In the tradition of Jonathan Tropper and Tom Perrotta comes Matthew Norman's Domestic Violets—a darkly comic family drama about one man’s improbable trials of love, loss, and ambition; of attraction, impotence, and infidelity; and of mid-life malaise, poorly-planned revenge, and the Pulitzer Prize for Fiction.

    One chaotic family. One quirky stranger. One irresistible love story from the New York Times bestselling author of The Giver of Stars   American audiences have fallen in love with Jojo Moyes. Ever since she debuted Stateside she has captivated readers and reviewers alike, and hit the New York Times bestseller list with the word-of-mouth sensation Me Before You. Now, with One Plus One, she’s written another contemporary opposites-attract love story.   Suppose your life sucks. A lot. Your husband has done a vanishing act, your teenage stepson is being bullied, and your math whiz daughter has a once-in-a-lifetime opportunity that you can’t afford to pay for. That’s Jess’s life in a nutshell—until an unexpected knight in shining armor offers to rescue them. Only Jess’s knight turns out to be Geeky Ed, the obnoxious tech millionaire whose vacation home she happens to clean. But Ed has big problems of his own, and driving the dysfunctional family to the Math Olympiad feels like his first unselfish act in ages . . . maybe ever.  One Plus One is Jojo Moyes at her astounding best. You’ll laugh, you’ll weep, and when you flip the last page, you’ll want to start all over again.

    Maybe, British sensation Jane Green delivers a sparkling tale of old friends reunited and old jealousies rekindled.Catherine Warner and Simon Nelson are best friends: total opposites, always together, and both unlucky in love. Cath is scatterbrained, messy, and–since she had her heart broken a few years back–emotionally closed off. Si is impossibly tidy, bitchy, and desperate for a man of his own. They live in London’s West Hampstead along with their lifelong friends, Josh and Lucy, who are happily married with a devil-spawn child and a terrifying Swedish nanny, Ingrid.All’s well (sort of) until the sudden arrival of a college friend–the stunningly beautiful Portia, who’s known for breaking hearts. Though they’ve grown up and grown apart from Portia, the four friends welcome her back into the fold. But does Portia have a hidden agenda or is she merely looking to reconnect with old friends? Her reappearance soon unleashes a rollicking series of events that tests the foursome’s friendships to the limit and leaves them wondering if a happy ending is in store.Fortunately, Cath has plenty to take her mind off Portia’s schemes–like her gutsy decision to leave her job in advertising to fulfill her dream of opening a bookstore. And then there’s James, the sexy real-estate agent who keeps dropping by even after the bookstore deal is done. With his irresistible smile and boyish charm could he be the one to melt Cath’s heart? Told with Jane Green’s captivating wit and flare, Bookends is above all a story about friendship–its twists, turns and complications–and how it weathers the challenges of love, ambition, marriage, and, most of all, growing up. Warmhearted, sophisticated, and full of delicious surprises, Bookends is Green’s most dazzling novel yet.

    Readers were captivated by the adventures of the poet Snodgrass, the lover Tupman, the sportsman Winkle &, above all, by that quintessentially English Quixote, Mr Pickwick, & his cockney Sancho Panza, Sam Weller. From the hallowed turf of Dingley Dell Cricket Club to the unholy fracas of the Eatanswill election, via the Fleet debtor’s prison, characters & incidents sprang to life from Dickens’s pen, to form an enduringly popular work of ebullient humour & literary invention.

    They shared an incredible, brief, fleeting moment of deep possibility, somewhere halfway down Charlotte Street.And then, just like that, she was gone - accidentally leaving him holding her old-fashioned, disposable camera, chock full of undeveloped photos...And now Jason - ex-teacher, ex-boyfriend, part-time writer and reluctant hero - faces a dilemma. Should he try and track The Girl down? What if she's The One? But that would mean using the only clues he has, which lie untouched in this tatty disposable...It's funny how things can develop...

    Thankfully, he has a loving family waiting for him when he gets home, to help wash the day's cares away. At least, that's what his coworkers believe.Andrew didn't mean for the misunderstanding to happen, yet he's become trapped in his own white lie. The fantasy of his wife and two kids has become a pleasant escape from his lonely one bedroom with only his Ella Fitzgerald records for company. But when new employee Peggy breezes into his life like a breath of fresh air, Andrew is shaken out of his routine. She doesn't notice the wall he's been safely hiding behind and their friendship promises to break it down.Andrew must choose: Does he tell the truth and start really living his life, but risk losing his friendship with Peggy? Or will he stay safe and alone, behind the façade? How Not to Die Alone is about the importance of taking a chance in those moments when we have the most to lose. Sharp and funny, warm and real, it's the kind of big-hearted story we all need.

       Tina Fontana is the hapless but brazen thirty-year-old executive assistant to Robert Barlow, the all-powerful and commanding CEO of Titan Corp., a multinational media conglomerate. She’s excellent at her job and beloved by her famous boss—but after six years of making his reservations for restaurants she’d never get into on her own and pouring his drinks from bottles that cost more than her rent, she’s bored, broke, and just a bit over it all.   When a technical error with Robert’s travel-and-expenses report presents Tina with the opportunity to pay off the entire balance of her student loan debt with what would essentially be pocket change for her boss, she struggles with the decision: She’s always played by the rules. But it’s such a relatively small amount of money for the Titan Corporation—and for her it would be a life-changer . . .  The Assistants speaks directly to a new generation of women who feel stuck and unable to get ahead playing by the rules. It will appeal to all of those who have ever asked themselves, “How is it that after all these years, we are still assistants?”

    Sure, her mother has come charging out of the closet, and her father has long since dropped out of her world. But she loves her friends, her rat terrier, Nifkin, and her job as pop culture reporter for The Philadelphia Examiner. She's even made a tenuous peace with her plus-size body. But the day she opens up a national women's magazine and sees the words "Loving a Larger Woman" above her ex-boyfriend's byline, Cannie is plunged into misery...and the most amazing year of her life. From Philadelphia to Hollywood and back home again, she charts a new course for herself: mourning her losses, facing her past, and figuring out who she is and who she can become.

    She works at a national newspaper, where she’s constantly forced to compare herself to her white middle class peers. After a messy break up from her long-term white boyfriend, Queenie seeks comfort in all the wrong places…including several hazardous men who do a good job of occupying brain space and a bad job of affirming self-worth.As Queenie careens from one questionable decision to another, she finds herself wondering, “What are you doing? Why are you doing it? Who do you want to be?”—all of the questions today’s woman must face in a world trying to answer them for her.

    Dave travels to India because he wants to get Liz into bed.Liz loves India, hugs the beggars, and is well on her way to finding her tantric center. Dave, however, realizes he hates Liz, and has bad karma toward his fellow travelers: Jeremy, whose spiritual journey is aided by checks from Dad; Jonah, who hasn’t worn shoes for a decade; and Fee and Caz, fresh from leper-washing in Udaipur…With refreshing honesty and a healthy dose of cynicism, William Sutcliffe offers a transatlantic, nineties version of On the Road that all readers will enjoy.

    You've let yourself go, so I'm letting you go too."When Edward Middleton hears those words from Jane, his girlfriend of the past ten years, he knows he's in serious trouble. Determined to get her back, Edward must learn how to make women fancy him again. But what makes for a good boyfriend nowadays? Right now, he's the kind of man who puts the 'ex' into 'sexy'. One thing is certain: if he's to be Jane's Mr Right, he needs to turn himself into a bit of all right. From Atkins and Botox, Edward begins working his way through the makeover alphabet. But can cuddly Teddy really become sexy Eddie? Can he rise from the ranks of discarded exes? Or has his journey of self-discovery taken him in a different direction entirely?

    What he finds is a lovely-yet-unusual missionary with a warped sense of humor and a wicked throwing arm. She and a wacky assortment of friends turn Jay's perceptions of life upside down, launching events that leave him and those around him thoroughly Flabbergasted.By the way, when relational gumbo is on the menu, a South Carolina beach makes for great mood lighting.

    Elizabeth, Joyce, Ibrahim and Ron might be pushing eighty but they still have a few tricks up their sleeves. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it’s too late?

    Sam is determined to write a hit movie. The problem is that both their efforts seem to be unfruitful. And given that the average IVF cycle has about a one in five chance of going into full production, Lucy's chances of getting what she wants are considerably better than Sam's.What Sam and Lucy are about to go through is absolutely inconceivable. The question is, can their love survive?Inconcievable confirms Ben Elton as one of Britain's most significant, entertaining and provocative writers.

    On arrival he finds the climate delicious, the food even better, and two of the locals ravishing. Unfortunately, the wine produced on his new property is swill. Why then are so many people interested in it? Enter a beguiling Californian who knows more about wine than Max does – and may have a better claim to the estate. Fizzy with intrigue, bursting with local color and savor, A Good Year is Mayle at his most entertaining.