Within the gated grounds of the convent of The Sisters of the Holy Redemption lies one of the city’s Magdalen Laundries. Once places of refuge, the laundries have evolved into grim workhouses. Some inmates are “fallen” women—unwed mothers, prostitutes, or petty criminals. Most are ordinary girls whose only sin lies in being too pretty, too independent, or tempting the wrong man. Among them is sixteen-year-old Teagan Tiernan, sent by her family when her beauty provokes a lustful revelation from a young priest. Teagan soon befriends Nora Craven, a new arrival who thought nothing could be worse than living in a squalid tenement flat. Stripped of their freedom and dignity, the girls are given new names and denied contact with the outside world. The Mother Superior, Sister Anne, who has secrets of her own, inflicts cruel, dehumanizing punishments—but always in the name of love. Finally, Nora and Teagan find an ally in the reclusive Lea, who helps them endure—and plot an escape. But as they will discover, the outside world has dangers too, especially for young women with soiled reputations. Told with candor, compassion, and vivid historical detail, The Magdalen Girls is a masterfully written novel of life within the era’s notorious institutions—and an inspiring story of friendship, hope, and unyielding courage.

    Absorbing, resonant, emotionally satisfying and quite magical' - Stephen Volk 'Eloquent, shimmering writing unfurls a haunting story of childhood, grief and obsession' – Simon Clark'I adored every line. I can’t recommend it highly enough... Book of the Year!' - The Eloquent Page ‘The Electric is an impressive first novel. Andrew David Barker’s style is whimsical and nostalgic, and the work reads like the haziest recollections of a childhood long since gone.’- Starburst Magazine‘The Electric is more than a book – just as its namesake is more than a cinema – it’s an experience to dive into and wallow in. It’s a link to the past and a way to think about what’s really important about life. Its heart beats beautiful pulses of nostalgia and grief, but it is full of affirmation too: the joy of discovery; the value of insight; the depths of friendship, love and family ties, and the powerful cement of a shared experience.’- Geek SyndicateIn the summer of 1985, fifteen-year-old Sam Crowhurst discovers an old abandoned cinema that screens movies made by ghosts, for ghosts. Sam, along with his friends, Emma and David, find themselves drawn into a world where the likes of Humphrey Bogart, Lon Chaney and Theda Bara are still making pictures; where Harold Lloyd and John Belushi team up for roustabout comedies, and Karloff and Lugosi appear in films scripted by Edgar Allan Poe. Sam comes to learn the mysteries of the Electric cinema and his part to play in its long and strange history. With shades of Ray Bradbury, the more nostalgic work of Stephen King, and the early films of Steven Spielberg, THE ELECTRIC is about movies, ghosts, and that ephemeral moment in all of our lives, childhood.