Edith Wharton and Henry James wrote about the American girl abroad, but it was Elaine Dundy’s Sally Jay Gorce who told us what she was really thinking. Charming, sexy, and hilarious, The Dud Avocado gained instant cult status when it was first published and it remains a timeless portrait of a woman hell-bent on living.“I had to tell someone how much I enjoyed The Dud Avocado. It made me laugh, scream, and guffaw (which, incidentally, is a great name for a law firm).” –Groucho Marx[The Dud Avocado] is one of the best novels about growing up fast..." -The Guardian“A cheerfully uninhibited...variation on the theme of the Innocents Abroad...Miss Dundy comes up with fresh and spirited comedy....Her novel is enormous fun—sparklingly written, genuinely youthful in spirit.” —The Atlantic

    David Henry is forced by a blizzard to deliver his own twins. His son, born first, is perfectly healthy. Yet when his daughter is born, he sees immediately that she has Down's Syndrome. Rationalizing it as a need to protect Norah, his wife, he makes a split-second decision that will alter all of their lives forever. He asks his nurse to take the baby away to an institution and never to reveal the secret. But Caroline, the nurse, cannot leave the infant. Instead, she disappears into another city to raise the child herself. So begins this story that unfolds over a quarter of a century - in which these two families, ignorant of each other, are yet bound by the fateful decision made that long-ago winter night. Norah Henry, who knows only that her daughter died at birth, remains inconsolable; her grief weighs heavily on their marriage. And Paul, their son, raises himself as best he can, in a house grown cold with mourning. Meanwhile, Phoebe, the lost daughter, grows from a sunny child to a vibrant young woman whose mother loves her as fiercely as if she were her own.

    Each year, they return to the house and community they have known since they were children—and to Paul, the boy next door. But this summer marks a season of change: budding love and sexual interest, an illness, and a deep secret force all three to confront the increasing complexities of their lives and friendships.

    Yet returning to her hometown also brings her back to Hollis, March’s former soul mate and lover. March’s father had taken the teenaged Hollis, an abandoned child, and the product of a series of detention homes, into his house as a boarder, and treated him like a son. Yet March and Hollis’s passionate love was hardly a normal sibling relationship. When Hollis left her after a petty fight, March waited for him three long years, wondering what she had done wrong.Encountering Hollis again makes March acutely aware of the choices that she has made, and the choices everyone around her has made—including Mrs. Dale, who knew more of love than March could ever have suspected, and her brother Alan, whose tragic history has left him grief-struck, with alcohol as his only solace. Her attraction to Hollis is overwhelming—and March jeopardizes her marriage, her relationship with her daughter and her own happiness in an attempt to reclaim the past.

    1,091 and dwindling) is eating Gilbert Grape, a twenty-four-year-old grocery clerk who dreams only of leaving. His enormous mother, once the town sweetheart, has been eating nonstop ever since her husband's suicide, and the floor beneath her TV chair is threatening to cave in. Gilbert's long-suffering older sister, Amy, still mourns the death of Elvis, and his knockout younger sister has become hooked on makeup, boys, and Jesus--in that order, but the biggest event on the horizon for all the Grapes is the eighteenth birthday of Gilbert's younger brother, Arnie, who is a living miracle just for having survived so long. As the Grapes gather in Endora, a mysterious beauty glides through town on a bicycle and rides circles around Gilbert, until he begins to see a new vision of his family and himself.

    Her mother, the powerful head of a Broadway theater company, has no time for her. She does have one friend-a handsome, comforting, funny man named Michael-but only she can see him. Years later, Jane is in her thirties and just as alone as ever. Then she meets Michael again-as handsome, smart and perfect as she remembers him to be. But not even Michael knows the reason they've really been reunited.SUNDAYS AT TIFFANY'S is a love story with an irresistible twist, a novel about the child inside all of us-and the boundary-crossing power of love.

    They just haven't met properly yet. And perhaps they never will . . . Today is the first day of the rest of your life is the motto on a plate in the kitchen at home, and Tess can't get it out of her head, even though she's in Florence for a final, idyllic holiday before university. Her life is about to change forever - but not in the way she expects. Gus and his parents are also on holiday in Florence. Their lives have already changed suddenly and dramatically. Gus tries to be a dutiful son, but longs to escape and discover what sort of person he is going to be. For one day, the paths of an eighteen-year-old girl and boy criss-cross before they each return to England.Over the course of the next sixteen years, life and love will offer them very different challenges. Separated by distance and fate, there's no way the two of them are ever going to meet each other properly . . . or is there?

    In this charming, fading Gaelic village, Kate quickly develops a bond with members of the local lace-making society: Bernie, alone and yearning for a new purpose since the death of her beloved husband, John; Aileen, plagued by doubt, helplessly watching her teenage daughter grow distant; Moira, caught in a cycle of abuse and denial, stubbornly refusing help from those closest to her; Oona, in remission from breast cancer, secretly harboring misgivings about her marriage; Colleen, the leader of the group, worried about her fisherman husband, missing at sea. And outside this newfound circle is local artist Sullivan Deane, an enigmatic man trying to overcome a tragedy of his own.Under Glenmara's spell, Kate finds the inspiration that has eluded her, and soon she and the lace makers are creating a line of exquisite lingerie. In their skilled hands, flowers, Celtic dragons, nymphs, fish, saints, kings, and queens come to life, rendered with painterly skill. The circle also offers them something more—the strength to face their long-denied desires and fears. But not everyone welcomes Kate, and a series of unexpected events threatens to unravel everything the women have worked so hard for. . . .

    There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their center of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride. Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he’ll not only be unable to overcome—but that will define his life forever.

    “Bono met his wife in high school,” Park says.“So did Jerry Lee Lewis,” Eleanor answers.“I’m not kidding,” he says.“You should be,” she says, “we’re 16.”“What about Romeo and Juliet?”“Shallow, confused, then dead.”“I love you,” Park says.“Wherefore art thou,” Eleanor answers.“I’m not kidding,” he says.“You should be.”Set over one school year in 1986, Eleanor & Park is the story of two star-crossed misfits – smart enough to know first love almost never lasts, but brave and desperate enough to try.

    She may have a degree, but it is 1962, Mississippi, and her mother will not be happy till Skeeter has a ring on her finger. Skeeter would normally find solace with her beloved maid Constantine, the woman who raised her, but Constantine has disappeared and no one will tell Skeeter where she has gone.Aibileen is a black maid, a wise, regal woman raising her seventeenth white child. Something has shifted inside her after the loss of her own son, who died while his bosses looked the other way. She is devoted to the little girl she looks after, though she knows both their hearts may be broken.Minny, Aibileen's best friend, is short, fat, and perhaps the sassiest woman in Mississippi. She can cook like nobody's business, but she can't mind her tongue, so she's lost yet another job. Minny finally finds a position working for someone too new to town to know her reputation. But her new boss has secrets of her own.Seemingly as different from one another as can be, these women will nonetheless come together for a clandestine project that will put them all at risk. And why? Because they are suffocating within the lines that define their town and their times. And sometimes lines are made to be crossed.In pitch-perfect voices, Kathryn Stockett creates three extraordinary women whose determination to start a movement of their own forever changes a town, and the way women, mothers, daughters, caregivers, friends, view one another. A deeply moving novel filled with poignancy, humor, and hope, The Help is a timeless and universal story about the lines we abide by, and the ones we don't. (jacket flap)Librarian's note: An alternate cover edition can be found here

    It is 1930, the midst of the Great Depression. After her mysterious role in a family tragedy, passionate, strong-willed Thea Atwell, age fifteen, has been cast out of her Florida home, exiled to an equestrienne boarding school for Southern debutantes. High in the Blue Ridge Mountains, with its complex social strata ordered by money, beauty, and girls’ friendships, the Yonahlossee Riding Camp for Girls is a far remove from the free-roaming, dreamlike childhood Thea shared with her twin brother on their family’s citrus farm—a world now partially shattered. As Thea grapples with her responsibility for the events of the past year that led her here, she finds herself enmeshed in a new order, one that will change her sense of what is possible for herself, her family, her country.Weaving provocatively between home and school, the narrative powerfully unfurls the true story behind Thea’s expulsion from her family, but it isn’t long before the mystery of her past is rivaled by the question of how it will shape her future. Part scandalous love story, part heartbreaking family drama, The Yonahlossee Riding Camp for Girls is an immersive, transporting page-turner—a vivid, propulsive novel about sex, love, family, money, class, home, and horses, all set against the ominous threat of the Depression—and the major debut of an important new writer.

    Her father, Jim, is tall and slender, and her mother, Christina, is a fine-boned, dark-haired beauty. Both are self-centered, outspoken, and disappointed by their daughter’s looks. When Victoria is six, she sees a photograph of Queen Victoria, and her father has always said she looks just like her. After the birth of Victoria’s perfect younger sister, Gracie, her father liked to refer to his firstborn as “our tester cake.” With Gracie, everyone agreed that Jim and Christina got it right.While her parents and sister can eat anything and not gain an ounce, Victoria must watch everything she eats, as well as endure her father’s belittling comments about her body and see her academic achievements go unacknowledged. Ice cream and oversized helpings of all the wrong foods give her comfort, but only briefly. The one thing she knows is that she has to get away from home, and after college in Chicago, she moves to New York City.Landing her dream job as a high school teacher, Victoria loves working with her students and wages war on her weight at the gym. Despite tension with her parents, Victoria remains close to her sister. And though they couldn’t be more different in looks, they love each other unconditionally. But regardless of her accomplishments, Victoria’s parents know just what to say to bring her down. She will always be her father’s “big girl,” and her mother’s constant disapproval is equally unkind.When Grace announces her engagement to a man who is an exact replica of their narcissistic father, Victoria worries about her sister’s future happiness, and with no man of her own, she feels like a failure once again. As the wedding draws near, a chance encounter, an act of stunning betrayal, and a family confrontation lead to a turning point.Behind Victoria is a lifetime of hurt and neglect she has tried to forget, and even ice cream can no longer dull the pain. Ahead is a challenge and a risk: to accept herself as she is, celebrate it, and claim the victories she has fought so hard for and deserves. Big girl or not, she is terrific and discovers that herself.

    And she knows that she's one of the lucky ones. She loves her life, ordinary as it is. And she loves the extraordinary people in it: her spirited daughter, Juliet; her colorful, unruly family; the only man in her big heart, Johnny Faye. Rabbit has big ideas, full of music and love and so much life. She has plans for the world. But the world, it turns out, has other plans for Rabbit: a devastating diagnosis. Rabbit is feisty. And with every ounce of love and strength in her, she promises that she will overcome. She will fight fight fight. She will be with those who love her for as long as she can, and she will live as long as she can with music and love and so much life. And as her friends and family rally round to celebrate Rabbit's last days, they look to her for strength, support, and her unyielding zest for life. Because she is Rabbit Hayes and she will live until she dies.

    As they gather year after year, their stories, their wisdom, their lives, form the pattern from which all of us draw warmth and comfort for ourselves.A MAJOR MOTION PICTURE COMING OUT FALL 1995-- with Maya Angelou, Winona Ryder, and Rip Torn