Amid bloody and eerie scenes, his daughter is possessed by Tera's soul, and her fate depends upon bringing Tera's mummified body to life.

    The man is one who enjoyed family life with his wife and numerous pets, but then he changed radically for the worse. The story is often compared to "The Tell-Tale Heart" because of the profound psychological elements these two works share. "The Black Cat" is a story you will never forget.Librarian's note: this entry relates to the story "The Black Cat." Collections and other short stories by the author can be found elsewhere on Goodreads.

    Carnacki, the Ghost-Finder is a collection of supernatural detective short stories by author William Hope Hodgson.

    But he soon finds himself mysteriously detained at a highway inn in the strange and varied company of thieves, brigands, cabbalists, noblemen, coquettes and gypsies, whose stories he records over sixty-six days. The resulting manuscript is discovered some forty years later in a sealed casket, from which tales of characters transformed through disguise, magic and illusion, of honour and cowardice, of hauntings and seductions, leap forth to create a vibrant polyphony of human voices. Jan Potocki (1761-1812) used a range of literary styles - gothic, picaresque, adventure, pastoral, erotica - in his novel of stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provides entertainment on an epic scale.

    The Twilight of the Gods and Other Tales includes the title story, in which a mortal girl meets Prometheus on a mountain top; "The Demon Pope," in which a Pope makes good on a favor owed to Lucifer, "Alexander the Ratcatcher," in which Alexander the Eighth enlists the aid of a mysterious rat-killer; "The Elixir of Life," in which the sage Aboniel issues a challenge to his seven trusted disciples; "The Philosopher and the Butterflies," in which a scholar holds discourse with insects in the garden; and twenty-three other tales.

    Called Makt Myrkranna (literally, “Powers of Darkness”), this Icelandic edition included an original preface written by Stoker himself. Makt Myrkranna was published in Iceland in 1901 but remained undiscovered outside of the country until 1986, when Dracula scholarship was astonished by the discovery of Stoker’s preface to the book. However, no one looked beyond the preface and deeper into Ásmundsson’s story.In 2014, literary researcher Hans de Roos dove into the full text of Makt Myrkranna, only to discover that Ásmundsson hadn’t merely translated Dracula but had penned an entirely new version of the story, with all new characters and a totally re-worked plot. The resulting narrative is one that is shorter, punchier, more erotic, and perhaps even more suspenseful than Stoker’s Dracula. Incredibly, Makt Myrkranna has never been translated or even read outside of Iceland until now.Powers of Darkness presents the first ever translation into English of Stoker and Ásmundsson’s Makt Myrkranna. With marginal annotations by de Roos providing readers with fascinating historical, cultural, and literary context; a foreword by Dacre Stoker, Bram Stoker’s great-grandnephew and bestselling author; and an afterword by Dracula scholar John Edgar Browning, Powers of Darkness will amaze and entertain legions of fans of Gothic literature, horror, and vampire fiction.

    Some call it Selene, some Vampire City, but the vampires refer to it among themselves by the name of the Sepulchre... To destroy the dreaded vampire lord Otto Goetzi, writer Ann Radcliffe, Merry Bones the Irishman, and Grey Jack her faithful servant, launch an all-out attack on Selene... "We can easily see in Vampire City the ultimate literary ancestor of Buffy the Vampire-Slayer."-Brian Stableford. Paul F?val (1816-1887) was the author of numerous popular swashbuckling novels and one of the fathers of the modern crime thriller. Brian Stableford has published more than fifty novels and two hundred short stories. Vampire City was written in 1867-thirty years before Bram Stoker's Dracula-and is one of three classic vampire stories also available from Black Coat Press.

    He had always loved a good ghost story himself, particularly at Christmas time, and was open-minded, willing to accept, and indeed put to the test, the existence of spirits.His natural inclinations toward drama and the macabre made him a brilliant teller of ghost tales, and in the twenty stories presented here, which include his celebrated A Christmas Carol, the full range of his gothic talents can be seen.Chilling as some of these stories are, Dickens has managed to inject characteristically grotesque comedy as he writes of revenge, insanity, pre-cognition and dream visions, he indulges also in some debunking of contemporary credulity.

    A young English gentleman of means, Aubrey is immediately intrigued by Lord Ruthven, the mysterious newcomer among society’s elite. His unknown origin and curious behavior tantalizes Aubrey’s imagination. But the young man soon discovers a sinister character hidden behind his new friend’s glamorous facade.   When the two are set upon by bandits while traveling together in Europe, Ruthven is fatally injured. Before drawing his last breath, he makes the odd request that Aubrey keep his death and crimes secret for a year and a day. But when Ruthven resurfaces in London—making overtures toward Aubrey’s sister—Aubrey realizes this immortal fiend is a vampyre.   John William Polidori’s The Vampyre is both a classic tale of gothic horror and the progenitor of the modern romantic vampire myth that has been fodder for artists ranging from Anne Rice to Alan Ball to Francis Ford Coppola. Originally published in 1819, many decades before Bram Stoker’s Dracula, and misattributed to Polidori’s friend Lord Byron, The Vampyre has kept readers up at night for nearly two hundred years.

    Each begins in a quietly factual way, making all the more dramatic the crescendo of fear and puzzlement that ensues as each new circumstance is revealed. Even without his supremely logical brain child, Sherlock Holmes, Conan Doyle shows that his tales are unbeatable for thrills and excitement.Contents:Tales of terror:The horror of the heightsThe leather funnelThe new catacombThe case of Lady SannoxThe terror of Blue John GapThe Brazilian catTales of mystery:The lost specialThe beetle-hunterThe man with the watchesThe japanned boxThe black doctorThe Jew's breastplateThe nightmare room.

    More than a tale of possession, the novel probes disturbing depths of guilt, paranoia, and sexual obsession with an unsparing detachment.

    Half-seen figures who glare from dark towers and dusty windows- silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls... But worse-much worse- the governess discovers that Miles and Flora have no terror of the lurking evil. For they want the walking dead as badly as the dead want them.

    Since the days of Ann Radcliffe and Mary Shelley, women have produced many of the finest ghost stories ever written, bringing to their craft the qualities of their personal experience and their history of living on the margins. These twenty-one stories neatly spanning Queen Victoria's reign and including such classic authors as Charlotte Brontë, Elizabeth Gaskell, Margaret Oliphant and Willa Cather take us on a spooky tour of Irish mansions and Boston backstreets. All the tales have their spine-chilling twists, powerful atmospheres and individual brands of wit and humor.The popular origins of ghost stories with their alliance to the oral tradition could give women a potent way of criticizing the frustrations of their constrained lives. Themes of the supernatural and ghostly happenings were rich elements to express women's fantasies, desires and images of exile and haunting loneliness. As such, these stories offer rare glimpses of the buried feelings and values that could not otherwise find a welcome reception in the stifling moral climate of the Victorian era.

    Sold for a penny a chapter on the streets of London in 1845, Varney the Vampire is a milestone of Vampire fiction, yet ignored and overlooked for nearly 100 years, until now! The Critical Edition of Varney the Vampire; or, The Feast of Blood includes: · A critical introduction about the Penny Dreadful Press and the lore of the Mid 19th Century Vampire · Over 200 notes explaining references, historical information, and corrections to the text · A variety of 19th century essays explaining the horrors and dangers of (gasp!) reading Penny Dreadfuls · Contemporary critical essays on James Malcolm Rymer and his most famous Penny Dreadfuls: Varney the Vampire and Sweeney Todd · Four additional early Penny Dreadfuls detailing insanity, family cannibalism, torture gone wrong, and other bedtime stories · A reader's guide · Reproductions of the original woodcut illustrations

    It recounts the mercurial lot of Keawe, a Hawaiian who purchases a bottle inhabited by an imp capable of granting any wish. Yet this enticing object holds a dark curse: anyone who dies with it in his possession will burn forever in hell. And here's the rub: one can sell the bottle only for less than its purchase price. Keawe rids himself of the bottle after acquiring a palatial home. But when he needs it again to ensure his happiness with a newfound love, its cost is, chillingly, one cent, and the responsibility of ownership becomes a good deal more complex.Newly designed and typeset in a modern 5.5-by-8.5-inch format by Waking Lion Press.