasingly haunted by the legend of Bea, an ambitious beauty with a rags-to-riches origin story, who launched a wildly successful southern lifestyle brand. How can she, plain Jane, ever measure up? And can she win Eddie’s heart before her past—or his—catches up to her?

    All of the first-class carriages except the one carrying Dickens are smashed to bits in the valley below. When Dickens descends into that valley to confront the dead and dying, his life will be changed forever. And at the core of that ensuing five-year nightmare is…Drood… the name that Dickens whispers to his friend Wilkie Collins. A laudanum addict and lesser novelist, Collins flouts Victorian sensibilities by living with one mistress while having a child with another, but he may be the only man on Earth with whom Dickens can share the secret of…Drood. Increasingly obsessed with crypts, cemeteries, and the precise length of time it would take for a corpse to dissolve in a lime pit, Dickens ceases writing for four years and wanders the worst slums and catacombs of London at night while staging public readings during the day, gruesome readings that leave his audiences horrified. Finally he begins writing what would have been the world’s first great mystery masterpiece, The Mystery of Edwin Drood, only to be interrupted forever by…Drood.Based on actual biographical events, Drood explores the still-unresolved mysteries of one of our greatest writer’s dark final days in a profoundly original tale that confirms Lincoln Child’s assessment of New York Times bestselling author Dan Simmons as “a giant among novelists.”

    She admits to murder, and the unexpected guest offers to help her concoct a cover story.But is it possible that Laura Warwick did not commit the murder after all? If so, who is she shielding? The victim's retarded young half-brother or his dying matriarchal mother? Laura's lover? Perhaps the father of the little boy killed in an accident for which Warwick was responsible? The house seems full of possible suspects ...Charles Osborne has adapted the novel from Agatha Christie's original play of the same title from 1958.