Raging storms and adversities hit the small band of travelers, and it all seems unrelenting.Relieved to finally arrive at the abandoned military post at Fort Worth, Texas, they begin the hard work of establishing a new home, including the difficult task of building schools and churches while attempting to civilize the community with manners.When trials follow them, they must decide to become true warriors of their hearts, minds, and souls—or fall to the sufferings of prairie life.Join the four women on a passage of friendship, love, and self-discovery as lives are mended around the quilting frame.

    Her new novel will do that again. "Acting Out" is the probing, poignant, and ultimately uplifting story of a woman caught between the life she thought she was supposed to lead and the dreams she gave up long ago.Ina West grew up independent and solitary, raised by an artistic, unavailable mother and a reliable, loving father. As a twenty-something photographer, Ina landed in Manhattan's bohemian art scene after college, at the same time that she started dating the devoted, hardworking Jay Robinson. When her mother's mental state began to deteriorate, her closest cousin became dangerously ill, and her free artist's lifestyle put her in some vulnerable situations, Ina found comfort in Jay's trajectory into the safe, privileged world of the African-American upper middle class. Forsaking her independence and creativity for the joys of family life and material wealth, she married Jay, had three children, and moved to the suburbs; gradually, Ina gave herself completely to motherhood and the upkeep of their increasingly luxurious lifestyle. And they had it all: the SUV, the lavish home, the expensive but casual wardrobe.Then one day, after twelve years, Jay comes home from work and announces that he's leaving. Amid her shock, grief, and fear, a single clear truth emerges: though still physically present, Ina herself had checked out of the marriage long ago.As she struggles with single motherhood, reduced financial stability, and the emotional roller coaster of her breakup, Ina undertakes ajourney of self-discovery with no sure destination. She moves to a smaller house, rekindles an old love, and takes up photography again. The old adventuresome, independent Ina begins to resurface, tempered by a self-knowledge borne of experience: she has learned how to look unflinchingly into her past and to determine what she wants for her future.Little delves into some of the most private and difficult questions people face. This moving, ambitious, and accomplished novel explores the fallout -- and the healing -- that can occur when the African-American dream crumbles, and when a woman is torn between divergent lifestyle choices. Ina's story of loss and courageous self-revelation will resonate for any woman who has struggled with finding her path in life.

    Drawing upon a survey of thousands of couples and singles, interviews with relationship and marriage therapists, the latest research in the field, and wisdom from the Bible, Hamilton looks at what it takes to create and sustain healthy, meaningful romantic relationships across the course of a lifetime. Contents include: More Than a Piece of Paper; What She Wants; What He Wants; The Significance of Sexual Intimacy; Habits That Hurt, Habits That Heal; Clothe, Bear With, and Forgive; A Love That Lasts a Lifetime

    . . . An underground classic. . . . A bicycling book that follows a different course—one with characters you can relate to, whose actions raise questions about life on and off the bicycle. . . . The heart of The Yellow Jersey is the Tour de France itself, which serves as a metaphor for life.—Bicycling Magazine"This is sports fiction at its very best. Mr. Hurne has a cool, downbeat style descended from Lardner and Hemingway, and a fine hand with the hairpins turns of suspense."—The New York Times Book Review"Full of wit, charm, excitement, and intelligence."—Publishers WeeklyAn excerpt from the novel:It's a funny sort of stage. Everyone seems to be waiting for Romain to attack. Van Faignaert, as I expected, is taking things easy and trying to keep the bunch together. Butch Cassidy's not a bad climber and on the Col de Foreyssasse he has a go, but the Belgian team swoops and soon has him under control. I can see on the faces of the spectators that they are disappointed. They've turned out in their thousands expecting this to be It; I feel like shouting to them to go home and come back tomorrow. We get strung out a bit coming down the Foreyssasse but regroup at the bottom. The ominous threat of Romain taking off, coupled with the strong control of the race by the Belgian team, who're doing their damnedest to keep everyone in one lump, has really put the mockers on things.I'm just beginning to think that the worst of the stage has passed when the rider directly in front of me punctures, loses control and goes sliding along the loose surface on his side. It's on a sharp descent and the bunch is moving. Although it all happens in a split second, I'm unable to go either to the left or right of the fallen man and I jam on my brakes. With both wheels locked solid I pile into him at about thirty miles per hour. Normally I would have been flung over the handlebars, but my toe straps are sufficiently tight for me to do several cartwheels with the bike still attached to me. For a second everything seems upside down; then pain. I lie there feeling as if I'll never move again. From the front of the group I see v

    She understands and exploits the unique strengths of her medium: the ability to viscerally connect with an audience.” –The EconomistExperimental Korean American theatre artist Young Jean Lee has been called “one of the best experimental playwrights in America” (Time Out New York). This volume contains two of her recent works:In The Shipment, Lee provides a provocative look at African-American identity in our not-yet post-racial society. The New York Times calls this take on cultural images of black America “a subversive, seriously funny new theater piece… Ms. Lee wields sharp, offbeat humor to point up the clichés, distortions and absurdities” (Charles Isherwood, New York Times).LEAR is Lee’s own version of Shakespeare’s tragedy, focusing on the king’s three daughters. A production in which Lear himself never appears, LEAR is a “wacky blend of ‘To be or not to be,’ Beckett, and Pirandello…full of exhilarating, illuminating moments” (Village Voice).Young Jean Lee has written and directed shows in New York with Young Jean Lee’s Theater Company and toured her work to over twenty cities around the world. Her plays include Straight White Men, We’re Gonna Die, Untitled Feminist Show, The Shipment, Lear and Songs of the Dragons Flying to Heaven. Awards include two Obies, the Festival Prize of the Zuercher Theater Spektakel, a Prize in Literature from the American Academy of Arts and Letters, a Guggenheim Fellowship and a Doris Duke Artist Award.

    Her light was abruptly extinguished at the age of forty-seven, when she died at the pinnacle of her personal happiness and professional acclaim. Fifty years later, Robin Clifford Wood stepped onto the sagging floorboards of Rachel’s long-neglected home on the rugged shores of an island in Maine and began dredging up Rachel’s history. She was determined to answer the questions that filled the house’s every crevice: Who was this vibrant, talented artist whose very name entrances those who still remember her work? Why is that work—so richly remunerated and widely celebrated in her lifetime—so largely forgotten today? The journey into Rachel’s world took Wood further than she ever dreamed possible, unveiling a life fraught with challenge, and buried by tragedy, and yet incandescent with joy.The Field House is a book about beauty—beauty in Maine island landscapes, in friendship, love, and heartbreak; beauty hidden beneath a woman’s woefully unbeautiful exterior; beauty in a rare, delightful spirit that still whispers from the past. Just listen.

    Like a diamond in the rough, all of the kids who killed were tough and protected on the outside while hiding a glimmer of promise inside. For many of these children, the Thomases were their last hope. With the guidance of this courageous family, their stories of survival and victory break the unwritten code of silence about children without a conscience. Through therapeutic intervention comes the spellbinding metamorphosis of nine children. Although it stems from the deepest of human suffering, each shining triumph will leave you uplifted and celebrating life.

    Included are: "Shadow of a Man," winner of the 1990 Fund for New American Plays Award; "Heroes and Saints," winner of the Dramalogue, the PEN West, and the Critics Circle awards, as well as the Will Glickman Prize for Best Play of 1992; and "Giving Up the Ghost," first published by West End Press in 1986, and now presented here in its revised stage version.

    This follow-up to Sher's 1985 classic Year of the King is a terrific read, rich in humor and excitement, that also stands as a celebration of the craft of character acting.

    Applying her well-known writing style to the everyday struggles and triumphs of Christian life, the author connects scenes from Biblical text directly to the reader’s own walk with God. The result is a touching mix that both uplifts and admonishes the soul. “It is my intention and hope that Christians will find encouragement and fellowship in SPIRIT. The most important thing to remember is you're not walking alone. Everyone has felt the same highs and lows in their Christian walk. Just hang on tight and keep going.” - Lisa Mathisen, Author

    

    To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book contains chapters focused on Novels by Charlaine Harris, and The Southern Vampire Mysteries.

    Most of his friends are dead or disappeared. Corrupt CIA Director Marcus Cain is poised to ascend to the highest levels of power, and the shadowy group known as the Circle is causing chaos across the globe.

    She meets the women of Lockerbie, who are fighting the U.S. government to obtain the clothing of the victims found in the plane s wreckage. The women, determined to convert an act of hatred into an act of love, want to wash the clothes of the dead and return them to the victim s families. THE WOMEN OF LOCKERBIE is loosely inspired by a true story, although the characters and situations in the play are purely fictional. Written in the structure of a Greek tragedy, it is a poetic drama about the triumph of love over hate. Winner of the silver medal in the Onassis International Playwriting Competition and the Kennedy Center Fund for New American Plays award.

    It happened so quickly that the matter is now one of life and death; he has twenty-four weeks to live. Martin needs a relative for a donor, but his parents died in a car crash and he has no siblings or other close relatives. A mixed-raced man he casually met at Nandos, who later became a friend, volunteers to go for the test and is found to be a match. Though it is possible that someone from the general public can be a match, Leroy feels there is more to his relationship with Martin than just friendship. He begins his journey to unveil the power of DNA testing in light of today's medical science, tracing back to two hundred years ago and the slave trade. The result is shocking the whole world, showing that the stranger who crosses your path can possibly be related to you!This story is based on partly true events.