It follows the life of Don Wanderhop from his childhood in an immigrant Calvinist family living in Chicago in the 1950s through the loss of a brother, his faith, his wife, and finally his daughter-a tragedy drawn directly from De Vries's own life. Despite its foundation in misfortune, The Blood of the Lamb offers glimpses of the comic sensibility for which De Vries was famous. Engaging directly with the reader in a manner that buttresses the personal intimacy of the story, De Vries writes with a powerful blend of grief, love, wit, and fury.

    Witness a father who takes his two boys out to sea, in flight from some menace at home, thus launching their adventures in a strange and dangerous territory. Artist Matthew Ritchie's striking images blend scientific diagramming with vivid, colorful renderings of the apocalypse, while writer Ben Marcus's cold prose plumbs the inner workings of two boys caught out at sea with a father whose costumes grow increasingly menacing. In this collaborative work, Ritchie's and Marcus's shared obsessions of mythology, physics and ancient texts have produced a conjunction of text and image in which people themselves are merely costumes for the darker needs that drive them.

    By 2016, their four radically different daughters are each in a state of unrest: Wendy, widowed young, soothes herself with booze and younger men; Violet, a litigator-turned-stay-at-home-mom, battles anxiety and self-doubt when the darkest part of her past resurfaces; Liza, a neurotic and newly tenured professor, finds herself pregnant with a baby she's not sure she wants by a man she's not sure she loves; and Grace, the dawdling youngest daughter, begins living a lie that no one in her family even suspects. Above it all, the daughters share the lingering fear that they will never find a love quite like their parents'.As the novel moves through the tumultuous year following the arrival of Jonah Bendt--given up by one of the daughters in a closed adoption fifteen years before--we are shown the rich and varied tapestry of the Sorensons' past: years marred by adolescence, infidelity, and resentment, but also the transcendent moments of joy that make everything else worthwhile.

    A fisher survives his first year in the wilderness through the help of a kind Ojibway.

    In God Bless You, Dr. Kevorkian, Vonnegut skips back and forth between life and the Afterlife as if the difference between them were rather slight. In thirty odd "interviews," Vonnegut trips down "the blue tunnel to the pearly gates" in the guise of a roving reporter for public radio, conducting interviews: with Salvatore Biagini, a retired construction worker who died of a heart attack while rescuing his schnauzer from a pit bull, with John Brown, still smoldering 140 years after his death by hanging, with William Shakespeare, who rubs Vonnegut the wrong way, and with socialist and labor leader Eugene Victor Debs, one of Vonnegut's personal heroes.What began as a series of ninety-second radio interludes for WNYC, New York City's public radio station, evolved into this provocative collection of musings about who and what we live for, and how much it all matters in the end. From the original portrait by his friend Jules Feiffer that graces the cover, to a final entry from Kilgore Trout, God Bless You, Dr. Kevorkian remains a joy.

    Sara Pollard's career as a primate behaviorist lies in ruins. With nothing left to lose, Pollard – descendant of a Nantucket captain whose ship was sunk by a rogue whale – accepts an offer to join anti-whaling activists on a round-the-world racing yacht as the resident scientist. The plan is to sail from Argentina to the stormy Antarctic Sea. There they'll shadow, harass, and expose the Japanese fleet, which continues to kill and process endangered whales in internationally-declared sanctuaries.But everyone aboard Black Anemone has a secret, or something to live down. Her crew—including a beautiful but narcissistic film celebrity, an Afghan War veteran in search of the buzz of combat, and an enigmatic, obsessive captain—will confront hostile whalers, brutal weather, dangerous ice, near-mutiny, and romantic conflict. But no one aboard is prepared for what Nature herself has in store . . . when they're targeted by a massive creature with a murderous agenda of its own.Filled with violence, beauty, and magical evocations of life in the most remote waters on Earth, The Whiteness of the Whale is a powerful adventure by a master novelist.

    A literary event of the highest order. Joy Williams has been celebrated as a master of the short story for four decades, her renown passing as a given from one generation to the next even in the shifting landscape of contemporary writing. And at long last the incredible scope of her singular achievement is put on display: thirty-three stories drawn from three much-lauded collections, and another thirteen appearing here for the first time in book form. Forty-six stories in all, far and away the most comprehensive volume in her long career, showcasing her crisp, elegant prose, her dark wit, and her uncanny ability to illuminate our world through characters and situations that feel at once peculiar and foreign and disturbingly familiar. Virtually all American writers have their favorite Joy Williams stories, as do many readers of all ages, and each one of them is available here.

    As he does, other matters insistently crowd his mind - literary and cultural anecdotes, endless quotations attributed and not, scholarly curiosities - the residue of a lifetime's reading which is apparently all he has to show for his decades on earth. Out of these unlikely yet incontestably fascinating materials - including innumerable details about the madness and calamity in many artists' and writers' lives, the eternal critical affronts, the startling bigotry, the countless suicides - David Markson has created a novel of extraordinary intellectual suggestiveness. But while shoring up Reader's ruins with such fragments, Markson has also managed to electrify his novel with an almost unbearable emotional impact. Where Reader ultimately leads us is shattering.

    Did you know that 2 days before the blizzard of 1967 that brought the Midwest to a halt, it was a balmy 65 degrees? Or that Wild Thing by the Troggs kicked the Beatle's Paperback Writer off the top of the pop charts? Or that Gomer Pyle USMC replaced the Dick Van Dyke Show? These details unique to 1966 and 1967 also include the Apollo 1 disaster, what young men did to avoid the draft and Vietnam, and President Johnson's conclusion in 1966 that the Vietnam War had been as good as won. All of this incredible history, accurately researched and woven into this incredible story without a seam, presents a historic backdrop for a powerful tale of survival - and the detemination of a neighborhood filled with beloved nuts and bolts who go beyond the call to save a broken family. And it all begins with these words of a child's lament - When I hear the news I want to jump on the dining room clock and make time go backwards . . . Based on the real life loss of the author's father, Bruce Steinberg brings his passionate tale home as told through the eyes of his oldest brother - a child on the cusp of manhood who does not easily take to wearing the crown of New Man of the House.The moment 12-year-old Jeremy Rosenberg witnesses his father's death, Jeremy loses the world he assumed would last forever. With a young brother expecting their father to yet come home, a sister blaming herself, and a mother falling toward isolation, Jeremy is sent fatherless into the world just as he enters adolescence. Beautifully and memorably set in mid-1960s Chicago suburbia, The Widow's Son is launched on a devastating moment. But this tale of misguided efforts and accidental triumphs of children forced into adult emotions creates a humorous, poignant novel. The reader's laughter and tears are sure to flow together to the last page as Jeremy battles to make his family into a family once again.Author Bruce Steinberg also writes under the name B.R. Robb, and is the author of River Ghosts, a critically acclaimed novel for your review under Amazon.com's Look Inside program.

    that blurs the boundaries between life and performance, dance, art, and viral video. The novel is also framed in the world of performance art and is itself its own kind of performance... and feels rightly reflective of a moment when dance is pushing the boundaries of what constitutes a performance space."-Slate Book Review"Deftly blending highbrow intellectual concerns with the informality of Facebook-era communiques, Browning's newest is as entertaining as it is thought-provoking."-Publishers Weekly (Starred)"Exquisite storytelling at its finest. I’m Trying to Reach You cultivates our relationship addiction with YouTube and our desire for interconnectivity while illuminating what it means to strive, cope and love with all of our heart, brain, body and soul. It is all here. Browning writes with humor, wit, grace and passion to the human purpose, mortality and the joys of existence. Start reading.”-Karen FinleyFirst Michael Jackson, then Pina Bausch. Next is Merce Cunningham.Gray Adams, a former dancer with the Royal Swiss Ballet at work on his dissertation at NYU, has a theory spurred by countless hours of YouTube-based procrastination: someone is killing these famous dancers! (And he may bear an uncanny resemblance to Jimmy Stewart, circa Vertigo.)I'm Trying to Reach You is a moving and candid contemporary look at how we process grief, as well as how we love and communicate with one another.In the author's consideration of gender, race, and class, she also attempts to relate what it truly means to be an American in this modern age.Barbara Browning is the author of The Correspondence Artist. She teaches in the Performance Studies department at Tisch School of the Arts, New York University. She's also a poet and dancer who lives in Greenwich Village with her son.

    His father, a deputy sheriff, has been murdered by the unknown "Highway 41 Killer." His mom has unraveled. And a goon named Larry Buskin has been pummeling Minnow behind Neenah High.Minnow finds support in the company of his roguish grandfather, his loyal pal Mark, and beautiful Opal Parsons, who has her own worries as the first African American student in their school. When the sheriff seems in no hurry to solve the murder, Minnow must seek justice by partnering with unlikely allies and discovering his own courage.

    High above the mountains of occupied Slovenia an aeroplane drops three British parachutists – brash MP Major Jack Farwell, radio operator Sid Dixon, and young academic Lieutenant Tom Freedman – sent to assist the resistance in their battle against the Axis forces.Greeted upon arrival by a rag-tag group of Partisans, the men are led off into the countryside. It is early summer, and the mountains and forests teem with life and colour. Despite the distant crackle of gunfire, the war feels a long way off for Tom. The Partisans, too, are not what he was expecting – courageous, kind, and alluring, especially Jovan, their commander, and the hauntingly beautiful Marija. Yet after a series of daring encounters, the enemy’s net begins to tighten. They find evidence of massacres, of a dark and terrible band of men pursuing them through the wilderness. As the Partisans stumble their way towards a final, tragic battle, so the relationships within the group begin to fray, with Tom finding himself forced to face up to his deepest, most secret desires.

    His novel traces the fate of Paul, a boy whose mother has died and who runs away from a violent father. The book follows Paul from living on the streets of Chicago to passing through juvinile institutions and a state system that is primarily programmed for failure. There, he meets Tanya and they fall in love but they are young and are separated after a failed attempt to escape the institution.Paul battles through the violent system all the while battling his own rapidly budding adolescence. But as he turns sixteen he starts to come to terms with his own path, not as an adult, but as a scared child. Paul's emotions that we think of as anger are actually the determination to take control of his future. As he starts to overcome the system that has housed him, we see him developing a voice and a future of his own, but one day Tanya reappears in his life and the real decisions have to be made.While the characters are fictional, the do not have to be they are representative of many and we realize the fragility of childhood and the burden on the children who have nowhere else to go.

    Those trapped inside the castle are used to dealing with the volatile mix of light-fingered teens and obnoxious tourists; less so a truckload of explosives and a hidden agenda. For Catherine and her team, it's a recipe for a potentially deadly day off. Tense, twisted and laugh-out-loud funny, Siege Mentality is a day-trip you won't forget. For more from Catherine McLeod, read the Jasmine Sharp trilogy, beginning with Where the Bodies are Buried , a sample from which is included with this short story.

    The resulting pairs cover such subjects as "Scruples/Saints," "Hypocrisy/Precision," and "Anger/Generosity." The wisdom and startling turns we've come to expect from Dunn are everywhere in the ninety miniatures (forty-five pairs) that comprise this volume.