But in Aurora Floyd, and in many of the novels written in imitation of it, bigamy is little more than a euphemism, a device to enable the heroine, and vicariously the reader, to enjoy the forbidden sweets of adultery without adulterous intentions.

    When she receives a journal for her sixteenth birthday, Sophie decides to chronicle day-to-day life on the island. But this is 1936, and the news that trickles in from the mainland reveals a world on the brink of war. The politics of Europe seem far away from their remote island—until two German officers land a boat on Montmaray. And then suddenly politics become very personal indeed.

    The obscure case of Jarndyce and Jarndyce, in which an inheritance is gradually devoured by legal costs, the romance of Esther Summerson and the secrets of her origin, the sleuthing of Detective Inspector Bucket and the fate of Jo the crossing-sweeper, these are some of the lives Dickens invokes to portray London society, rich and poor, as no other novelist has done. Bleak House, in its atmosphere, symbolism and magnificent bleak comedy, is often regarded as the best of Dickens. A 'great Victorian novel', it is so inventive in its competing plots and styles that it eludes interpretation.

    When her sister Eden visits her, she is sent away with a stinging slap, to prevent her from catching the predatory eye of Myra's mistress. Puzzled by her sister's behaviour, she sets off to make her way in the world.

    It takes place between the events of Stormhaven and Necropolis. When a child goes missing in Widdershins, ex-Pinkerton detective Griffin Flaherty fears sinister forces are at work in the town. Together, he and his lover Percival Endicott Whyborne must track down the child and put an end to a murderous plot, before any more young souls are lost.

    "How often you must purchase my songs with invisibility and silence, little Clara," says Robert, and, for Clara, the price of his love is dear. Shrouded in alternate layers of music and silence, the Schumann union was anything but a lullaby, marked by her valiant struggle for self-expression and his tortuous descent into madness.Clara, a deeply moving fugue of love, solitude, and artistic creation, Janice Galloway "has taken a melodic line and scored it for an orchestra" (The New York Times Book Review).

    To escape a home she doesn't belong in anymore, she assumes the name of a former classmate and accepts a teaching job at the Cherokee Female Seminary.Nothing prepares her for what she finds there. Her pupils are the daughters of the Cherokee elite—educated and more wealthy than she, and the school is cloaked in mystery. A student drowned in the river last year, and the girls whisper that she was killed by a jealous lover. Willie's room is the very room the dead girl slept in. The students say her spirit haunts it.Willie doesn't believe in ghosts, but when strange things start happening at the school, she isn't sure anymore. She's also not sure what to make of a boy from the nearby boys' school who has taken an interest in her—his past is cloaked in secrets. Soon, even she has to admit that the revenant may be trying to tell her something. . . .