Ngati Wai chief Paratene Te Manu spends long sessions, over three long days, having his portrait painted by the Bohemian painter Gottfried Lindauer. Hearing of Lindauer's planned trip to England reminds him of his own journey there, twenty years earlier, with a party of northern rangatira. As he sits for Lindauer, Paratene retreats deeper and deeper into the past, from the triumphs in London and their meetings with royalty to the disintegration of the visit into poverty, mistrust, and humiliation. Based on a true story.

    I felt it though. I let out an incredible whoop of joy and skipped into the air, laughing and laughing; there was so much joy inside me. For the first time in all my memory, I could not contain myself.As a boy in the early 1940s, young Boden Black finds his life changed for ever the day his neighbour Dudley drives him over the hills into the vast snow-covered plains of the Mackenzie country. Unexpectedly his world opens up and he discovers a love of landscape and a fascination with words that will guide him throughout his life, as he forges a career as a butcher and poet, spends a joyous summer building a hut on the slopes of Mount Cook and climbs to the summit in the company of Sir Edmund Hillary.A moving exploration of onw man's journey and the events which shape him, The Hut Builder is also an evocative celebration of the mountain world and the wonder of life.

    Off the coast of Kapiti, English trader John Stewart seeks to trade with Te Rauparaha, setting off a train of events that forever change the course of New Zealand history.Narrated by two English sailors on board Stewart's ship, these events are also eerily resonant of a more distant memory, stretching back into mythology, of the charismatic leader Wulf and an ancient lament. History, it seems, may be repeating itself.Wulf, Hamish Clayton's inventive, brilliant first novel, explores a subject little covered in New Zealand fiction, and marks the emergence of a startlingly assured, exciting new voice.

    Set in an unnamed NZ city in 1953, Fire tells the story of four working class friends, all employed at Dawsons, one of the country's most glamorous and sophisticated department stores. The girls are Nancy, a salesgirl in the dress department, Kay who works in lingerie, Louise, a typist in Accounts and Judy, a milliner in the workroom out the back. The story takes place a week before Christmas, in the period leading up to Christmas as the country prepares for a Royal Visit by the young Queen Elizabeth. When the store is full of wealthy shoppers smoke is discovered drifting from the basement lift shaft. While the fire brigade is called, the store owners make a crucial error and decide not to raise a public alarm until it's too late - exits are cut off by the fire and the ground and first floors are ablaze, trapping staff and customers on the upper floors.

    Rowan too, otherwise safe in her 'upper crusty' suburb, is drawn more and more strongly 'out west'.  The past is dangerously alive. Clyde Buckley - violent as a boy; enigmatic, subterranean as an old man - returns to his childhood territory. What does he want? What crimes does he hide? And how is Lionel involved? Rowan must abandon safety if she is to find out . . . Maurice Gee is a master storyteller. Access Road is at once a novel of chilling tension and expansive humanity; both a beautifully crafted work of literature and an effortlessly seductive family story.

    He lands in coastal Gabriel’s Bay, billed as ‘a well-appointed small town’ on its website (last updated two decades ago). Here Kerry hopes to prove he’s not a complete failure. Or, at least, to give his most convincing impression.But Gabriel’s Bay has its own problems – low employment, no tourists, and a daunting hill road between it and civilisation. And Kerry must also run the gauntlet of its inhabitants: Sidney, single mother deserted by a feckless ex; Mac, the straight-shooting doctor’s receptionist; a team of unruly nine-year-olds; a giant restaurateur; and the local progressive association, who’ll debate apostrophe placement until the crack of doom.Can Kerry win their respect, and perhaps even love? Will his brilliant plan to transform the town’s fortunes earn him a lasting welcome in Gabriel’s Bay?

    Drawing on his personal knowledge of the South Pacific and Australasia, novelist Graeme Lay recreates the peerless navigator's life up to, and including, his first circumnavigation of the world. In particular, Graeme explores the relationship between James and his remarkable wife Elizabeth, the woman he married when he was 34 and she 21 and by whom he had six children, all born while he was away at sea.This novel also depicts the often stormy relationship between the self-made English naval commander and the dashing, privileged naturalist Joseph Banks, who accompanied Cook on his first world voyage.

    After settling in Nova Scotia and building ships, they travel to Australia, then on to New Zealand, settling in Waipu, in Northland. McLeod is a tyrant, whose behavior is challenged by three generations of women who are subsequently banished from the community. The novel looks at issues of transgression and nonconformity within a moralistic culture, the need for mutual support and the difficulties facing early pioneers.

    It is our private journey, and only we understand how it came about; only we know the fitness and the wonder of it.'William James Mudie Larnach's name resonates in New Zealand history - the politician and self-made man who built the famous 'castle' on Otago Peninsula. In 1891, after the death of his first two wives, he married the much younger Constance de Bathe Brandon. But the marriage that began with such happiness was to end in tragedy.The story of the growing relationship between Conny and William's younger son, Dougie, lies at the heart of this subtle and compelling novel. The socially restrictive world of late nineteenth-century Dunedin and Wellington springs vividly to life as Marshall traces the deepening love between stepmother and stepson, and the slow disintegration of the domineering yet vulnerable figure of Larnach himself.Can love ever really be its own world, free of morality and judgement and scandal?

    It is a set text in most New Zealand courses in universities, and is often grossly misrepresented as a kind of celebration of the Kiwi bloke going it alone, getting offside with the law and women, and making a fist of it on his own terms. It also has been glibly accused of misogyny and racism. For all its local emphases and colour, the novel must be read in the context of post-war Europe, as it takes a hard look at the reality of ‘ordinary’ life, without the self-congratulatory assurances common to both British and New Zealand conservatism. The starkness of the novel is also a philosophical one. Such values as emerge are what the individual manages to put together as the historical moment allows—fiction as existentialism, before such a term became modish. At the same time as he was working on the novel, Mulgan edited for Victor Gollancz Poems of Freedom, an anthology of poets who ‘were unafraid’, and whom W.H. Auden, in his Introduction, valued not for their wisdom, but for raising their voices against oppression.

     William eagerly enlists for the army but his younger brother, Edmund, is a conscientious objector and refuses to fight. While William trains to be a soldier, Edmund is arrested. Both brothers will end up on the bloody battlefields of France, but their journeys there are very different. And what they experience at the front line will challenge the beliefs that led them there.

    The British government called the famine an act of God. The Irish called it genocide. By any name the famine caused the death of over one million men, women, and children by starvation and disease. Another two million were forced to flee the country. With the famine as a backdrop, this is a story about two families as different as coarse wool and fine silk. Michael Ranahan, the son of a tenant farmer, dreams of breaking his bondage to the land and going to America. The passage money has been saved. He’s made up his mind to go. And then—the blight strikes and Michael must put his dream on hold. The landlord, Lord Somerville, is a compassionate man who struggles to preserve a way of life without compromising his ideals. To add to his troubles, he has to deal with a recalcitrant daughter who chafes at being forced to live in a country of “bog runners.”In The Time Of Famine is a story of survival. It’s a story of duplicity. But most of all, it’s a story of love and sacrifice.

    But Clifford's words have too much life in them to be ignored, and start to permeate his family's world. This book tells the story of three generations of the Stilton family.

    Of sorts.At dusk he lights the candelabrum, creating an island of light in the centre of the room, animating the faces of the two dressed mannequins, glinting off the cutlery, the long array of glasses, the cellophane wrappers on the biscuits, the chocolate's silver foil. And the margins of the room are lost in the murk, might as well not exist. Richard smiles at the effect, at the little oasis of festivity and commemoration in a wide dark world. Christchurch, days after the February 2011 earthquake. Richard hides, with a lost dog, in an abandoned, leaning hotel. Annie returns from England, seeking a lost father in her battered home town. Vince relives the most significant emotional experience of his life. What binds these lives together, and what tore them apart?Joe Bennett's first novel is the work of a superb writer at the top of his game.

    After escaping from the Norfolk Island penal colony on a whaling ship, Bloodworth and his three fellow convicts are left on a remote southern island by a captain who promises to pick them up in a year's time.It will be many years before they see another ship.Durign that time four men, with nothing in common but a desire to escape and a need to survive, live together in cramped and freezing isolation. Slangam believes hard work will see them though, Toper puts his faith in the divine, Gargantua leans on his learning and Bloodworth watched – both his fellow felons and the inhospitable environment.Based on the true story of four convicts who spent more than nine years on the Snares Islands in the early years of the nineteenth century, Charlotte Randall's latest novel is a riveting, intelligent and powerful work of fiction.