Everything goes downhill from there as two Space Marines are arrested and accused of dealing China Mike—a highly addictive and illegal synthetic drug—and Fortis is forced to either get involved in the war against the cartel or abandon his Marines to the local legal system.However, as their involvement in the drug war deepens, Fortis suspects the platoon has been plunged into the middle of something much bigger. Rumors of a growing resistance movement against the colonial government abound, and it appears his men are being used to do the security force’s dirty work of putting it down.As Fortis navigates his way between the corrupt colonial government, a corporate espionage agent, intergalactic mercenaries, and his own chain of command, he has to find the truth of the situation and answer one important question—is there any way for Third Platoon to be successful when everyone else on the planet wants them to fail?

    What I destroyed in that building might end up saving this sorry planet.This dumbass shrink has been trying to dissect my brain all week. He thinks the months I spent lost in the wilderness somehow turned me into a Loony Tune. Boy, is he barking up the wrong tree. No matter how many drugs they pump into my veins, they'll never make me forget what really happened.

    

    Traveling across Florida in a motorhome, enjoying a laidback lifestyle while trying to stay out of trouble. But trouble never seems to be far. Especially when it involves women. In Mango Crush, Walker gets an early morning call from the mysterious but lovely Abby - aka the Goat Girl - asking him to drive across the state to pick her up in St Augustine. She says they'll be on the road for a week, so he better bring some wine because she's no fun when she's sober. No way he can turn her down, so he loads up his motorhome and heads out. But this is Florida and things rarely go as planned. Soon Walker finds himself in a different kind of hunt. One that will change his life forever. Ride along as Walker and his cat, Mango Bob, travel across Florida in their motorhome, trying to avoid trouble that seems to show up around every curve. A fun read.

    Their final stop is their grandfather's house, where they're left to face an uncertain future. Through the eyes and in the language of children, Kimball tries to make sense of loss, love, and death.

    Two wandering adventurers and unlikely soulmates are variously plying their trades as swords for hire, horse thieves and con artists - until fortune entangles them in the myriad schemes and battles that follow a bloody coup in the medieval Jewish empire of the Khazars.

    Originally published in 1935, Somebody in Boots was Algren's first novel, based on his experiences living in Texas during the Great Depression. A wonderful companion to Steinbeck's The Grapes of Wrath, this new edition of Somebody in Boots features an introduction by Colin Asher, who is writing a forthcoming biography of Algren.

    . . It was only cheap glass, a fraud, a come-on for the suckers who paid Doc Magus to gaze into its depths and tell them tomorrow would be better. And Doc--a decent man, a smart man--pitied them. Yet tonight, even Doc had to believe the Madball. There was nothing left to lead him to the money--enough money to spring him free of the raucous, sordid world of the pitchmen and the pickled punks, the cotton candy and the kewpie dolls--and the belly dancers who needed him for all-night alibis.Doc was shrewd, but not quite shrewd enough. Someone else knew about the $42,000--a specialist in death, who was only yards away. . .MADBALL is a novel of one traveling show, and of the lives of its carneys, who live to close to the edge of frenzy.

    However, Charity soon discovers that her grandfather’s objective in making this trip is to get her married off and settled somewhere. Since her beloved grandmother’s passing several months earlier, her grandfather has worried about what would become of Charity should he, too, pass away. And, given his advanced age, he somehow senses that time is near; he does not want to die and leave young Charity alone and desolate. He and his wife reared Charity after her mother and father both died in a yellow fever epidemic when she was 3 years old. As they travel to Fort Charlotte, her grandfather tells her that before going to Fort Charlotte they will be making an overnight stop at his friend’s house. And, that a year or so earlier, he and his long-time friend, Eli Gulledge, talked about what would happen to Charity should both he and his wife pass away and have arranged for Charity and Eli’s son Henry to meet before that time comes to see if they will take a liking to one another. When Charity, who has never met Eli or his family, hears that, she threatens to act rude in order to make them not like her so that she can go back home with him, but her grandfather tells her that she cannot go back home with him and assures her that if young Henry doesn’t take a liking to her, he is sure that some young buck down in Fort Charlotte will be looking for a wife. Faced with the stark realization that her life is changing and she has no control of that change, many thoughts run through young Charity’s mind- she even contemplates running away, but doesn’t want to leave her grandfather alone. When her grandfather suddenly passes away that night at Eli’s house, that threat never comes to fruition. Young, Charity is forced to abide by her grandfather’s wishes and stay there with Eli’s family… When the Yellow Mocker Calls is based on my great-great-grandmother’s life; her spiritual journey, her never ending quest for knowledge, her love of family and storytelling, and, most importantly, her love for Henry…

    Her handsome husband, a radio personality, is beloved of the women of Ireland. Her two gorgeous sons are making a name for themselves in films. She has a lavish house in Dublin. What does she have to complain about? Finn eagerly anticipates her 40th birthday but spends the day alone and crying, forced to realise that she is literally a housewife. She has married a house! For over twenty years she has supported her husband in his career. She has raised two sons to manhood. She practically rebuilt the family home with her own sweat and labour. Her one escape is the garden workshop where she beats metal into fantasy figures. The day after her birthday she resigns her position as wife and mother. Her husband and sons fight the change in their lives but she holds firm. She locks herself in her workshop. Her fantasy figures don’t care if she looks a mess and can’t stop crying. Dare Lawrence, a wealthy Irishman living in America, discovers her secret world and wants some of it. He insists she puts a price on her figures, something Finn finds impossible to do. He shows her work to his friends in Hollywood. After years of her husband demanding that she hide her ‘little hobby’ suddenly the world comes calling. They want what she has created.

    . . may the devil tek him! Her knows his temper, felt his fist many a time. And there be others as knows, women he's paid to keep silent about the blows they've suffered, for it tek more'n a roll in bed to satisfy Fenton Gilmore. Emma Lawrence has reason to fear the base cruelty of the man she must call uncle. She and her sister Rachel had been taken into the Gilmore household on the death of their parents and have known nothing but unkindness at the hands of Fenton and his wife. And now Rachel is dead, brutally raped and strangled, and Emma must dry her tears and flee if she is to escape the same fate. Emma falls in with two other orphans, and Timothy and Lily become as dear to her as her own departed sister. But Fenton Gilmore does not give up so easily. His evil ambition is to own a brothel and Emma is vital to his perverted plan.

    Who are 'the Others'? Why are an increasing number of people throughout the world developing the ability to see and speak with the dead? Why have a farmers' guild from Iowa secretly enlisted the help of Scottish reporter Peter Nicolson? If they are correct, is the world stumbling blindly into a disaster that could threaten the survival of the human race? And what is contained within the missing 'GM File' that threatens to destroy some of the world's most powerful companies? To what lengths will these companies go to prevent Peter Nicolson uncovering the truth and publishing it to the world? Who has kidnapped the Scottish teenager Debbie McCrae? Will she manage to escape, or will she be killed by her mysterious abductor? What is the secret that Susie's dad tried to tell her as he died? And who is the mysterious Timothy? Can Peter Nicolson help stop the biggest terrorist attack the world has ever seen and prevent the destruction of the city of London? Will Peter Nicolson meet Maciek, his nemesis and erstwhile saviour? And if he does, who will survive?

    Six years later, that child meets his father for the first time and discovers the athlete within. Before long he is on the fast-track to the NFL, coached by a relentless Vietnam veteran uncle, nourished by a patient working mom, and defended by an ambitious girlfriend, all of whom tie their own hopes to his career. When he finally makes it, as Mitch "Wilk" Wilkins, New England's fearsome middle linebacker, it all seems preordained. Then, almost immediately, his life begins to fall apart: a billionaire owns him, his marriage is on the rocks, and his body is betraying him in stages. As Mitch and his wounded family press on, seeking meaning in a relentlessly incentive-driven and forward-moving life, the sacrifices necessary for success in sports―and in attaining the “American Dream”―are laid painfully and tragically bare.

    That's it. And I want to tell you things, throw fragments your way that I barely understand. Because it's just funny, flat out, the way someone you don't even know can get up in your face, tweak things that should be so ordinary. Or I think it's funny. Maybe you will too.Hailed by The New Yorker as "a fictional report from the strip-mall front lines of Generation Y," Important Things That Don't Matter is a provocative, moving, darkly funny portrait of family and divorce, a boy and his father, the eighties and nineties, and sex and intimacy that raises vital questions about a generation just now reaching adulthood.