This, of course, causes consternation among politicians, religious leaders, morticians, and doctors. Among the general public, on the other hand, there is initially mass celebration. Flags are hung out on balconies; people dance in the streets. They have achieved the great goal of humanity: eternal life. Then reality hits home—families are left to care for the permanently dying; life-insurance policies become meaningless; and funeral parlors are reduced to arranging burials for pet dogs, cats, hamsters, and parrots. Death sits in her chilly apartment, where she lives alone with scythe and filing cabinets and contemplates her experiment: What if no one ever died again? What if she, death with a small "d," became human and were to fall in love?

    On the primitive frontier of desert and mountain in the backwoods of Brazil, fifty-two hundred houses and every man, woman, and child who lived in them had been destroyed. The ten-month-long house-to-house battle, the agony of guerrilla warfare, the bitterness of "scorched earth" retreat was ended. The federal army of Brazil had defeated the religious mystic, the fanatic street preacher, the Messiah to thousands, who had led from December, 1986, to October, 1897, the strangest of all rebellions.Yet Antonio Conselheiro's personal war did not go unsung. Os Sertões—called Brazil's greatest epic—is Euclides da Cunha's searing, moving account of Conselheiro's struggle. It is a valiant cry of protest against oppression of the weak by the strong and a wise and compassionate record of a shocking totalitarian crime perpetrated against a handful of backwoodsmen in a little-known corner of the world.In this brilliant English translation by Samuel Putnam, Rebellion in the Backlands retains its force as a classic contribution to man's understanding of the human spirit and the human struggle.

    And survive she did, but not unscathed. This intimate narrative echoes the voice of the narrator's younger self, a sharp, sensitive girl keen to life's hardships.With bare language and smart humor, both delicate and unafraid, the narrator strings a strand of touching moments together to create a portrait of an unconventional childhood that crushed her, scarred her, mended her, tore her apart and ultimately made her whole.

    to learn her fate. Instead, she is surprised to be told that she is to head up a new police squad, working on solving old cold cases.Though relived to still have a job, Capestan is not overjoyed by the prospect of her new role. Even less so when she meets her new team: a crowd of misfits, troublemakers and problem cases, none of whom are fit for purpose and yet none of whom can be fired.But from this inauspicious start, investigating the cold cases throws up a number a number of strange mysteries for Capestan and her team: was the old lady murdered seven years ago really just the victim of a botched robbery? Who was behind the dead sailor discovered in the Seine with three gunshot wounds? And why does there seem to be a curious link with a ferry that was shipwrecked off the Florida coast many years previously?

    Rubem Fonseca's Rio is a city at war, a city whose vast disparities- in wealth, social standing, and prestige- are untenable. In the stories of The Taker, rich and poor live in an uneasy equilibrium, where only overwhelming force can maintain order, and violence and deception are essential tools of survival.

    In "Near-Extinct Birds of the Central Cordillera," an ornithologist being held hostage in the Colombian rain forest finds that he respects his captors for their commitment to a cause, until he realizes that the Revolution looks a lot like big business. In "The Good Ones Are Already Taken," the wife of a Special Forces officer battles a Haitian voodoo goddess with whom her husband is carrying on a not-entirely-spiritual relationship. And in "The Lion's Mouth," a disillusioned aid worker makes a Faustian bargain to become a diamond smuggler for the greater good. With masterful pacing and a robust sense of the absurd, each story in Brief Encounters with Che Guevara is a self-contained adventure, steeped in the heady mix of tragedy and danger, excitement and hope, that characterizes countries in transition.

    In the brutality of his honesty, Mr. Gutierrez reminds one of Jean Genet and Charles Bukowski.” —New York TimesDirty Havana Trilogy chronicles the misadventures of Pedro Juan, a former journalist now living hand to mouth in and around Cuba, half disgusted and half fascinated by the depths to which he has sunk. Collecting garbage, peddling marijuana or black-market produce, clearing undesirables off the streets, whoring himself, begging, sacrificing to the santos, Pedro Juan scrapes by under the shadow of hunger—all the while surviving through the escapist pursuit of sex. Pedro Juan’s unsentimental, mocking, yet sympathetic eye captures a shocking underbelly of today’s Cuba.Banned in Cuba but celebrated throughout the Spanish speaking world, Gutierrez’s picaresque novel is a fierce, loving tribute to Havana and the defiant, desperate way of life that flourishes amid its decay.

    The literary critic Roland Barthes dies—struck by a laundry van—after lunch with the presidential candidate François Mitterand. The world of letters mourns a tragic accident. But what if it wasn’t an accident at all? What if Barthes was . . . murdered?

    After decades of political uncertainty, Greece is polarised between Right- and Left-wing views when the Germans invade. Fifteen-year-old Themis comes from a family divided by these political differences. The Nazi occupation deepens the fault-lines between those she loves just as it reduces Greece to destitution. She watches friends die in the ensuing famine and is moved to commit acts of resistance.In the civil war that follows the end of the occupation, Themis joins the Communist army, where she experiences the extremes of love and hatred and the paradoxes presented by a war in which Greek fights Greek.Eventually imprisoned on the infamous islands of exile, Makronisos and then Trikeri, Themis encounters another prisoner whose life will entwine with her own in ways neither can foresee. And finds she must weigh her principles against her desire to escape and live.As she looks back on her life, Themis realises how tightly the personal and political can become entangled. While some wounds heal, others deepen.

    They all have one person in common, their beloved therapist Natasha who, though central to the lives of all of the women, is absent from their meeting. The women represent the many cultural and social groups that modern Chile is comprised of—from a housekeeper to celebrity television personality. They are of disparate ages and races and their lives have been touched by major political events from the dictatorship of Pinochet to the Israel-Palestine conflict. But despite their differences, as the women tell their stories, unlikely bonds are formed, and their lives are transformed in this intricately woven, beautifully rendered tale of the universal bonds between women from one of Latin America’s most celebrated novelists.

    Stendhal narrates a young aristocrat's adventures in Napoleon's army and in the court of Parma, illuminating in the process the whole cloth of European history. As Balzac wrote, "Never before have the hearts of princes, ministers, courtiers, and women been depicted like this...one sees perfection in every detail."With beautiful illustrations by Robert Andrew Parker.

    The poor and innocent have nothing to fear from him; often they profit from his spontaneous generosity. The rich and powerful, and the detective who tries to spoil his fun, however, must beware. They are the target of Arsene’s mischief and tomfoolery. A masterful thief, his plans frequently evolve into elaborate capers, a precursor to such cinematic creations as Ocean’s Eleven and The Sting. Sparkling with amusing banter, these stories—the best of the Lupin series—are outrageous, melodramatic, and literate.13 stories: The Arrest of Arsène Lupin Arsène Lupin in Prison The Escape of Arsène Lupin The Mysterious Railway Passenger The Queen's Necklace Sherlock Holmes Arrives Too Late Flashes of Sunlight The Wedding-ring The Red Silk Scarf Edith Swan-neck On the Top of the Tower Thérèse and Germaine At the Sign of Mercury

    It is 1975, a perfect spring in Istanbul. Kemal, scion of one of the city’s wealthiest families, is about to become engaged to Sibel, daughter of another prominent family, when he encounters Füsun, a beautiful shopgirl and a distant relation. Once the long-lost cousins violate the code of virginity, a rift begins to open between Kemal and the world of the Westernized Istanbul bourgeosie—a world, as he lovingly describes it, with opulent parties and clubs, society gossip, restaurant rituals, picnics, and mansions on the Bosphorus, infused with the melancholy of decay—until finally he breaks off his engagement to Sibel. But his resolve comes too late. For eight years Kemal will find excuses to visit another Istanbul, that of the impoverished backstreets where Füsun, her heart now hardened, lives with her parents, and where Kemal discovers the consolations of middle-class life at a dinner table in front of the television. His obsessive love will also take him to the demimonde of Istanbul film circles (where he promises to make Füsun a star), a scene of seedy bars, run-down cheap hotels, and small men with big dreams doomed to bitter failure. In his feckless pursuit, Kemal becomes a compulsive collector of objects that chronicle his lovelorn progress and his afflicted heart’s reactions: anger and impatience, remorse and humiliation, deluded hopes of recovery, and daydreams that transform Istanbul into a cityscape of signs and specters of his beloved, from whom now he can extract only meaningful glances and stolen kisses in cars, movie houses, and shadowy corners of parks. A last change to realize his dream will come to an awful end before Kemal discovers that all he finally can possess, certainly and eternally, is the museum he has created of his collection, this map of a society’s manners and mores, and of one man’s broken heart.A stirring exploration of the nature of romantic attachment and of the mysterious allure of collecting, The Museum of Innocence also plumbs the depths of an Istanbul half Western and half traditional—its emergent modernity, its vast cultural history. This is Orhan Pamuk’s greatest achievement.

    But following his father’s death he takes a group holiday to Thailand where he meets a travel agent—the shyly compelling Valérie—who begins to bring this half-dead man to life with sex of escalating intensity and audacity. Arcing with dreamlike swiftness from Paris to Pattaya Beach and from sex clubs to a terrorist massacre, Platform is a brilliant, apocalyptic masterpiece by a man who is widely regarded as one of the world’s most original and daring writers.

    Years later, he relives the episode as he examines the mistakes of his past and struggles for forgiveness. His father, who has Alzheimer’s, obsessively records every memory that comes to mind, and his grandfather, who survived Auschwitz, fills notebook after notebook with the false memories of someone desperate to forget.This powerful novel centered on guilt and the complicated legacy of history asks provocative questions about what it means to be Jewish in the twenty-first century.