In this brilliant translation by Matvei Yankelevich, English-language readers now have a comprehensive collection of the prose and poetry that secured Kharms s literary reputation a reputation that grew in Russia even as the Soviet establishment worked to suppress it.A master of formally inventive poetry and what today would be called micro-fiction, Kharms built off the legacy of Russian Futurist writers to create a uniquely deadpan style written out of and in spite of the absurdities of life in Stalinist Russia. Featuring the acclaimed novella The Old Woman and darkly humorous short prose sequence Events (Sluchai), Today I Wrote Nothing also includes dozens of short prose pieces, plays, and poems long admired in Russia, but never before available in English. A major contribution for American readers and students of Russian literature and an exciting discovery for fans of contemporary writers as eclectic as George Saunders, John Ashbery, and Martin McDonagh, Today I Wrote Nothing is an invaluable collection for readers of innovative writing everywhere.About the EditorMATVEI YANKELEVICH is also a co-translator of Oberiu: An Anthology of Russian Absurdism (2006). His translation of the Vladimir Mayakovsky's poem "Cloud in Pants" appears in Night Wraps the Sky: Writings by and About Mayakovsky. He is the author of a long poem, The Present Work, and his writing has appeared in Fence, Open City, and many other literary journals. He teaches Russian Literature at Hunter College in New York City and edits the Eastern European Poets Series at Ugly Duckling Press in Brooklyn.

    Dubbed the AK-47, it was selected as the Eastern Bloc's standard arm. Scoffed at in the Pentagon as crude and unimpressive, it was in fact a breakthrough--a compact automatic that could be mastered by almost anyone, last decades in the field, and would rarely jam. Manufactured by tens of millions in planned economies, it became first an instrument of repression and then the most lethal weapon of the Cold War. Soon it was in the hands of terrorists.In a searing examination of modern conflict and official folly, C. J. Chivers mixes meticulous historical research, investigative reporting, and battlefield reportage to illuminate the origins of the world's most abundant firearm and the consequences of its spread. The result, a tour de force of history and storytelling, sweeps through the miniaturization and distribution of automatic firepower, and puts an iconic object in fuller context than ever before. "The Gun "dismantles myths as it moves from the naive optimism of the Industrial Revolution through the treacherous milieu of the Soviet Union to the inside records of the Taliban. Chivers tells of the 19th-century inventor in Indianapolis who designs a Civil War killing machine, insisting that more-efficient slaughter will save lives. A German attache who observes British machine guns killing Islamic warriors along the Nile advises his government to amass the weapons that would later flatten British ranks in World War I. In communist Hungary, a locksmith acquires an AK-47 to help wrest his country from the Kremlin's yoke, beginning a journey to the gallows. The Pentagon suppresses the results of firing tests on severed human heads that might have prevented faulty rifles from being rushed to G.I.s in Vietnam. In Africa, a millennial madman arms abducted children and turns them on their neighbors, setting his country ablaze. Neither pro-gun nor anti-gun, "The Gun "builds to a terrifying sequence, in which a young man who confronts a trio of assassins is shattered by 23 bullets at close range. The man survives to ask questions that Chivers examines with rigor and flair.Throughout, "The Gun "animates unforgettable characters--inventors, salesmen, heroes, megalomaniacs, racists, dictators, gunrunners, terrorists, child soldiers, government careerists, and fools. Drawing from years of research, interviews, and from declassified records revealed for the first time, he presents a richly human account of an evolution in the very experience of war.

    There would be few crimes listed in the indictment at Nuremberg of which one or other of the four prosecuting powers was not guilty of itself. In the cause of defeating Adolf Hitler, civilian populations had been burned and blasted, murdered, brutalised, intimidated, deported, and enslaved; aggressive wars had been launched, neutral countries occupied by pretext and deceit, and the unalterable paragraphs of international conventions flagrantly violated.

    The bodies of the victims were found in parks and cemeteries, in vacant lots and on beaches. But most of all, they were found in forest belts - barriers of trees and shrubs, situated alongside roads and railroad tracks. One man was responsible for these brutal murders. His name is Andrei Chikatilo who, because of his membership in the Communist party, was called Comrade Chikatilo. Chikatilo lured his victims with his innocuous looks, easygoing manner and promises of food. In the case of children, chewing gum was enough to convince young boys or girls to follow him to their sad destiny. Chikatilo was able to elude capture through an incredible combination of police incompetence and state-sanctioned ignorance. Prior to glasnost, the murders were not even reported in the press since it was understood that there were no serial killers under a Communist regime. Compiled by two Russian writers, Comrade Chikatilo is the story of the killer. As Russians, the authors were able to get within the intricate Russian criminal justice system to offer a close look at the police investigation and capture of Chikatilo, complete coverage of the trial and, most fascinating of all, a vivid portrayal of the man himself. Working exhaustively, Krivich and Ol'gin interviewed everyone involved with the case - friends of the killer, families of the victims, and police investigators. They obtained Chikatilo's responses to their direct questions which were passed to him while he awaited trial. In addition, they worked closely with the eminent Russian attorney, Mark Kogan, who had complete access to all court files. Comrade Chikatilo offers the unique perspective and insight of its Russian authors in detailing the ironies of its Russian authors in detailing the ironies and peculiarities of life and justice i

    He paints an eminently human portrait of those involved with this repressive arm of the government, featuring interviews with former officers thatuncover a wide array of personalities, from devoted ideologues to reluctant opportunists, most of whom talked frankly about East Germany's obsession with surveillance. Their paths after the collapse of Communism are gripping stories of resurrection and despair, of renewal and demise, of remorse andcontinued adherence to the movement. The book also sheds much light on the role of the informant, the Stasi's most important tool in these out-of-the-way areas.Providing on-the-ground empirical evidence of how the Stasi operated on a day-to-day basis with ordinary people, this remarkable volume offers an unparalleled picture of life in a totalitarian state.

    Crispin has engineered the saviors of mankind: Pavlov’s Dogs, a team of soldiers capable of transforming into fearsome beasts. But when Crispin and his team welcome a new talented neurotechnician to the island, Dr. Crispin quickly realizes his masterwork has fallen into the hands of a man he does not trust.ZOMBIESBack on the mainland, Ken Bishop and his best friend Jorge get caught in a traffic jam on their way home from work. There’s a wreck up ahead. And something worse. The first sign of a major outbreak—and Ken and Jorge are stuck in the gridlock. They quickly realize that they not only need to escape, but they also need to save as many people as possible on the way.ARMAGEDDONNow Dr. Crispin and his team must make a terrible decision. Should they send the Dogs out into the zombie apocalypse to rescue survivors? Or should they listen to the new neurotechnician, who would have them hoard their resources and post the Dogs as island guards?

    As soon as I’m alone in the woods, I can sense his eyes watching me as I get drunk on something else, his animal charge which fills the air between us.The Professor would be mad if I came back empty handed, but damn, if what I discover isn’t more of a distraction than bad weather, missing links or even avalanches.NikolaiThirty years ago, the forest claimed me, it nearly killed me but it claimed me, gave me a new life from the one I thought I knew. I learned to live, to hunt and thrive in the wilderness, at one with nature and within the circle of life, but always missing that one thing all the other creatures had, that one thing they enjoyed at least once every spring season.A mate.As soon as I see her, I know she’s been sent for me, sent for me to claim and to breed.To claim as my own.But she brings something else with her, the memory from a dream.Am I a man, or a monster?I want to be her man, her mate. Together. Forever.*Russian Mountain Man is a SHORT insta-everything standalone instalove romance with an HEA, no cheating, and no cliffhanger.

    Jane. But women, it turns out, have always gone to war. In this fascinating, lively, and wide-ranging book, historian Pamela Toler draws from a lifetime of scouring books for mentions of women warriors to tell their stories and to consider why women go to war.Tomyris, ruler of the hard-riding Massagetae, and her warriors killed Cyrus the Great of Persia when he sought to invade her lands. She herself hacked off his head in revenge for the death of her son. The West African ruler Amina of Hausa, a contemporary of Elizabeth I, led her fierce warriors in a campaign of territorial expansion for more than thirty years. Like Elizabeth, she refused to marry; unlike Elizabeth, she never claimed to be a Virgin Queen. Contemporary accounts of medieval sieges in Europe describe women using firearms, participating in night raids, joining in the defense of breaches in the walls, and fighting hand-to-hand at the improvised barricades that often provided a last line of defense. Among the examples of female samurai in Japan are the Joshigun, a group of thirty seriously combat-trained women who fought against the forces of the Meiji emperor in the late 19th century.These are the stories of those who commanded from the rear and those who fought in the front lines, those who fought because they wanted to, because they had to, or because they could. Considering the ways in which their presence has been erased from history, Toler concludes that women have always fought: not in spite of being women but because they are women.

    Over the past few years, we ve seen facial hair sprouting up on faces everywhere. Men want to experiment with their facial gardens, but it s not always just as easy as putting the razor to rest Any man will surely go back to shaving when his beard starts to itch. When a goatee or mustache looks bad, he ll shave it off, discouraged and unaware of his options. Marginalized facial hair stereotypes prevent every day, normal guys from making facial hair part of their personal style. Men have forgotten about their beards, let alone how to wear and care for them. Until now. The Facial Hair Handbook is a hilarious and informative guide to all aspects of facial hair, for men of all ages and all faces. From making the decision to wear facial hair, to the best way to take it off, all men can finally be stylish and care for their appearance while staying true to who they are: Men.

    The sponsorship of extremist politics in Europe. War in Ukraine. In recent years, Vladimir Putin’s Russia has waged a concerted campaign to expand its influence and undermine Western institutions. But how and why did all this come about, and who has orchestrated it?In Putin’s People, the investigative journalist and former Moscow correspondent Catherine Belton reveals the untold story of how Vladimir Putin and the small group of KGB men surrounding him rose to power and looted their country. Delving deep into the workings of Putin’s Kremlin, Belton accesses key inside players to reveal how Putin replaced the freewheeling tycoons of the Yeltsin era with a new generation of loyal oligarchs, who in turn subverted Russia’s economy and legal system and extended the Kremlin's reach into the United States and Europe. The result is a chilling and revelatory exposé of the KGB’s revanche―a story that begins in the murk of the Soviet collapse, when networks of operatives were able to siphon billions of dollars out of state enterprises and move their spoils into the West. Putin and his allies subsequently completed the agenda, reasserting Russian power while taking control of the economy for themselves, suppressing independent voices, and launching covert influence operations abroad.Ranging from Moscow and London to Switzerland and Brooklyn’s Brighton Beach―and assembling a colorful cast of characters to match―Putin’s People is the definitive account of how hopes for the new Russia went astray, with stark consequences for its inhabitants and, increasingly, the world.

    Largely basing his account on Russian sources and interviews he shows the war through the eyes of the Russians themselves - politicians, officers, soldiers, advisers, journalist, women. As former ambassador to Moscow, Rodric Braithwaite brings his unique insights to the Soviet war in Afghanistan. The story has been distorted not only by Cold War propaganda but also by the myths of the nineteenth century Great Game. It moves from the high politics of the Kremlin to the lonely Russian conscripts in isolated mountain outposts. The parallels with Afghanistan today speak for themselves. 'A superb achievement of narrative history, sensitive writing and exciting fresh research': so wrote Simon Sebag Montefiore about Rodric Braithwaite's bestseller Moscow 1941. But those words, and many others of praise that were given it, could equally apply to his new book.

    J. Watson.

    This rare opportunity took the famous travellers not only to Moscow and Stalingrad - now Volgograd - but through the countryside of the Ukraine and the Caucasus. A RUSSIAN JOURNAL is the distillation of their journey and remains a remarkable memoir and unique historical document. Steinbeck and Capa recorded the grim realities of factory workers, government clerks, and peasants, as they emerged from the rubble of World War II. This is an intimate glimpse of two artists at the height of their powers, answering their need to document human struggle