You'll giggle when an EMT reveals his/her most prized possession, shake your head at some of the RIDICULOUS behavior seen in the emergency room, and you'll relate to the frustrations and joy healthcare workers across the globe express in their submissions. Special sections within this volume include: That Darn Cat, DOGgonit!, As Heard on the Scanner, and many more.

    Sequel to This Can't Be Life

    After coming within air-kissing distance of a felony charge, Angela is determined to make something of her life. When a sympathetic neighbor offers her work, Angela jumps at the opportunity. She figures it won’t be hard to track down a missing fiancé last seen with two Lady Gaga lookalikes. After all, one of her superpowers is finding badly behaved men. But the trail of the runaway groom has more twists than a bride’s updo. And when Angela uncovers secrets that people will kill to keep hidden, she has to decide the price she’s willing to pay for success. Angela will need to call upon all her charm and cunning—and the deities of her ancient Samoan ancestors—to make sure this professional growth opportunity doesn’t kill her first. Praise: "...An entertaining, unconventional mystery that is difficult to put down. Dara Carr’s Angela Cray Gets Real is a mystery with a decidedly unconventional detective: Angela Cray is broke, living with her mother, desperately in need of a job, and entirely lacking in detective experience. Her story of venturing into this new line of work is stylish, absorbing, and laugh-out-loud funny."—Foreword Clarion Reviews Finalist for a Freddie Award for Writing Excellence from the Mystery Writers of America/Florida chapter.

    S. Eliot's last play, drafted originally in 1955 but not completed until three years later. Lord Claverton, an eminent former cabinet minister and banker, is helped to confront his past by the love of his daughter, his Antigone.The dialogue in The Elder Statesman, the love scenes in particular, contain some of Eliot's most tender and expressive writing for the theatre. The play was first performed at the Edinburgh Festival in 1958.

    Now, with Evening, she gives us her most ambitious novel, a work of surpassing beauty. During a summer weekend on the coast of Maine, at the wedding of her best friend, Ann Grant fell in love. She was twenty-five. Forty years later--after three marriages and five children--Ann Lord finds herself in the dim claustrophobia of illness, careening between lucidity and delirium and only vaguely conscious of the friends and family parading by her bedside, when the memory of that weekend returns to her with the clarity and intensity of a fever-dream. Evening unfolds in the rushlight of that memory, as Ann relives those three vivid days on the New England coast, with motorboats buzzing and bands playing in the night, and the devastating tragedy that followed a spectacular wedding. Here, in the surge of hope and possibility that coursed through her at twenty-five--in a singular time of complete surrender--Ann discovers the highest point of her life. Superbly written and miraculously uplifting, Evening is a stirring exploration of time and memory, of love's transcendence and of its failure to transcend--a rich testament to the depths of grief and passion, and a stunning achievement.

    

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    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    But he doesn’t see much to look forward to. Leo doesn’t fit in. But nothing ever happens to Leo; he never has a story. Then he meets David. Moody, resentful and tough, David is everything Leo is not and an unlikely friendship soon grows between them.Events that summer take a dangerous and disturbing turn, and the results are devastating for both boys and their friendship. In the aftermath, traumatized, they pledge to keep their shared secret, never to meet again, and above all — to forget. But when the terrible truth re-emerges ten years later and forces David and Leo back together, everything and nothing has changed.

    Enjoying her life as a stay at home wifey, the couple is expecting a set of twins. Their life could not have been any more picture perfect, until the day that Yazmin was involved in a hit and run accident. Scared for the life of her babies, Yazmin damn near goes into shock after she attempts to call Trey only to be greeted by his wife of the past ten years……Monae and Malik have had a drama free long distance relationship for the last two years. Malik is a Marine, and is stationed in San Diego. They both have an understanding that once Monae graduates from UCLA, they will have their dream wedding. Planning an intimate surprise party just for two in his apartment, Monae discovers that she is not the only woman waiting for “her” man to come home……Knowing that Devaugn is in a relationship, Nia simply don’t care. He is the ideal man, and Nia is convinced that if she works hard enough, she can show him that she is all the woman that he needs. Stephanie will be a thing of the past and Devaugn can start taking care of Nia and her three children full time. Or will he…….These three friends all have one thing in common; they are really their man’s chick on the side. What happens when a woman find’s out that she is not her man’s main course, she is only the appetizer…..

    Her new life is strange and confusing and sometimes frightening. Amanda can barely understand Arabic and the treatment of the women of the family seems wrong to a girl raised in Wales. To add to her problems, Mohammed proves to be verbally and physically abusive - especially once they have their own flat away from the protection of the wider family. Somehow Amanda must escape, but not without her children.

    But they lost touch after Hattie's family suddenly moved away in mysterious circumstances.Janey's instincts tell her that she must finally find out what happened to Hattie, but life is already complicated enough: she’s struggling with motherhood, a custody battle over her toddler son Pip is looming, and she finds herself falling for intense art tutor Steve. And when writing appears on the walls of her flat and Pip starts playing with an invisible friend, Janey fears she's losing her mind. Is it really a good idea to go digging up the past? As dark secrets come to light, she can't be sure what's real any more - or who to trust…Moving and suspenseful, The Last Day I Saw Her is a richly emotive story of friendship lost and found, and how facing up to the past can help you find a better future.

    With the notes in his soul, he feels the rhythm in his rhymes and the beat of the instruments even when he closes his eyes. When he meets Saatvika Lakhiani, her voice and her form inspire that music and shine through every interaction they have. There is something about her that pulls him and calls to him… an underlying feeling that maybe she is the one who will complete him and be the partner he need. However, sorority princess Abhilasha walks and talks as if Arjun is already hers, a fact that seems surer by the day. While Saatvika is not exactly looking for a relationship, there is something about Arjun that makes her catch her breath – and ensures that a confrontation with Abhilasha is inevitable.

    She meets the women of Lockerbie, who are fighting the U.S. government to obtain the clothing of the victims found in the plane s wreckage. The women, determined to convert an act of hatred into an act of love, want to wash the clothes of the dead and return them to the victim s families. THE WOMEN OF LOCKERBIE is loosely inspired by a true story, although the characters and situations in the play are purely fictional. Written in the structure of a Greek tragedy, it is a poetic drama about the triumph of love over hate. Winner of the silver medal in the Onassis International Playwriting Competition and the Kennedy Center Fund for New American Plays award.

    The eclectic band of citizens that make up this town are portrayed by only two performers, making this satire on life in rural America even more delightful as they depict all of the inhabitants of Tuna -- men, women, children and animals.