Scarborough the novel employs a multitude of voices to tell the story of a tight-knit neighborhood under fire: among them, Victor, a black artist harassed by the police; Winsum, a West Indian restaurant owner struggling to keep it together; and Hina, a Muslim school worker who witnesses first-hand the impact of poverty on education.And then there are the three kids who work to rise above a system that consistently fails them: Bing, a gay Filipino boy who lives under the shadow of his father's mental illness; Sylvie, Bing's best friend, a Native girl whose family struggles to find a permanent home to live in; and Laura, whose history of neglect by her mother is destined to repeat itself with her father.Scarborough offers a raw yet empathetic glimpse into a troubled community that locates its dignity in unexpected places: a neighborhood that refuses to be undone.Catherine Hernandez is a queer theatre practitioner and writer who has lived in Scarborough off and on for most of her life. Her plays Singkil and Kilt Pins were published by Playwrights Canada Press, and her children's book M is for Mustache: A Pride ABC Book was published by Flamingo Rampant. She is the Artistic Director of Sulong Theatre for women of color.

    Bordering on obsessed and unable to make sense of her solitary life, she heads cross-country without a word, resolved to cultivate a new persona by creating her own kind of amnesia. But as time goes by, she is unable to deny hers truest self. Targeted media.

    But when her father suddenly leaves and her mother breaks down, Daisy's old life disappears, and she is set free in the rift created between her parents. Susie Taylor's sharp, quick-witted prose carries Daisy through a family cataclysm, relationships with boys, and her increasingly confusing feelings towards girls, especially Wanda. A refreshingly perceptive and honest debut, Even Weirder Than Before explores the nature of family, friendships, and sexual awakenings--and introduces one of Newfoundland's most exciting new writers.

    Relationships are tested, hearts are broken, but revenge is sweet in these four short stories by Skyy – the author of the popular series, "Choices", "Consequences" and "Crossroads". You can feel the storm coming in your bones, but after the hurricane only the strong will be left standing? When love is involved is there really such a thing as no strings attached? What do you do when you catch your mate with a person you also crave? And a man learns that he can’t have it all, or can he? Take a seat and enjoy this steamy ride.

    'Darling' brings together many favourite poems from Kay's four collections, 'The Adoption Papers, 'Other Lovers', 'Off Colour' and 'Life Mask', as well as featuring new work, some previously uncollected poems, and some lively poetry for younger readers.

    It is said that even the Czarina Anastasia Romanova had received one in her trousseau. The workers come from the three neighboring villages on the border of Romania and Ukraine. Nourished, dressed and educated, they are the envy of all at a time when a famine programmed by Stalin sweeps the countryside and cannibalism rages from city to town to farm. But what is the secret of this factory and why does the Grazyn family protect its employees so scrupulously?The Bone Mother revives the great figures of Slavic mythology on the eve of the Second World War, from rusalka and Baba Yaga--The Bone Mother herself--to the golem. The existence of mortals is intimately linked to that of witches and vampires, in a universe where strigois rub shoulders with mermaids, ghosts and seers...and all are in peril from the Nichni Politsiyi, the Night Police, which wish to eradicate them.

    She's "Miss Popularity", smart, the president of her sorority, on the Dean's List, a public figure in her community, and comes from a wealthy family. She is beautiful and desired by many. People think that she's got her life all figured out. She does too, until she crosses paths with... J.B. Donovan, The editor of the campus newspaper. J.B. isn't looking for love with Shanelle, especially after being scarred in a previous relationship. J.B. had never been in a secret relationship and has no intentions of ever being in one. However, there is something about "Miss Popularity" that proves to be too irresistible to pass up. Curiosity leads to love, but is love enough for a woman who knows who she is and what she wants and a woman who is still trying to figure it out in spite of the challenges that are thrown their way? She Say, She Say: A Modern Love Story is a tale about love, growth, discovery, and acceptance. Follow J.B. and Shanelle as they take their journey together.

    STEALING NASREEN is a novel about the lives of three very different people, all of whom belong to the same small religious community. Set in Toronto with back story in Mumbai, Nasreen Bastawala, an Indo-Canadian lesbian and burnt-out psychologist, becomes enmeshed in the lives of Shaffiq and Salma Paperwala, new immigrants from Mumbai. While working in the same Toronto hospital as Nasreen, Shaffiq develops a persistent and confusing fascination with Nasreen, causing him to bring home and hide things he finds in her office. Salma, his wife, discovers some of these hidden treasures and suspects that something is amiss. Unbeknownst to Shaffiq, Nasreen begins attending weekly Gujarati classes taught by Salma, who finds herself inexplicably attracted to her student. This attraction harkens back memories and regrets Salma holds about a lesbian affair that ended badly years ago. Without knowing that it is happening, Nasreen becomes the centre of Shaffiq and Salma's lives. Each keeps a secret about Nasreen, and in so doing risks their marriage, while Nasreen struggles to come to terms with her mother's death, her recent break-up, and her new relationship with her father. An impulsive kiss between Salma and Nasreen sets off a surprising course of events.

    Morgan’s nîtisânak is woven around grief over the loss of their mother. It also explores despair and healing through community and family, and being torn apart by the same. Using cyclical narrative techniques and drawing on Morgan’s Cree, Saulteaux, and Métis ancestral teachings, this work offers a compelling perspective on the connections that must be broken and the ones that heal.

    Since her parents died in an accident she survived, bruises have become a way to keep her pain on the surface of her skin so she doesn’t need to deal with the ache deep in her heart.So when chance and circumstances bring her to a roller derby bout, Daya is hooked. Yes, the rules are confusing and the sport seems to require the kind of teamwork and human interaction Daya generally avoids. But the opportunities to bruise are countless, and Daya realizes that if she’s going to keep her emotional pain at bay, she’ll need all the opportunities she can get.The deeper Daya immerses herself into the world of roller derby, though, the more she realizes it’s not the simple physical pain-fest she was hoping for. Her rough-and-tumble teammates and their fans push her limits in ways she never imagined, bringing Daya to big truths about love, loss, strength, and healing.

    In 1968, into the devastating, spare atmosphere of Labrador, Canada, a child is born: a baby who appears to be neither fully boy nor fully girl, but both at once. Only three people are privy to the secret—the baby’s parents, Jacinta and Treadway, and their trusted neighbor and midwife, Thomasina. Though Treadway makes the difficult decision to raise the child as a boy named Wayne, the women continue to quietly nurture the boy’s female side. And as Wayne grows into adulthood within the hypermasculine hunting society of his father, his shadow-self, a girl he thinks of as “Annabel,” is never entirely extinguished. When Wayne finally escapes the confines of his hometown and settles in St. John’s, the anonymity of the city grants him the freedom to confront his dual identity. His ultimate choice will once again call into question the integrity and allegiance of those he loves most. Kathleen Winter has crafted a literary gem about the urge to unveil mysterious truth in a culture that shuns contradiction, and the body’s insistence on coming home. A daringly unusual debut full of unforgettable beauty, Annabel introduces a remarkable new voice to American readers.

    The only people still able to dream are North America's Indigenous people, and it is their marrow that holds the cure for the rest of the world. But getting the marrow, and dreams, means death for the unwilling donors. Driven to flight, a fifteen-year-old and his companions struggle for survival, attempt to reunite with loved ones and take refuge from the "recruiters" who seek them out to bring them to the marrow-stealing "factories."

    But Elodie prefers Nirvana and Soundgarden. Can she confront rambunctious kids, confusing feelings, and supernatural horrors all at once?Summer 1994: with just two months left before college, Elodie is forced by her mother to take a job as a camp counselor. She doesn't know the first thing about nature, or sports, of kids for that matter, and isn't especially interested in learning... but now she's responsible for a foul-mouthed horde of red-headed girls who just might win her over, whether she likes it or not. Just as Elodie starts getting used to her new environment, though -- and close to one of the other counselors -- a dark mystery lurking around the camp begins to haunt her dreams.

    That? She saves for music, whether she's playing guitar or DJing...and everyone dances to her tune. But when the dreams Nina works so hard for start to fall into place, the past she thinks she's left behind returns. As she opens herself - to everything - Nina learns that being punk alone is not enough. She needs to love and be loved, to let go - without losing herself. Angst, sex, love, rock - 'Nuff said.

    This extraordinary life meanders through a rich, complicated, bittersweet world. The discoveries of childhood give way to the thousand pangs of adolescence, culminating in the sudden shocking news of an accident abroad. And as adulthood begins, indecisively, boundaries are crossed between countries, languages and people . . .