Reduced to a life of exile in rural southern Ontario—accompanied only by his fantasy daughter, Miranda, who died twelve years ago—Felix devises a plan for retribution.Eventually he takes a job teaching Literacy Through Theatre to the prisoners at the nearby Burgess Correctional Institution, and is making a modest success of it when an auspicious star places his enemies within his reach. With the help of their own interpretations, digital effects, and the talents of a professional actress and choreographer, the Burgess Correctional Players prepare to video their Tempest. Not surprisingly, they view Caliban as the character with whom they have the most in common. However, Felix has another twist in mind, and his enemies are about to find themselves taking part in an interactive and illusion-ridden version of The Tempest that will change their lives forever. But how will Felix deal with his invisible Miranda’s decision to take a part in the play?

    By day, she maintains an illusion of existential control, by way of obsessive food rituals, while working as an underling at a Los Angeles talent management agency. At night, she pedals nowhere on the elliptical machine. Rachel is content to carry on subsisting—until her therapist encourages her to take a ninety-day communication detox from her mother, who raised her in the tradition of calorie counting. Early in the detox, Rachel meets Miriam, a zaftig young Orthodox Jewish woman who works at her favorite frozen yogurt shop and is intent upon feeding her. Rachel is suddenly and powerfully entranced by Miriam—by her sundaes and her body, her faith and her family—and as the two grow closer, Rachel embarks on a journey marked by mirrors, mysticism, mothers, milk, and honey. Pairing superlative emotional insight with unabashed vivid fantasy, Broder tells a tale of appetites: physical hunger, sexual desire, spiritual longing, and the ways that we as humans can compartmentalize these so often interdependent instincts. Milk Fed is a tender and riotously funny meditation on love, certitude, and the question of what we are all being fed, from one of our major writers on the psyche—both sacred and profane.

    Plump cheeks, dilated pupils, and a heightened sense of pleasure are the first signs that they have been drinking a potent new beauty tonic, Viper Wine, distilled and discreetly dispensed by the physician Lancelot Choice.Famed beauty Venetia Stanley is so extravagantly dazzling she has inspired Ben Jonson to poetry and Van Dyck to painting, provoking adoration and emulation from the masses. But now she is married and her “mid-climacteric” approaches, all that adoration has curdled to scrutiny, and she fears her powers are waning. Her devoted husband, Sir Kenelm Digby – alchemist, explorer, philosopher, courtier, and time-traveller – believes he has the means to cure wounds from a distance, but he so loves his wife that he will not make her a beauty tonic, convinced she has no need of it. From the whispering court at Whitehall, to the charlatan physicians of Eastcheap, here is a marriage in crisis, and a country on the brink of civil war. The novel takes us backstage at a glittering Inigo Jones court masque, inside a dour Puritan community, and into the Countess of Arundel's snail closet. We see a lost Rubens altarpiece and peer into Venetia’s black-wet obsidian scrying mirror. Based on real events, Viper Wine is 1632 rendered in Pop Art prose; a place to find alchemy, David Bowie, recipes for seventeenth-century beauty potions, a Borgesian unfinished library and a submarine that sails beneath the Thames.

    In fact, Panning’s last collection of short stories, Super America, was a New York Times Book Review Editor’s Choice. Enter this exciting new novel, the best work yet from a writer whose astute observations of American life are as honest as they are engaging.Butter is a coming of age tale set against the backdrop of small-town Minnesota during the 1970s and told from the perspective of an eleven-year-old girl, Iris, who learns from her parents that she is adopted. The story of Iris’s childhood is at first beguiling and innocent: hers is a world filled with bell-bottoms and Barbie dolls, Shrinky Dinks and Shaun Cassidy records, TV dinners and trips to grandma’s. But as her parents’ marriage starts to unravel, Iris grows more and more observant of disintegration all around her, and the simple cadences of her story quickly attain an unnerving tension as she wavers precariously between girlhood and adolescence. In the end, Iris’s story represents a profound meditation on growing up estranged in small town America—on being an outsider in a world increasingly averse to them. Passionate, lyrical, and disquieting, this intensely moving novel is a rich exploration of a crucial theme in American literature that will confirm Anne Panning’s place as a major figure in the world of contemporary fiction.

    Love, laughter, and occasional tears - no need to turn on the Hallmark Channel this winter. Snuggle up with this feel-good anthology instead!Warning: reading this anthology may cause cravings for cider sugar donuts, French toast, pimento cheese, cherry cola, and maple syrup ice-cream, as well as happy ever afters

    On his way to see his son, Sam, for the first time in years, Henri steps into the road without looking and collides with oncoming traffic. He is rushed to a nearby hospital where he floats, comatose, between dreams, reliving the fairytales of his childhood and the secrets that made him run away in the first place.After the accident, Sam--a thirteen-year old synesthete with an IQ of 144 and an appetite for science fiction--waits by his father's bedside every day. There he meets Eddie Tomlin, a woman forced to confront her love for Henri after all these years, and twelve-year old Madelyn Zeidler, a coma patient like Henri and the sole survivor of a traffic accident that killed her family. As these four very different individuals fight--for hope, for patience, for life--they are bound together inextricably, facing the ravages of loss and first love side by side.A revelatory, urgently human story that examines what we consider serious and painful alongside light and whimsy, The Book of Dreams is a tender meditation on memory, liminality, and empathy, asking with grace and gravitas what we will truly find meaningful in our lives once we are gone.

    And so, before each girl leaves the small house on the riverside at the foot of Mount Olympus, Theodora makes sure they know they are always welcome to return.A devoted and resilient mother, Theodora has lived through World War II, through the Nazi occupation of Greece, and through her husband’s death, and now she endures the twenty-year-long silence of her daughters’ absence. Her children have their own lives—they’ve married, traveled the world, and courted romance, fame, and even tragedy. But as they become modern, independent women in pursuit of their dreams, Theodora knows they need her—and each other—more than ever. Have they grown so far apart that they’ve forgotten their childhood house in its tiny village, or will their broken hearts finally lead them home?

    Almost six-foot, with a redhead's temper and a shattered hip, she has a long list of worries: never-ending bills, her beautiful, gullible sister, her five-year-old nephew, her housebound mother, and her drug-dealing boss.Zee may not be a princess, but Gentry is an actual knight, complete with sword, armor, and a code of honor. Two years ago the voices he hears called him to be Zee's champion. Both shy and autistic, he's barely spoken to her since, but he has kept watch, ready to come to her aid. When an abduction tears Zee's family apart, she turns to the last person she ever imagined--Gentry--and sets in motion a chain of events that will not only change both of their lives, but bind them to one another forever.A provocative love story between a tough Kansas woman on a crooked path to redemption and the unlikeliest of champions, from the New York Times bestselling author of All the Ugly and Wonderful Things.

    They speak a secret “twin” tongue of their own as toddlers; as adults making their way in 1980s Manhattan, their verbal infatuation continues, but this love, which has always bound them together, begins instead to push them apart. Daphne, copy editor and grammar columnist, devotes herself to preserving the dignity and elegance of Standard English. Laurel, who gives up teaching kindergarten to write poetry, is drawn, instead, to the polymorphous, chameleon nature of the written and spoken word. Their fraying twin-ship finally shreds completely when the sisters go to war, absurdly but passionately, over custody of their most prized family heirloom: Merriam Webster’s New International Dictionary, Second Edition.Cathleen Schine has written a playful and joyful celebration of the interplay of language and life. A dazzling comedy of sisterly and linguistic manners, a revelation of the delights and stresses of intimacy, The Grammarians is the work of one of our great comic novelists at her very best.

    The widow of a resister murdered in the failed July 20, 1944, plot to assassinate Adolf Hitler, Marianne plans to uphold the promise she made to her husband’s brave conspirators: to find and protect their wives, her fellow resistance widows.First Marianne rescues six-year-old Martin, the son of her dearest childhood friend, from a Nazi reeducation home. Together, they make their way across the smoldering wreckage of their homeland to Berlin, where Martin’s mother, the beautiful and naive Benita, has fallen into the hands of occupying Red Army soldiers. Then she locates Ania, another resister’s wife, and her two boys, now refugees languishing in one of the many camps that house the millions displaced by the war. As Marianne assembles this makeshift family from the ruins of her husband’s resistance movement, she is certain their shared pain and circumstances will hold them together. But she quickly discovers that the black-and-white, highly principled world of her privileged past has become infinitely more complicated, filled with secrets and dark passions that threaten to tear them apart. Eventually, all three women must come to terms with the choices that have defined their lives before, during, and after the war—each with their own unique share of challenges. Written with the devastating emotional power of The Nightingale, Sarah’s Key, and The Light Between Oceans, Jessica Shattuck’s evocative and utterly enthralling novel offers a fresh perspective on one of the most tumultuous periods in history. Combining piercing social insight and vivid historical atmosphere, The Women in the Castle is a dramatic yet nuanced portrait of war and its repercussions that explores what it means to survive, love, and, ultimately, to forgive in the wake of unimaginable hardship.

    Crowds pack the courtroom, eagerly following every twist, while the newspapers print lurid theories about the killings and the mysterious woman being held in the Old Bailey.The testimonies against Frannie are damning. She is a seductress, a witch, a master manipulator, a whore.But Frannie claims she cannot recall what happened that fateful evening, even if remembering could save her life. She doesn’t know how she came to be covered in the victims’ blood. But she does have a tale to tell: a story of her childhood on a Jamaican plantation, her apprenticeship under a debauched scientist who stretched all bounds of ethics, and the events that brought her into the Benhams’ London home—and into a passionate and forbidden relationship.Though her testimony may seal her conviction, the truth will unmask the perpetrators of crimes far beyond murder and indict the whole of English society itself.The Confessions of Frannie Langton is a breathtaking debut: a murder mystery that travels across the Atlantic and through the darkest channels of history. A brilliant, searing depiction of race, class, and oppression that penetrates the skin and sears the soul, it is the story of a woman of her own making in a world that would see her unmade.

    When she arrives, however, she finds that Amy's funeral has just ended. Luckily, the townspeople are happy to look after their bewildered tourist—even if they don't understand her peculiar need for books. Marooned in a farm town that's almost beyond repair, Sara starts a bookstore in honor of her friend's memory. All she wants is to share the books she loves with the citizens of Broken Wheel and to convince them that reading is one of the great joys of life. But she makes some unconventional choices that could force a lot of secrets into the open and change things for everyone in town. Reminiscent of The Guernsey Literary and Potato Peel Pie Society, this is a warm, witty book about friendship, stories, and love.

    She’s one big case away from securing her place among London’s legal elite. But when she meets her new client, Martin Joy, the natural caution that has protected Francine and fueled her rise melts away. Powerless to fight the irresistible magnetism between them, client and counsel tumble into a blistering affair that breaks every rule.Though Martin insists his marriage is over, Francine doesn’t believe him. Certain details he’s told her don’t quite add up. Consumed with a passion she cannot control and increasingly obsessed with Martin’s relationship with his wife, Donna, Francine follows the woman one night . . . and discovers her having dinner with her supposedly soon-to-be-ex-husband.The next morning, Francine awakens in her neighbor’s apartment with blood on her clothes and no recollection of what transpired after she spied Donna and Martin together. Then Francine receives more devastating news: Martin’s wife has vanished. That dinner was the last place anyone has seen Donna Joy alive.Suddenly, Francine finds herself caught in a dangerous labyrinth of deception, lies, and secrets, in which one false move could lead to her undoing. What happened that night and why can’t Francine remember? Where is Donna and who is responsible for her disappearance? The further Francine goes to find answers, the tighter the net seems to draw—around her lover, herself, and the life she’s meticulously built.

    Azurite for memories. Lapis lazuli for truth… In the quiet village of Noon Sun, Benedict Stone has settled into a complacent and predictable routine. Business at his jewelry shop has dried up; his marriage is on the rocks. His life is in desperate need of a jump start…And then a surprise arrives at his door.Gemma is Benedict's audacious teenage niece-the daughter of his estranged brother, Charlie. The two Stone brothers had a falling out and haven't spoken in almost two decades, since Charlie left for America. Reckless and stubborn, Gemma invites herself into Benedict's world and turns his orderly life upside down. But she might just be exactly what he needs to get his life back on track…Filled with colorful characters and irresistible charm, Rise and Shine, Benedict Stone is a luminous reminder of the unbreakable bonds of family, and shows that having someone to embrace life with is always better than standing on your own.

    But at home, she was a narcissistic, disinterested mother who alienated her three daughters. As soon as possible, tomboy Nell fled her mother's overbearing presence to work on a farm and find her own way in the world as a single mother. The target of her mother s criticism, Meredith never felt good enough, thin enough, pretty enough. Her life took her to London and into the arms of a man whom she may not even love. And Lizzy, the youngest, more like Ronni than any of them, seemed to have it easy, using her drive and ambition to build a culinary career to rival her mother's fame, while her marriage crumbled around her. But now the Sunshine Girls are together again, called home by Ronni, who has learned that she has a serious disease and needs her daughters to fulfill her final wishes. And though Nell, Meredith, and Lizzy are all going through crises of their own, their mother s illness draws them together to confront old jealousies and secret fears and they discover that blood might be thicker than water after all.