The soldier, about ten years old, is jamming the barrel of his gun hard against my driver’s face, and unless the kid decides to go for me, the relief worker, my driver is going to get his head blown off.”Where Soldiers Fear to TreadJohn Burnett survived this ordeal and others during his service as a relief worker in Somalia. But many did not. In this gripping firsthand account, Burnett shares his experiences during the flood relief operations of 1997 to 1998. Ravaged by monsoons, starvation, and feuding warlords, Somalia continues to be one of the most dangerous places on earth. Both a personal story and a broader tale of war, the politics of aid, and the horrifying reality of child-soldiers, his chronicle represents the astonishing challenges faced by humanitarian workers across the globe. There are currently thousands of civilian workers serving in over one hundred nations. Today, they are as likely to be killed in the line of duty as are trained soldiers. In the past five years alone, more UN aid workers have been killed than peacekeepers. When Burnett joined the World Food Program, he was told their mission would be safe, their help welcomed–and they would be pulled out if bullets started to fly. When he arrived in Somalia, Burnett found a nation rent by a decade of anarchy, a people wary of foreign intervention, and a discomfiting uncertainty that the UN would remember he’d been sent there at all. From Burnett’s young Somali driver to the armed civilians, warlords, and colleagues he would never see again, this unforgettable memoir delves into the complexity of humanitarian missions and the wonder of everyday people who risk their lives to help others in places too dangerous to send soldiers.“Where Soldiers Fear to Tread is a rousing adventure story and a troubling morality tale....If you’ve ever sent 20 bucks off to a relief organization, you owe it to yourself to read this book.”—Michael Maren, author of The Road to Hell: The Ravaging Effects of Foreign Aid and International Charity

    Poacher is an action-packed romantic thriller which gives the reader a glimpse of what the tourists never see - the real Africa. Sam is a man who puts his trust in the laws of nature rather than in those of man.The lucrative but dangerous trade in rhino horn and ivory has been re-classified to the status of organised crime.Sam lives as a hardened bachelor at the Nwanetzi outpost and has, for the first time in his life, fallen in love. He has a fiancée who loves him to distraction, and he is a contented man.All this changes when Linda enters his life. She is determined to make Sam her own, and she sets out to stalk him with the stealth of a hunting leopard.Sam Jenkins gives new meaning to the saying “Africa is not for sissies”.

    But unlike the original, Farber breaks the cycle of violence, reflecting South Africa’s own transformation in the 1990s.

    On the cusp of seventy-five, she is in good health and makes the most of it, enjoying road trips in her vintage Porsche, chatting to strangers, and recollecting characters from her favourite novels. Then she has a fall and her independence crumbles. Without the support of family, she relies on friends and chance encounters. As Morayo recounts her story, moving seamlessly between past and present, we meet Dawud, a charming Palestinian shopkeeper, Sage, a feisty, homeless Grateful Dead devotee, and Antonio, the poet whom Morayo desired more than her ambassador husband. A subtle story about ageing, friendship and loss, this is also a nuanced study of the erotic yearnings of an older woman. “Dr. Morayo Da Silva is one of the most memorable characters you are likely to encounter on the page – intelligent, indomitable, author and survivor of a large life. In dreamlike prose, Manyika dips in and out of her present, her past, in a story that argues always for generosity, for connection, for a vigorous and joyful endurance." - Karen Joy Fowler, author of We Are All Completely Beside Ourselves“Manyika's story about an elderly Nigerian woman is quiet, sophisticated and it expands the canon of contemporary African literature into welcome new territory.” - Bernardine Evaristo, author of Mr Loverman“If aging be a lamp, then Morayo, the protagonist in Like a Mule Bringing Ice Cream to the Sun is a mesmerizing glow. Astute, sensual, funny, and moving.” - NoViolet Bulawayo, author of We Need New Names “A wonderfully constructed novel, always surprising and wrong-footing the reader at every turn and challenging one's assumptions about the Other. Like a Mule Bringing Ice Cream to the Sun is a delightful multi-helical reading experience that speaks to our times in insightful and pleasantly understated ways." - Brian Chikwava, author of Harare North

    He tends to his garden, his lighthouse, and his chickens, content with a solitary life. Routinely, the nameless bodies of refugees wash ashore, but Samuel--who understands that the government only values certain lives, certain deaths--always buries them himself.One day, though, he finds that one of these bodies is still breathing. As he nurses the stranger back to life, Samuel--feeling strangely threatened--is soon swept up in memories of his former life as a political prisoner on the mainland. This was a life that saw his country exploited under colonial rule, followed by a period of revolution and a brief, hard-won independence--only for the cycle of suffering to continue under a cruel dictator. And he can't help but recall his own shameful role in that history. In this stranger's presence, he begins to consider, as he did in his youth: What does it mean to own land, or to belong to it? And what does it cost to have, and lose, a home?A timeless and gripping portrait of regret, terror, and the extraordinary stakes of companionship, An Island is a story as page-turning as it is profound.

    

    Tonderai Munyevu, a born-free, was part of the hopeful next generation from a new country with a new leader, Robert Gabriel Mugabe. While exploring Tonderai’s personal story and his relationship with his father, Mugabe, My Dad and Me charts the rise and fall of one of the most controversial politicians of the 20th century. Interweaving monologue and original music on the mbira with commentary inspired by some of Mugabe’s more notorious speeches, this captivating one-man show is a blistering dance of memory exploring connection, familial love and what it means to return ‘home’. The play was shortlisted for the Alfred Fagon Award 2019.The play was directed for Audible Originals by John R. Wilkinson, recipient of the Genesis Future Directors Award 2018.The stage production of Mugabe, My Dad & Me is a York Theatre Royal and English Touring Theatre co-production in association with Alison Holder.