Drawing on a wealth of archival evidence and interviews with survivors, this book reconstructs the daily lives of Jews who stayed in Berlin during the war years. Contrary to the received wisdom that “hidden” Jews stayed in attics and cellars and had minimal contact with the outside world, the author reveals a cohort of remarkable individuals who were constantly on the move and actively fought to ensure their own survival.

    The place is Nazi Germany. Lilly is not Jewish. She is a typical eight-year-old German girl who is too busy playing in the cemetery her pappa runs to worry about what is going on around her. That is until Hitler and his Nazis interrupt her life. Shadow of the Swastika is based on her life until the end of World War II. Even at a young age, Lilly is a hardheaded girl. She wants her freedom, but the tyranny and oppression of the Third Reich thwarts her desire to do and say as she pleases. Though Lilly grows up in a world of war, hunger, fear and death, she is a survivor and faces each day’s challenges with obstinance, humor, spunk and courage.

    With perspectives from American and German pilots alike, this gripping thriller will keep you turning pages until the fateful ending.

    After their attempts to penetrate the Ghetto had failed, they decided to spare themselves casualties by destroying it from outside with cannon and aerial bombings. A few days later the Ghetto was totally destroyed. . . . The 'streets' were nothing but rows of smoldering ruins. It was hard to cross them without stepping on charred bodies."—Kazik When the Nazis decided to liquidate the Warsaw Ghetto in 1943, five hundred young Jewish fighters within the Ghetto rose up to defy them. With no weapons, no influence, and no experience in warfare, they managed to resist the Germans for almost a month. In the end, when the battle was lost, the surviving Jews were led out of the ruins through the sewers by a nineteen-year-old fighter known as Kazik. As head courier of the Jewish Fighting Organization (ZOB), which had planned and executed the uprising, Kazik spent the rest of the war helping to care for the several thousand Jews who still remained in Warsaw. This book—an extraordinary story of courage and perseverance—is Kazik's wartime memoir. In stark, spare detail, Kazik reports on the efforts to prepare for the defense of the Warsaw Ghetto, the calamitous battle with the Germans, and the rescue of the few Jews who were still alive after the Ghetto was destroyed. He describes how he assumed a false Aryan identity in order to pass through the city as he collected money and found hiding places for the survivors. Constantly on guard, fearful of informers, his life always in danger, he nevertheless plotted resourcefully to aid his fellow Jews. He tells how he joined the Poles during their ill-fated uprising against the Nazis in Warsaw in 1944, had further brushes with death assisting the Polish underground, and returned to Warsaw to watch its liberation by the Russian army. Suspenseful, moving, and remarkably heroic, Kazik's memoir is only the second source to be published on the Warsaw Ghetto Uprising. It will help demolish the image of Jews as submissive victims in the Holocaust.

    Stories from the past are woven together with the problems Windisch, the village miller, faces after he applies for permission to migrate to West Germany. Herta Müller (Herta Mueller) describes with poetic attention the dreams and superstitions, conflicts and oppression of a forgotten region, the Banat, in the Danube Plain. In sparse, poetic language, Muller captures the forlorn plight of a trapped people.

    The novel tells the story of Berta Alshonsky, who revels in childhood memories of her time spent with a wealthy family in Moscow –a life filled with salons, balls and all the trappings of the upper class — very different from her current life as a grocer’s daughter in the Jewish townlet of Mosny. So when a mysterious and cultured wheat merchant walks into the grocery, Berta’s life is forever altered. She falls in love, unaware that he is a member of the Bund, The Jewish Worker’s League, smuggling arms to the shtetls to defend them against the pogroms sweeping the Little Russian countryside.Married and established in the wheat center of Cherkast, Berta has recaptured the life she once had in Moscow. So when a smuggling operation goes awry and her husband must flee the country, Berta makes the vain and foolish choice to stay behind with her children and her finery. As Russia plunges into war, Berta eventually loses everything and must find a new way to sustain the lives and safety of her children. Filled with heart-stopping action, richly drawn characters, and a world seeped in war and violence; The Little Russian is poised to capture readers as one of the hand-selling gems of the season.

    Anna, a devoutly Catholic teenager, watches as her friend is shot, as her father is dragged off for conscription in the German army.Szymon, the young village priest, stands silently with his parishioners as their church is ransacked and torched. Anna clings to him—her dear friend and confidant—and by some luck, the Germans spare them.Five Septembers later, Anna and Szymon still cling together, now amid the turmoil of war. Though Anna dreads her engagement to a local ruffian and Szymon fears for his father’s life back home, the two find solace in their friendship.But when the Soviet army comes to “liberate” them, Anna endures an unspeakable atrocity and Szymon suffers his own tragedy. Now bound even more tightly by the sorrows they carry, they face a choice: honor the vows they’ve made to others or risk everything for the chance at salvation in each other.

    They have been charged by their commanders to track down and bring back for execution 'one of them' - a Jew. Having flushed out the young man hiding in the woods, they decide to rest in an abandoned house before continuing their journey back to the camp. As they prepare food, they are joined by a passing Pole whose outspoken anti-Semitism adds tension to an already charged atmosphere. Before long, the group's sympathies have splintered as they consider the moral implications of their murderous mission and confront their own consciences to ask themselves: should the Jew be offered food? And, having shared their meal, should he be taken back, or set free?

    This mirror didn't show you your reflection. It showed you your soul - it showed you who you really were. The wizard couldn't look at it without turning away. The king couldn't look at it. The courtiers couldn't look at it. A chestful of treasure was offered to anyone who could look at it for sixty seconds without turning away. And no one could.The Zone of Interest is a love story with a violently unromantic setting. Can love survive the mirror? Can we even meet each other's eye, after we have seen who we really are?In a novel powered by both wit and pathos, Martin Amis excavates the depths and contradictions of the human soul.

    Ruth Elias, a young Jewish woman from Czechoslovakia, survived three years in the Nazi camps of Theresienstadt and Auschwitz. In this haunting testimony, she relives the day-to-day conditions and horrific inhumane treatment of those years. She describes in painful detail how, having given birth in Auschwitz, she and her baby became part of a sadistic experiment personally conducted by the infamous SS physician Dr. Josef Mengele. Triumph of Hope also vividly recounts the aftermath of imprisonment, the difficult adjustment to normal life after the war. Ruth Elias's story is a portrayal of the emotional and psychological state of life in chaotic postwar Europe: from the desperate, futile attempts to track down family and friends; to the unabated hostility of former neighbors; to the chilling indifference of those who knew nothing of the experience of the camps. For Ruth, hope would have to take the difficult path to a new life in a new land: Israel, where new challenges, new obstacles awaited.

    In his lifetime Alfred Wegener was a German meteorologist who was better known for his offbeat scientific adventures than for his now famous theory of continental drift. In this lushly imagined and beautifully written novel, Clare Dudman charts his life from his 1880 birth to his last daring Arctic exploration in 1930. Dudman vividly chronicles the key episodes that punctuated his life, such as his 1906 record-setting long-distance balloon flight; his several expeditions to Greenland; his passionate love for his wife; his investigations into meteorites, lunar craters, and the formation of raindrops; and his horrific experiences in the trenches of World War I. Dudman also tells of his struggle to defend his controversial theories, a struggle that forced him to leave all that he loved to make one final, fateful expedition to Greenland at the age of forty-nine. A passionate tale of obsession, endurance, courage, and love, this novel is a scintillating blend of science and history that is sure to appeal to readers of historical fiction and adventure narratives as well as to fans of Dava Sobel's successful histories.

    Life at work is difficult but fulfilling; life at home a constant round of arguments—often prompted by her fly-by-night sister, Ellen, the apple of her short-tempered father's eye. Then Frank turns up at the house one night—a guard at the camp, he's been watching Mary for weeks—and won't leave until she agrees to walk out with him. Frank Shuttleworth is a difficult man to love and it's not long before Mary gives him his marching orders. But Shuttleworth won't take no for an answer and the gossips are eager for their next victim, and for the slightest hint of fraternization with the enemy. Suddently, not only Mary's happiness but her very life is threatened by the most dangerous of wartime secrets.

    If Helping Verbs of the Heart was an homage to his mother, then this is a memorial to his father. It is actually two works in one. Book 1, "Numbered Sentences from the Life of the Esterházy Family", comprises 371 paragraphs, some elusively succinct, others pages long, that amount to a gloriously kaleidoscopic romp through the centuries that lie behind this European dynasty. Not that the name Esterházy is ever uttered: the main protagonist of each episode is invariably identified as "my father", whether he is an anti-Habsburg Kuruc insurrectionist or a Habsburg-loyal Labanc, a hammer of the Ottomans, a dying old man, a prisoner of war, a lord charming enough to enchant Goethe himself, or a childless man, to mention but a few of "my fathers", all evoked through the language and literature proper to each persona. This strategy of anonymity allows Esterházy to extend his typically vast net of quotations to sources that originally have no family connotations whatsoever, thereby lending broader significance to the particulars of this one family, however grand, and, vice versa, appropriating the general (European) experience to the family's specific circumstances. The baroquely exuberant proliferation of anecdotal gleanings and fragments of real and fictional history, drawing on a gamut of written genres, from maxims to parables, from confessional autobiography to the account books and chronicles, is ultimately threaded together by an unobtrusive, profoundly witty and wise philosophical vein.Book 2, subtitled "Confessions of an Esterházy family", is ostensibly a more conventional family novel. Its very subtitle alludes to an earlier Hungarian masterpiece of the genre, Confessions of a Bourgeois, 1934-35 by Sándor Márai. It consists of a series of snapshots of key events in the lives of the author's great-grandfather, grandfather, father and the young Esterházy himself. These are built up, over two hundred numbered passages, into a more or less chronological portrait of a century-and-a-half of steady decline of the family's fortunes. After 1945 the Esterházys suffered an almost catastrophic repeat of the confiscations and curtailment of liberties that befell them during the short-lived Commune of 1919 one that not only stripped them of their former rank and privileges but threatened their very subsistence. Largely anecdotal and often absurd in tone, much of this is recounted with great gusto from the author's personal perspective, not least the stories of his own childhood, such as being accidentally dropped into the baptismal font; the trek to a godforsaken village in July 1950 when an official deportation order resulted in the family being dumped in one of two rooms in a peasant couple's house; schooldays and trips to matches with his football-mad father. For all the vicissitudes and uncertainties it describes, the tone of his writing throughout is one of blithely upbeat humour and harmony, without a hint of reproach, regret or complaint."A captivatingly rich novel in terms of both its form and its stance. Certainly it is the most striking work of the fifty-year-old author's career to date, and I would evenventure to call it an epitome of the Esterházy oeuvre. Given its formal richness, however, it is in a way also a compendium of two to three centuries of Hungarianprose." -Péter Dérczy, Élet és Irodalom"This new novel is no less constructed of fragments than his earlier novels, and those are no less whole, but this has the widest span of any Esterházy composition to date: it is a sweeping, baroque work." -József Tamás Reményi, Népszabadság

    Suzanne Malherbe, a shy seventeen-year-old with a talent for drawing, is completely entranced by the brilliant but troubled Lucie Schwob, who comes from a family of wealthy Jewish intellectuals. They embark on a clandestine love affair, terrified they will be discovered, but then, in an astonishing twist of fate, the mother of one marries the father of the other. As “sisters” they are finally free of suspicion, and, hungry for a more stimulating milieu, they move to Paris at a moment when art, literature, and politics blend in an explosive cocktail.Having reinvented themselves as Claude Cahun and Marcel Moore, they move in the most glamorous social circles, meeting everyone from Hemingway and Dalí to André Breton, and produce provocative photographs that still seem avant-garde today. In the 1930s, with the rise of anti-Semitism and threat of fascism, they leave Paris for Jersey, and it is on this idyllic island that they confront their destiny, creating a campaign of propaganda against Hitler’s occupying forces that will put their lives in jeopardy.Brilliantly imagined, profoundly thought-provoking, and ultimately heartbreaking, Never Anyone But You infuses life into a forgotten history as only great literature can.

    Her idea blossomed into this striking and highly original work of narrative nonfiction, an account of her search for meaning within the stories of her ancestors.In a series of short meditations, Petrowskaja delves into family legends, introducing a remarkable cast of characters: Judas Stern, her great-uncle, who shot a German diplomatic attaché in 1932 and was sentenced to death; her grandfather Semyon, who went underground with a new name during the Bolshevik Revolution in Russia, forever splitting their branch of the family from the rest; her grandmother Rosa, who ran an orphanage in the Urals for deaf-mute Jewish children; her Ukrainian grandfather Vasily, who disappeared during World War II and reappeared without explanation forty-one years later—and settled back into the family as if he’d never been gone; and her great-grandmother, whose name may have been Esther, who alone remained in Kiev and was killed by the Nazis.How do you talk about what you can’t know, how do you bring the past to life? To answer this complex question, Petrowskaja visits the scenes of these events, reflecting on a fragmented and traumatized century and bringing to light family figures who threaten to drift into obscurity. A true search for the past reminiscent of Jonathan Safran Foer’s Everything Is Illuminated, Daniel Mendelsohn’s The Lost, and Michael Chabon’s Moonglow, Maybe Esther is a poignant, haunting investigation of the effects of history on one family.