In the state of Kerala, on the southernmost tip of India, a skyblue Plymouth with chrome tailfins is stranded on the highway amid a Marxist workers' demonstration. Inside the car sit two-egg twins Rahel and Esthappen, and so begins their tale. . . .Armed only with the invincible innocence of children, they fashion a childhood for themselves in the shade of the wreck that is their family—their lonely, lovely mother, Ammu (who loves by night the man her children love by day), their blind grandmother, Mammachi (who plays Handel on her violin), their beloved uncle Chacko (Rhodes scholar, pickle baron, radical Marxist, bottom-pincher), their enemy, Baby Kochamma (ex-nun and incumbent grandaunt), and the ghost of an imperial entomologist's moth (with unusually dense dorsal tufts).When their English cousin, Sophie Mol, and her mother, Margaret Kochamma, arrive on a Christmas visit, Esthappen and Rahel learn that Things Can Change in a Day. That lives can twist into new, ugly shapes, even cease forever, beside their river "graygreen." With fish in it. With the sky and trees in it. And at night, the broken yellow moon in it.The brilliantly plotted story uncoils with an agonizing sense of foreboding and inevitability. Yet nothing prepares you for what lies at the heart of it.The God of Small Things takes on the Big Themes—Love. Madness. Hope. Infinite Joy. Here is a writer who dares to break the rules. To dislocate received rhythms and create the language she requires, a language that is at once classical and unprecedented. Arundhati Roy has given us a book that is anchored to anguish, but fueled by wit and magic.

    Parents and children alike have been best friends, so it's no surprise that in high school Chris and Emily's friendship blossoms into something more. They've been soul mates since they were born.So when midnight calls from the hospital come in, no one is ready for the appalling truth: Emily is dead at seventeen from a gunshot wound to the head. There's a single unspent bullet in the gun that Chris took from his father's cabinet—a bullet that Chris tells police he intended for himself. But a local detective has doubts about the suicide pact that Chris has described.

    And when their grown children return to the family B&B to arrange the funeral, they discover thousands of letters.The letters they read tell of surprising joys and sorrows. They also hint at a shocking family secret—and ultimately force the children to confront a life-changing moment of truth . . .

    A gentle, solitary man, he finds solace and purpose in the sweetness of the apples, apricots, and plums he grows, and in the quiet, beating heart of the land--the valley of yellow grass bordering a deep canyon that has been his home since he was nine years old. Everything he is and has known is tied to this patch of earth. It is where his widowed mother is buried, taken by illness when he was just thirteen, and where his only companion, his beloved teenaged sister Elsbeth, mysteriously disappeared. It is where the horse wranglers--native men, mostly Nez Perce--pass through each spring with their wild herds, setting up camp in the flowering meadows between the trees.One day, while in town to sell his fruit at the market, two girls, barefoot and dirty, steal some apples. Later, they appear on his homestead, cautious yet curious about the man who gave them no chase. Feral, scared, and very pregnant, Jane and her sister Della take up on Talmadage's land and indulge in his deep reservoir of compassion. Yet just as the girls begin to trust him, brutal men with guns arrive in the orchard, and the shattering tragedy that follows sets Talmadge on an irrevocable course not only to save and protect them, putting himself between the girls and the world, but to reconcile the ghosts of his own troubled past.Writing with breathtaking precision and empathy, Amanda Coplin has crafted an astonishing debut novel about a man who disrupts the lonely harmony of an ordered life when he opens his heart and lets the world in. Transcribing America as it once was before railways and roads connected its corners, she weaves a tapestry of solitary souls who come together in the wake of unspeakable cruelty and misfortune, bound by their search to discover the place they belong. At once intimate and epic, evocative and atmospheric, filled with haunting characters both vivid and true to life, and told in a distinctive narrative voice, The Orchardist marks the beginning of a stellar literary career.The National Book Foundation selected Amanda Coplin as one of the authors being honored as "5 Under 35" in 2013.

    By 2016, their four radically different daughters are each in a state of unrest: Wendy, widowed young, soothes herself with booze and younger men; Violet, a litigator-turned-stay-at-home-mom, battles anxiety and self-doubt when the darkest part of her past resurfaces; Liza, a neurotic and newly tenured professor, finds herself pregnant with a baby she's not sure she wants by a man she's not sure she loves; and Grace, the dawdling youngest daughter, begins living a lie that no one in her family even suspects. Above it all, the daughters share the lingering fear that they will never find a love quite like their parents'.As the novel moves through the tumultuous year following the arrival of Jonah Bendt--given up by one of the daughters in a closed adoption fifteen years before--we are shown the rich and varied tapestry of the Sorensons' past: years marred by adolescence, infidelity, and resentment, but also the transcendent moments of joy that make everything else worthwhile.

    Hanumarathnam, a village healer with some renown as an astrologer, has approached her parents with a marriage proposal. In keeping with custom, he provides his prospective in-laws with his horoscope. The problem is that his includes a prediction, albeit a weak one, that he will die in his tenth year of marriage. Despite the ominous horoscope, Sivakami’s parents hesitate only briefly, won over by the young man and his family’s reputation as good, upstanding Brahmins. Once married, Sivikami and Hanumarathnam grow to love one another and the bride, now in her teens, settles into a happy life. But the predictions of Hanumarathnam’s horoscope are never far from her new husband’s mind. When their first child is born, as a strategy for accurately determining his child’s astrological charts, Hanumarathnam insists the midwife toss a lemon from the window of the birthing room the moment his child appears. All is well with their first child, a daughter, Thangam, whose birth has a positive influence on her father’s astrological future. But this influence is fleeting: when a son, Vairum, is born, his horoscope confirms that his father will die within three years.Resigned to his fate, Hanumarathnam sets himself to the unpleasant task of readying his household for his imminent death. Knowing the hardships and social restrictions Sivakami will face as a Brahmin widow, he hires and trains a servant boy called Muchami to help Sivakami manage the household and properties until Vairum is of age.When Sivakami is eighteen, Hanumarathnam dies as predicted. Relentless in her adherence to the traditions that define her Brahmin caste, she shaves her head and dons the white sari of the widow. With some reluctance, she moves to her family home to raise her children under the protection of her brothers, but then realizes that they are not acting in the best interests of her children. With her daughter already married to an unreliable husband of her brothers’ choosing, and Vairum’s future also at risk, Sivakami leaves her brothers and returns to her marital home to raise her family.With the freedom to make decisions for her son’s future, Sivakami defies tradition and chooses to give him a secular education. While her choice ensures that Vairum fulfills his promise, it also sets Sivakami on a collision course with him. Vairum, fatherless in childhood, childless as an adult, rejects the caste identity that is his mother’s mainstay, twisting their fates in fascinating and unbearable ways.

    Mary, a small village in the English countryside filled with rolling hills, thatched cottages, and a cast of characters both hilariously original and as familiar as the members of your own family. Among them is Major Ernest Pettigrew (retired), the unlikely hero of Helen Simonson's wondrous debut. Wry, courtly, opinionated, and completely endearing, Major Pettigrew is one of the most indelible characters in contemporary fiction, and from the very first page of this remarkable novel he will steal your heart.The Major leads a quiet life valuing the proper things that Englishmen have lived by for generations: honor, duty, decorum, and a properly brewed cup of tea. But then his brother's death sparks an unexpected friendship with Mrs. Jasmina Ali, the Pakistani shopkeeper from the village. Drawn together by their shared love of literature and the loss of their respective spouses, the Major and Mrs. Ali soon find their friendship blossoming into something more. But village society insists on embracing him as the quintessential local and her as the permanent foreigner. Can their relationship survive the risks one takes when pursuing happiness in the face of culture and tradition?

    At the turn of the last century, when Ciro catches the local priest in a scandal, he is banished from his village and sent to hide in America as an apprentice to a shoemaker in Little Italy. Without explanation, he leaves a bereft Enza behind. Soon, Enza's family faces disaster and she, too, is forced to go to America with her father to secure their future.Unbeknownst to one another, they both build fledgling lives in America, Ciro masters shoemaking and Enza takes a factory job in Hoboken until fate intervenes and reunites them. But it is too late: Ciro has volunteered to serve in World War I and Enza, determined to forge a life without him, begins her impressive career as a seamstress at the Metropolitan Opera House that will sweep her into the glamorous salons of Manhattan and into the life of the international singing sensation, Enrico Caruso. From the stately mansions of Carnegie Hill, to the cobblestone streets of Little Italy, over the perilous cliffs of northern Italy, to the white-capped lakes of northern Minnesota, these star-crossed lovers meet and separate, until, finally, the power of their love changes both of their lives forever. Lush and evocative, told in tantalizing detail and enriched with lovable, unforgettable characters, The Shoemaker's Wife is a portrait of the times, the places and the people who defined the immigrant experience, claiming their portion of the American dream with ambition and resolve, cutting it to fit their needs like the finest Italian silk.This riveting historical epic of love and family, war and loss, risk and destiny is the novel Adriana Trigiani was born to write, one inspired by her own family history and the love of tradition that has propelled her body of bestselling novels to international acclaim. Like Lucia, Lucia, The Shoemaker's Wife defines an era with clarity and splendor, with operatic scope and a vivid cast of characters who will live on in the imaginations of readers for years to come.

    In 1987, Miri Ammerman returns to her hometown of Elizabeth, New Jersey, to attend a commemoration of the worst year of her life.Thirty-five years earlier, when Miri was fifteen, and in love for the first time, a succession of airplanes fell from the sky, leaving a community reeling. Against this backdrop of actual events that Blume experienced in the early 1950s, when airline travel was new and exciting and everyone dreamed of going somewhere, Judy Blume imagines and weaves together a haunting story of three generations of families, friends, and strangers, whose lives are profoundly changed by these disasters. She paints a vivid portrait of a particular time and place — Nat King Cole singing “Unforgettable,” Elizabeth Taylor haircuts, young (and not-so-young) love, explosive friendships, A-bomb hysteria, rumors of Communist threat. And a young journalist who makes his name reporting tragedy. Through it all, one generation reminds another that life goes on.In the Unlikely Event is a gripping novel with all the hallmarks of Judy Blume's unparalleled storytelling.

    Every relationship has two perspectives. And sometimes, it turns out, the key to a great marriage is not its truths but its secrets. At the core of this rich, expansive, layered novel, Lauren Groff presents the story of one such marriage over the course of twenty-four years.At age twenty-two, Lotto and Mathilde are tall, glamorous, madly in love, and destined for greatness. A decade later, their marriage is still the envy of their friends, but with an electric thrill we understand that things are even more complicated and remarkable than they have seemed.

    Orphaned by their mother’s death in childbirth and their father’s disappearance, bound together by a preternatural connection and a shared fascination with medicine, the twins come of age as Ethiopia hovers on the brink of revolution. Yet it will be love, not politics—their passion for the same woman—that will tear them apart and force Marion, fresh out of medical school, to flee his homeland. He makes his way to America, finding refuge in his work as an intern at an underfunded, overcrowded New York City hospital. When the past catches up to him—nearly destroying him—Marion must entrust his life to the two men he thought he trusted least in the world: the surgeon father who abandoned him and the brother who betrayed him.An unforgettable journey into one man’s remarkable life, and an epic story about the power, intimacy, and curious beauty of the work of healing others.(front flap)

    As the hottest summer in fifteen years unfolds and bills pile up, Alice is torn between dreams of escaping the loneliness of her duty-filled life and a longing to help her father mend their family and the ranch.To make ends meet, the Winstons board the pampered horses of rich neighbors, and for the first time Alice confronts the power and security that class and wealth provide. As her family and their well-being become intertwined with the lives of their clients, Alice is drawn into an adult world of secrets and hard truths, and soon discovers that people -- including herself -- can be cruel, can lie and cheat, and every once in a while, can do something heartbreaking and selfless. Ultimately, Alice and her family must weather a devastating betrayal and a shocking, violent series of events that will test their love and prove the power of forgiveness.A wise and astonishing novel about the different guises of love and the often steep tolls on the road to adulthood, The God of Animals is a haunting, unforgettable debut.

    Wendy is heading to school, eager to make plans with her best friend, worried about how she looks, mad at her mother for not letting her visit her father in California, impatient with her little brother and with the almost too-loving concern of her jazz musician stepfather. She's out the door to catch the bus. An hour later comes the news: A plane has crashed into the World Trade Center--her mother's office building.Through the eyes of thirteen-year-old Wendy, we gain entrance to the world rarely shown by those who documented the events of that one terrible day: a family's slow and terrible realization that Wendy's mother has died, and their struggle to go on with their lives in the face of such a crushing loss.Absent for years, Wendy's real father shows up without warning. He takes her back with him to California, where she re-invents her life: Wendy now lives more or less on her own in a one-room apartment with a TV set and not much else. Wendy's new circle now includes her father's cactus-grower girlfriend, newly reconnected with the son she gave up for adoption twenty years before; a sad and tender bookstore owner who introduces her to the voice of Anne Frank and to his autistic son; and a homeless skateboarder, on a mission to find his long-lost brother.Over the winter and spring that follow, Wendy moves between the alternately painful and reassuring memories of her mother and the revelations that come with growing to know her real father for the first time. Pulled between her old life in Brooklyn and a new one 3,000 miles away, our heroine is faced with a world where the usual rules no longer apply but eventually discovers a strength and capacity for compassion and survival that she never knew she possessed.At the core of the story is Wendy's deep connection with her little brother, back in New York, who is grieving the loss of their mother without her. This is a story about the ties of siblings, about children who lose their parents, parents who lose their children, and the unexpected ways they sometimes find one another again. Set against the backdrop of global and personal tragedy, and written in a style alternately wry and heartbreaking, The Usual Rules is an unexpectedly hopeful story of healing and forgiveness that will offer readers, young and old alike, a picture of how, out of the rubble, a family rebuilds its life.

    When Edward Schuyler, a modest and bookish sixty-two-year-old science teacher, is widowed, he finds himself ambushed by female attention. There are plenty of unattached women around, but a healthy, handsome, available man is a rare and desirable creature. Edward receives phone calls from widows seeking love, or at least lunch, while well-meaning friends try to set him up at dinner parties. Even an attractive married neighbor offers herself to him.The problem is that Edward doesn’t feel available. He’s still mourning his beloved wife, Bee, and prefers solitude and the familiar routine of work, gardening, and bird-watching. But then his stepchildren surprise him by placing a personal ad in The New York Review of Books on his behalf. Soon the letters flood in, and Edward is torn between his loyalty to Bee’s memory and his growing longing for connection. Gradually, reluctantly, he begins dating (“dating after death,” as one correspondent puts it), and his encounters are variously startling, comical, and sad. Just when Edward thinks he has the game figured out, a chance meeting proves that love always arrives when it’s least expected.With wit, warmth, and a keen understanding of the heart, An Available Man explores aspects of loneliness and togetherness, and the difference in the options open to men and women of a certain age. Most of all, the novel celebrates the endurance of love, and its thrilling capacity to bloom anew.

    In the suburban streets of Calcutta where they wandered before dusk and in the hyacinth-strewn ponds where they played for hours on end, Udayan was always in his older brother's sight. So close in age, they were inseparable in childhood and yet, as the years pass - as U.S tanks roll into Vietnam and riots sweep across India - their brotherly bond can do nothing to forestall the tragedy that will upend their lives. Udayan - charismatic and impulsive - finds himself drawn to the Naxalite movement, a rebellion waged to eradicate inequity and poverty. He will give everything, risk all, for what he believes, and in doing so will transform the futures of those dearest to him: his newly married, pregnant wife, his brother and their parents. For all of them, the repercussions of his actions will reverberate across continents and seep through the generations that follow. Epic in its canvas and intimate in its portrayal of lives undone and forged anew, The Lowland is a deeply felt novel of family ties that entangle and fray in ways unforeseen and unrevealed, of ties that ineluctably define who we are. With all the hallmarks of Jhumpa Lahiri's achingly poignant, exquisitely empathetic story-telling, this is her most devastating work of fiction to date.