Cold and aloof, sardonic and sharp-tongued, Varen makes it clear he’d rather not have anything to do with her either. But when Isobel discovers strange writing in his journal, she can’t help but give this enigmatic boy with the piercing eyes another look. Soon, Isobel finds herself making excuses to be with Varen. Steadily pulled away from her friends and her possessive boyfriend, Isobel ventures deeper and deeper into the dream world Varen has created through the pages of his notebook, a realm where the terrifying stories of Edgar Allan Poe come to life. As her world begins to unravel around her, Isobel discovers that dreams, like words, hold more power than she ever imagined, and that the most frightening realities are those of the mind. Now she must find a way to reach Varen before he is consumed by the shadows of his own nightmares. His life depends on it.

    The dead are called Histories, and the vast realm in which they rest is the Archive.Da first brought Mackenzie Bishop here four years ago, when she was twelve years old, frightened but determined to prove herself. Now Da is dead, and Mac has grown into what he once was: a ruthless Keeper, tasked with stopping often violent Histories from waking up and getting out. Because of her job, she lies to the people she loves, and she knows fear for what it is: a useful tool for staying alive.Being a Keeper isn't just dangerous—it's a constant reminder of those Mac has lost, Da's death was hard enough, but now that her little brother is gone too, Mac starts to wonder about the boundary between living and dying, sleeping and waking. In the Archive, the dead must never be disturbed. And yet, someone is deliberately altering Histories, erasing essential chapters. Unless Mac can piece together what remains, the Archive itself may crumble and fall.In this haunting, richly imagined novel, Victoria Schwab reveals the thin lines between past and present, love and pain, trust and deceit, unbearable loss and hard-won redemption.

    Long ago, it was the Piven Institute for the Care and Correction of Troubled Females—an insane asylum nicknamed “Hysteria Hall.” However, many of the inmates were not insane, just defiant and strong willed. Kind of like Delia herself.But the house still wants to keep “troubled” girls locked away. So, in the most horrifying way, Delia gets trapped.And that’s when she learns that the house is also haunted.Ghost girls wander the halls in their old-fashioned nightgowns. A handsome ghost boy named Theo roams the grounds. Delia finds that all the spirits are unsettled and full of dark secrets. The house, as well, harbors shocking truths within its walls—truths that only Delia can uncover, and that may set her free.But she’ll need to act quickly, before the house’s power overtakes everything she loves.From master of suspense Katie Alender comes a riveting tale of twisted memories and betrayals, and the meaning of madness.

    She will be a beacon for us all."Tamsin Greene comes from a long line of witches, and on the day she was born, her grandmother proclaimed she would be one of the most Talented among them.But Tamsin's magic never showed up.Now, seventeen years later, she spends most of her time at boarding school in Manhattan, where she can at least pretend to be normal. But during the summers, she's forced to return home and work at her family's bookstore/magic shop.One night a handsome young professor from New York University arrives in the shop and mistakes Tamsin for her extremely Talented older sister. For once, it's Tamsin who's being looked at with awe and admiration, and before she can stop herself, she agrees to find a family heirloom for him that was lost more than a century ago. But the search - and the stranger - prove to be more sinister than they first appeared, ultimately sending Tamsin on a treasure hunt through time that will unlock the secret of her true identity, unearth the past sins of her family, and unleash a power so strong and so vengeful that it could destroy them all.In a spellbinding display of storytelling, Carolyn MacCullough interweaves witchcraft, romance, and time travel in a fantasy that will exhilarate, enthrall, and thoroughly enchant.

    Blowing out her candles, Kayla thinks: I wish my birthday wishes actually came true. Because they never freakin' do.Kayla wakes the next day to a life-sized, bright pink My Little Pony outside her window. Then a year's supply of gumballs arrives. A boy named Ken with a disturbing resemblance to the doll of the same name stalks her. As the ghosts of Kayla's wishes-past appear, they take her on a wild ride...but they must stop. Because when she was fifteen? She wished Ben Mackenzie would kiss her. And Ben is her best friend's boyfriend.

    Helen of Troy and Paris. Romeo and Juliet. And now... Henry and Flora.For centuries Love and Death have chosen their players. They have set the rules, rolled the dice, and kept close, ready to influence, angling for supremacy. And Death has always won. Always.Could there ever be one time, one place, one pair whose love would truly tip the balance?Meet Flora Saudade, an African-American girl who dreams of becoming the next Amelia Earhart by day and sings in the smoky jazz clubs of Seattle by night. Meet Henry Bishop, born a few blocks and a million worlds away, a white boy with his future assured—a wealthy adoptive family in the midst of the Great Depression, a college scholarship, and all the opportunities in the world seemingly available to him.The players have been chosen. The dice have been rolled. But when human beings make moves of their own, what happens next is anyone’s guess.Achingly romantic and brilliantly imagined, The Game of Love and Death is a love story you will never forget.

    Unfortunately for Bridget, the voices are demons - the Biblical kind, not the Buffy kind - and Bridget possesses the rare ability to banish them back to whatever hell they came from. Literally.Terrified to tell her friends or family about this new power, Bridget confides in San Francisco's senior exorcist, Monsignor Renault. The monsignor enlists her help in increasingly dangerous cases of demonic possession, but just as she is starting to come to terms with her freakish new role, Bridget receives a startling message from one of the demons. And when one of her oldest friends is killed, Bridget realizes she's in deeper than she ever thought possible. Now she must unlock the secret to the demons' plan before someone else close to her winds up dead - or worse, the human vessel for a demon king.

    He's a weird-looking guy--goth, but he seems sincere about it, like maybe he was into it back before it was cool. She introduces herself after the set, asking if he lives in Cornersville, and he replies, in his slow, quiet murmur, "Well, I don't really live there, exactly. . . ."When Ali and Doug start dating, Ali is falling so hard she doesn't notice a few odd signs: he never changes clothes, his head is a funny shape, and he says practically nothing out loud. Finally Marie, the school paper's fashion editor, points out the obvious: Doug isn't just a really sincere goth. He's a zombie. Horrified that her feelings could have allowed her to overlook such a flaw, Ali breaks up with Doug, but learns that zombies are awfully hard to get rid of--at the same time she learns that vampires, a group as tightly-knit as the mafia, don't think much of music critics who make fun of vampires in reviews. . . .

    Her father was part incubus demon, and her mother's never forgiven her for that.Life after high school is tough enough without having to go 15 rounds with your inner demon. Thrown out of the house by her mother, Val puts one foot in front of the other and does the only thing that seems to make any sense - she takes aim at the town vampires. A stake a day, keeps the demon at bay. But don't call her Buffy. That makes Lola, her demon, very cranky.)Her dark side makes everyday life a roller coaster, but means she's perfect for her night job as a bounty hunter. San Antonio's vampires are out of control, and it's up to Val, her faithful hellhound Fang, and her new partner, a handsome San Antonio police detective, to get the deadly fangbangers off the city streets.Soon enough she finds herself deep in the underbelly of the city, discovering the secrets of the Demon Underground and fighting to save those she loves. Whether they love her back or not.

    Even worse, she’s got two guys hungry for her affections, and they’re not about to let the fiercely independent Dru go it alone. Will Dru discover just how special she really is before coming face-to-fang with whatever—or whoever— is hunting her?

    Throw some parties, get a tattoo (or maybe just a piercing), and enjoy the first few weeks of her junior year. Then her best friend stops talking to her, the cops crash her party, and Emma finds herself in the hands of a new guardian-her college-age knight in J.Crew armor, Bennett Stern-and on a plane to his museum-like mansion in New England.After enrolling at Thatcher Academy, Emma settles in by making friends with the popular legacy crowd. But she can't shake the strange visions that are haunting her. She has memories of Thatcher she can't explain, as if she's returning home to a place she's never been. Emma doesn't trust anyone anymore-except maybe Bennett. But he's about to reveal a ghostly secret to Emma. One that will explain the visions . . . and make Emma fear for her life.

    He has only one friend, Earl, and together they spend their time making movies, their own incomprehensible versions of Coppola and Herzog cult classics.Until Greg’s mother forces him to rekindle his childhood friendship with Rachel.Rachel has been diagnosed with leukemia—-cue extreme adolescent awkwardness—-but a parental mandate has been issued and must be obeyed. When Rachel stops treatment, Greg and Earl decide the thing to do is to make a film for her, which turns into the Worst Film Ever Made and becomes a turning point in each of their lives.And all at once Greg must abandon invisibility and stand in the spotlight.

    She’s the kind of girl who sits alone at lunch, drawing pictures of Spider-Man, so she won’t have to talk to anyone; who has a crush on Titus but won’t do anything about it; who has no one to hang out with when her best (and only real) friend Katya is busy.One day, Gretchen wishes that she could be a fly on the wall in the boys’ locker room–just to learn more about guys. What are they really like? What do they really talk about? Are they really cretins most of the time?Fly on the Wall is the story of how that wish comes true.

    She wasted the past three years going out with Bryan—cute, adorable, break-your-heart Bryan. Devi let her friendships fade, blew off studying, didn't join any clubs . . . and now that Bryan has broken up with her, she has nothing left.Not even her stupid cell phone—she dropped it in the mall fountain. Now it only calls one number . . . hers. At age fourteen, three years ago!Once Devi gets over the shock—and convinces her younger self that she isn't some wacko—she realizes that she's been given an awesome gift. She can tell herself all the right things to do . . . because she's already done all the wrong ones! Who better to take advice from than your future self?Except . . .what if getting what you think you want changes everything?Fans of Sarah Mlynowski's Magic in Manhattan series will love this hilarious new novel with a high-concept premise .

    It is warm, with a breeze, and the beaches are marvelous. It's quiet and peaceful. You can't get sick or any older. Curious to see new paintings by Picasso? Swing by one of Elsewhere's museums. Need to talk to someone about your problems? Stop by Marilyn Monroe's psychiatric practice.Elsewhere is where fifteen-year-old Liz Hall ends up, after she has died. It is a place so like Earth, yet completely different. Here Liz will age backward from the day of her death until she becomes a baby again and returns to Earth. But Liz wants to turn sixteen, not fourteen again. She wants to get her driver's license. She wants to graduate from high school and go to college. And now that she's dead, Liz is being forced to live a life she doesn't want with a grandmother she has only just met. And it is not going well. How can Liz let go of the only life she has ever known and embrace a new one? Is it possible that a life lived in reverse is no different from a life lived forward?This moving, often funny book about grief, death, and loss will stay with the reader long after the last page is turned.