Being granted only a few months to live, he constructs an idea on how to care for his four children in the event of his death. He comes up with an idea he calls, "The Arrangement". The only problem is convincing his wife and the two mothers’ of his children of his idea. "The Arrangement", is all three women must agree to move into one house for six months with their kids in order to receive any money from his will. When Terrance’s wife, Tanya learns the details of "The Arrangement" she is disgusted. She has basically put her life on hold after becoming pregnant to take care of her husband. She finds herself emotionally drawn to her husband’s best friend for comfort, as her husband’s illness takes a toll on her. Eventually,she finds herself facing her own demise and loses everything she has come to love Portia Jackson is the mother of two of Terrance’s children. She owns her own hair salon, drinks like a fish, and stays in brand name clothing. She is a rude, no nonsense, type of woman who makes it her business to let everyone know what she feels, or thinks, no matter whose feelings get hurt in the process. After a secret she has held on to for years threatens her inclusion in "The Arrangement", her world begins to crumble around her. Afraid of losing the glamorous life she is accustomed to having, she will stop at nothing to keep it.Amber Sykowski is the mother of Terrance’s oldest son. She comes from a long line of money and has always been ridiculed by her racist mother for having a bi-racial child. She feels the only way to escape her mother's disapproval is to go against everything she was taught, and make her own rules. When it almost costs her life, Amber has to make a hard decision that could turn her entire world upside down.In several unexpected events all three women eventually come to depend on each other forming a unique and unexpected bond. Will "The Arrangement' help them all to learn the value of forgiveness, love, and friendship?

    His dialogue--abrasive, rhythmic--illuminates a modern aesthetic evocative of Samuel Beckett. His plots--surprising, comic, topical--have evoked comparisons to masters from Alfred Hitchcock to Arthur Miller. Here are two screenplays demonstrating the astounding range of Mamet's talents.         The Spanish Prisoner, a neo-noir thriller about a research-and-development cog hoodwinked out of his own brilliant discovery, demonstrates Mamet's incomparable use of character in a dizzying tale of twists and mistaken identity. The Winslow Boy, Mamet's revisitation of Terence Rattigan's  classic 1946 play, tells of a thirteen-year-old boy accused of stealing a five-shilling postal order and the tug of war for truth that ensues between his middle-class family and the Royal Navy. Crackling with wit, intelligent and surprising, The Spanish Prisoner and The Winslow Boy celebrate Mamet's unique genius and our eternal fascination with the extraordinary predicaments of the common man.

    The reason for the murder appears bizarre. As videos of the slaughter of several corrupt politicians go viral on social media, those who considered themselves untouchable are scurrying for cover. The vigilante’s next target is a war hero and top constitutional lawyer who took three bullets for the country. Why then is he a target? Jagan Jigyasi and his Special Crimes Division of the CBI have to race against time to stop the killings. The legendary lawman has never failed to solve a crime. The war hero is as brilliant in a courtroom as he is fearless in facing a speeding bullet. The vigilante is as devious as he is effective in instilling the fear of God into those who think they are above the law! Who will be the last man standing?

    Years later, when Catherine's ruthless father, Walter Shellard, reappears, he presumes she's malleable. But Catherine has never forgotten her mother, and never forgiven him for marrying someone else. One day she will have her revenge... A compelling family saga of loss and love perfect for fans of Sharon Maas and Dinah Jefferies

    So when the senior partner of one of the premier legal firms in Grand Rapids approaches Hardin about a job protecting his niece from her soon-to-be ex-husband for a couple of days, Hardin isn't exactly eager to take on the job. However, Hardin finds that the fee offered to too great to pass up. After a hatchet attack, a house burnt down, and a few violent encounters with some crooked cops, Hardin can hardly wait for the case to be over. But when the husband is found murdered, the niece attempts suicide, and Hardin is brought in on a trumped-up warrant for the crime, it is no longer a case that he is willing to walk away from -- even if he could.

    Her character is similar to that of many women we see in our lives. But what is different is the dramatic twist in the tale, which you won’t see coming. The protagonist Gauri is patient and persistent, with an undying love and affection for her husband, much like many women in the country. Indeed, Gauri’s story is the tale of many women in India, who sacrifice their needs, desires and dreams for the sake of people dear to them. This work of fiction is a tribute to every unsung woman in every household. A big salute to these strong women, without whom society will perish.

    Zany, thought-provoking, and always original, this anthology brings together all the one-acts from the Off-Broadway hit Mere Mortals and from the all-new Lives of the Saints, as well as several new and uncollected plays, including Bolero, Arabian Nights (which premiered at the celebrated Humana Festival in Louisville), The Green Hill, and Captive Audience.

    In the earlier play Ostrovsky had adopted a satiric tone that proved him a worthy disciple of Gogol, the great founder of Russian realism. Not one lovable character appears in that gloomy picture of merchant life in Moscow; even the old mother repels us by her stupidity more than she attracts us by her kindliness. No ray of light penetrates the "realm of darkness" -- to borrow a famous phrase from a Russian critic -- conjured up before us by the young dramatist. In Poverty Is No Crime we see the other side of the medal. Ostrovsky had now been affected by the Slavophile school of writers and thinkers, who found in the traditions of Russian society treasures of kindliness and love that they contrasted with the superficial glitter of Western civilization. Life in Russia is varied as elsewhere, and Ostrovsky could change his tone without doing violence to realistic truth. The tradesmen had not wholly lost the patriarchal charm of their peasant fathers. A poor apprentice is the hero of Poverty Is No Crime, and a wealthy manufacturer the villain of the piece. Good-heartedness is the touchstone by which Ostrovsky tries character, and this may be hidden beneath even a drunken and degraded exterior. The scapegrace, Lyubim Tortsov, has a sound Russian soul, and at the end of the play rouses his hard, grasping brother, who has been infatuated by a passion for aping foreign fashions, to his native Russian worth. Alexander Ostrovsky (1823-1886) was an early Russian Realist whose work led to the founding of the Moscow Arts Theatre and to the career of Stanislavsky. He has been acknowledged to be the greatest of the Russian dramatists.

    Along with Clover's stylish, powerful friend, Alice, they share holidays, sleepovers, school runs and childcare. They're like one big family. But all families have their secrets. When the children leave home, Clover and Laura's lives and marriages change forever, and the old rules on love and loyalty no longer apply. And when Alice decides she wants what they've got, Clover and Laura have to find out who they really are. Without the children, can their marriages - and friendship - survive?

    Self-image, body changes, and social changes chip away at individual’s self-confidence. Withdrawal and hiding can often seem like the easiest escape. You cannot escape from life. An excellent student, our hero is ripped from his friends and everything he knows when his father is moved across the country for his job. Intent on re-establishing the mother’s employment, the parents appear to withdraw from their high school student as he is dropped into a situation where he knows no one. Everyone experiences physical and emotional problems but our protagonist is ashamed of his body and won’t even talk to his parents who seem oblivious. Wearing baggy clothes, coats and hoods, it is easy to hide his body and isolate himself since he knows no one. Others assume he is overweight, shy or has acne problems. The strangely dressed student is a magnet for bullies and everyone else ignores him. Teachers might have gotten involved or pushed him to participate in class, but as an excellent student, grades are not an issue. Life evolves into a strategy to be left alone and survive another day. Because of this, attacks are not reported. An accident at school will expose our protagonist’s secrets to a classmate. How that classmate responds will change our protagonist’s life. There are still bullying and attacks, but with newfound confidence, our hero will deal with things differently. Can this quiet, isolated person evolve into an example and build real friendships while accepting life’s little hurdles? This series of books contain examples of high school life that help the reader to identify and deal with bullying behavior in a high school setting. The books in this series are intended to be safe reading for teens and tweens. Thank you for reading on Daring Diane Disclaimer This story is a work of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

    This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

    It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    Told in the odd and unforgettable voice of its protagonist, "Cornbread" is the tale of a matricidal Arkansas woman bringing about the final days of her marriage. At turns darkly comical and deeply tragic, it's a story that lingers long after it's finished, like the smell of fresh baked cornbread or discharged gunpowder...

    Eddie Carbone is a Brooklyn longshoreman, a hard-working man whose life has been soothingly predictable. He hasn't counted on the arrival of two of his wife's relatives, illegal immigrants from Italy; nor has he recognized his true feelings for his beautiful niece, Catherine. And in due course, what Eddie doesn't know?about her, about life, about his own heart?will have devastating consequences.

    As they prepare for a wedding, outside their living room the Iranian Revolution simmers and threatens to alter the course of their lives. Set over the course of 14 years, Sanaz Toossi’s timely world premiere play, directed by Gaye Taylor Upchurch, shines a light on the daring potential of friendship amid the relentless aftershocks of political upheaval. Directed by Gaye Taylor Upchurch