To unify the divided people, Conner, a nobleman of the court, devises a cunning plan to find an impersonator of the king's long-lost son and install him as a puppet prince. Four orphans are recruited to compete for the role, including a defiant boy named Sage. Sage knows that Conner's motives are more than questionable, yet his life balances on a sword's point—he must be chosen to play the prince or he will certainly be killed. But Sage's rivals have their own agendas as well.As Sage moves from a rundown orphanage to Conner's sumptuous palace, layer upon layer of treachery and deceit unfold, until finally, a truth is revealed that, in the end, may very well prove more dangerous than all of the lies taken together.

    The book chronicles the adventures of Arthur as he draws the sword Excalibur from the anvil, proving his right to the throne, and as he courts and wins the heart of Guinevere. Later he suffers the treachery of the wicked Morgana le Fay and witnesses the tragic fate of the Enchanter Merlin. In Pyle’s classic retelling, the legends come alive in unsurpassed vividness. More powerful than any of Merlin’s spells, The Story of King Arthur and His Knights has enthralled and delighted generations of readers fascinated by chivalry, magic, and the unforgettable drama of medieval times.

    In the forbidden Dark Library, Victor finds an ancient formula, and seeks an alchemist to recreate the Elixir of Life. With friends Elizabeth and Henry, he scales highest trees in the Strumwald, dives deepest lake caves, and each sacrifices a body part.

    Their mother died several years earlier, so their grandmother and ladies-in-waiting raise the girls. Eleanor is extremely intelligent and literate, having been carefully educated by royal tutors. Spinning bores her, as does weaving, sewing, and other housewifery skills expected of her. She would rather be a knight and ride off to war. In fact, in 1136, when her father is invited to help invade Normandy,

    Her father is Henry II, the king of England and a renowned military leader. She loves them both, so what is she to do when she's forced to choose between them? As her parents' arguments grow ever more vicious, Joan begins to feel like a political pawn.When her parents marry her off to the king of Sicily, Joan finds herself stuck with a man ten years her senior. She doesn't love her husband, and she can't quite forget her childhood crush, the handsome Lord Raymond.As Joan grows up, she begins to understand that her parents' worldview is warped by their political ambitions, and hers, in turn, has been warped by theirs. Is it too late to figure out whom to trust? And, more importantly, whom to love?The Queen's Daughter is a 2011 Bank Street - Best Children's Book of the Year.

    This novel unfolds from the point of view of a 15-year-old girl, a student of John Scopes.

    Cora and Minnie are sisters living in a small, stifling town where strange and mysterious things occur. Their mother runs the local boarding house. Their father is gone. The woman up the hill may or may not be a witch. Thomas and Charles are brothers who’ve been exiled to the boarding house so Thomas can tame his ways and Charles can fight an illness that is killing him with increasing speed. Their family history is one of sorrow and guilt. They think they can escape from it . . . but they can’t.

    Conor spends his days studying the science of flight with his tutor and exploring the castle with the king’s daughter, Princess Isabella. But the boy’s idyllic life changes forever the day he discovers a deadly conspiracy against the king. When Conor tries to intervene, he is branded a traitor and thrown into jail on the prison island of Little Saltee. There, he has to fight for his life, as he and the other prisoners are forced to mine for diamonds in inhumane conditions.There is only one way to escape Little Saltee, and that is to fly. So Conor passes the solitary months by scratching drawings of flying machines on the prison walls. The months turn into years; but eventually the day comes when Conor must find the courage to trust his revolutionary designs and take to the air.

    Instead, it sets off a chain reaction that results in the smashing of the press and the murder of his master. Caught on the wrong side of the law, Theo must flee the city. Soon, he has teamed up with the traveling showman Count Las Bombas (who is actually a con artist) and his servant. The trio is soon joined by Mickle, a clever, strong-willed girl with a mysterious past. Performing feats that astound and amaze, the motley crew falls into a trap set by Chief Minister Cabbarus, who is determined to wrest power from the grief-stricken king. Now they must not only save themselves-they must save the kingdom...

    A fair maiden. A just cause. Will has a horse—a small chestnut stallion with a white blaze in his brow. Ellie is a fair maiden, but she’s supposed to marry Will’s older brother, Gavin. And as for the cause, King Richard is calling for a Crusade. The Knights of England must go to the Holy Land to fight. Will and Gavin will go. Blood will be shed. Lives will be taken. But through it all, two things will be constant—Ellie, and a blood-red horse called Hosanna...

    Ashamed of her beginnings, but unwilling to accept the path currently available to her, Essie is trapped between the life she has and the life she wants.Until she meets a lady named Dorcas Vashon, the richest and most cultured black woman she's ever encountered. When Dorcas makes Essie an offer she can't refuse, she becomes Victoria. Transformed by a fine wardrobe, a classic education, and the rules of etiquette, Victoria is soon welcomed in the upper echelons of black society in Washington, D. C. But when the life she desires is finally within her grasp, Victoria must decide how much of herself she is truly willing to surrender.

    Here, fourteen-year-old Janie meets a mysterious apothecary and his son, Benjamin Burrows—a fascinating boy who’s not afraid to stand up to authority and dreams of becoming a spy. When Benjamin’s father is kidnapped, Janie and Benjamin must uncover the secrets of the apothecary’s sacred book, the Pharmacopoeia, in order to find him, all while keeping it out of the hands of their enemies—Russian spies in possession of nuclear weapons. Discovering and testing potions they never believed could exist, Janie and Benjamin embark on a dangerous race to save the apothecary and prevent impending disaster.

    Eight years of shuffling from foster home to foster home. Eight years of trying to hold on to the memories that tether her to her mother. Now Sarah, Hope’s newest foster mom, has taken her from Minneapolis to spend the summer on the Nebraska farm where Sarah grew up. Hope is set adrift, anchored only by her ever-present and memory-heavy backpack. Accustomed to the clamor of city life, Hope is at first unsettled by the silence that descends over the farm each night. But listening deeply, she begins to hear the quiet: the crickets’ chirp, the windsong, the steady in and out of her own breath. Soon the silence is replaced by voices, like echoes sounding across time — the voices of girls who inhabited the old farmhouse before her. Reluctantly, Hope begins to stretch down roots in the earth and accept this new family as her own.

    Onge and her older sister Catherine are orphans. When King Louis XVI orders all men in New France to marry, Catherine becomes a fille du roi, one of the many young women sent to the new world as brides. Hélène will accompany her on the long sea voyage and live with her sister’s new family. But Catherine dies during the gruelling journey, and Hélène finds herself alone in strange new country. New France is a far harsher place than she imagined, with bitter winters and the threat of attack from the Iroquois. Will the new friendships she has made on her long voyage enable her to survive?

    But after her grandmother passes away and it falls to her less-than-reliable father to take her instead, Meg’s long-anticipated travel plans seem permanently on hold. When her dad finally tells Meg to book the trip, she prays that the experience will heal the fissures left on her life by her parents’ divorce. But when Meg arrives in Florence, her father is nowhere to be found, leaving aspiring memoir-writer Sophia Borelli to introduce Meg to the rich beauty of the ancient city. Sofia claims to be one of the last surviving members of the Medici family and that a long-ago Medici princess, Nora Orsini, communicates with her from within the great masterpieces of the Italian Renaissance. When Sophia, Meg, and Nora’s stories intersect, their lives will be indelibly changed as they each answer the question: What if renaissance isn’t just a word? What if that’s what happens when you dare to believe that what is isn’t what has to be?