But when his mother dies, Rob is suddenly presented with an unwanted yet intriguing problem to solve - minutes before her death, he discovers that she was hoping to deliver a package to an enigmatic character called Mr Satoshi, but the name and the contents of the parcel are shrouded in mystery. So begins a quest that takes Rob out of his isolation and plunges him, anxious and unprepared, into the urban maelstrom of Tokyo. With the help of a colourful group of new acquaintances - an octogenarian amateur detective; a beautiful 'love hotel' receptionist; an ex-sumo wrestler obsessed with Dolly Parton - Rob edges closer to uncovering the mystery surrounding Mr Satoshi, and in the process comes face to face with some demons of his own. Combining several interlocking mysteries - both past and present - Who is Mr Satoshi? is a uniquely inventive and unforgettable story of a fragile soul coming to terms with the fact that no one, in the end, is quite who they seem to be.

    Why? Because the willingness to be offensive sets free the ruthless observer in all of us, the spiteful perceptive angel who sees and tells, unimpeded by nicety or second thoughts. There is truth-telling, and more, in meanness. —from "Negative Capability: How to Talk Mean and Influence People"Tony Hoagland has won The Poetry Foundation's Mark Twain Award, recognizing a poet's contribution to humor in American poetry, and also the Folger Shakespeare Library's O. B. Hardison Jr. Poetry Prize, the only major award that honors a poet's excellence in teaching. Real Sofistikashun, from the title onward, uses Hoagland's signature abilities to entertain and instruct as he forages through central questions about how poems behave and how they are made.In these taut, illuminating essays, Hoagland explores aspects of poetic craft—metaphor, tone, rhetorical and compositional strategies—with the vigorous, conversational style less of the scholar than of the serious enthusiast and practitioner. Real Sofistikashun is an exciting, humorous, and provocative collection of essays, as pleasurable a book as it is useful.

    The Dublin-born Oxford man had made such a spectacle of himself in London with his eccentric fashion sense, acerbic wit, and extravagant passion for art and home design that Gilbert Sullivan wrote an operetta lampooning him. He was hired to go to America to promote that work by presenting lectures on interior decorating. But Wilde had his own business plan. He would go to promote himself.And he did, traveling some 15,000 miles and visiting 150 American cities as he created a template for fame creation that still works today. Though Wilde was only the author of a self-published book of poems and an unproduced play, he presented himself as a “star,” taking the stage in satin breeches and a velvet coat with lace trim as he sang the praises of sconces and embroidered pillows—and himself. What Wilde so presciently understood is that fame could launch a career as well as cap one.David M. Friedman’s lively and often hilarious narrative whisks us across nineteenth-century America, from the mansions of Gilded Age Manhattan to roller-skating rinks in Indiana, from an opium den in San Francisco to the bottom of the Matchless silver mine in Colorado—then the richest on earth—where Wilde dined with twelve gobsmacked miners, later describing their feast to his friends in London as “First course: whiskey. Second course: whiskey. Third course: whiskey.”But, as Friedman shows, Wilde was no mere clown; he was a strategist. From his antics in London to his manipulation of the media—Wilde gave 100 interviews in America, more than anyone else in the world in 1882—he designed every move to increase his renown. There had been famous people before him, but Wilde was the first to become famous for being famous. Wilde in America is an enchanting tale of travel and transformation, comedy and capitalism—an unforgettable story that teaches us about our present as well as our past.

    Beginning in the Great Depression and through to the 1970s, he argues, the United States built a uniquely equitable period that contrasts with the deeper historical patterns of American political practice, economic structure, and cultural outlook.During those exceptional decades, which Cowie situates in the long arc of American history, the government used its considerable resources on behalf of working Americans in ways that it had not before and has not since. The crises of the Depression and World War II forced realignments of American politics and class relations, but these changes were less a permanent triumph of the welfare state than the product of a temporary cessation of enduring tensions involving race, immigration, culture, class, and individualism. Against this backdrop, Cowie shows how any renewed American battle for collective economic rights needs to build on an understanding of how the New Deal was won--and how it ultimately succumbed to contrasting patterns ingrained in U.S. history. As positive as the era of Roosevelt was in creating a more equitable society, Cowie suggests that the New Deal may necessarily belong more to the past than the future of American politics.Anyone who wants to come to terms with the politics of inequality in U.S. history will need to read "The Great Exception."

    Its charm lies not in its plot, but rather in its wise and humane look at man's constant search for happiness. The text is based on the second edition as Samuel Johnson revised it.

    Hutcheon identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode of coming to terms with the texts and discourses of the past. Looking at works as diverse as Tom Stoppard's Rosenkrantz and Guildenstern Are Dead, Brian de Palma's Dressed to Kill, Woody Allen's Zelig, Karlheinz Stockhausen's Hymnen, James Joyce's Ulysses, and Magritte's This Is Not a Pipe, Hutcheon discusses the remarkable range of intent in modern parody while distinguishing it from pastiche, burlesque, travesty, and satire. She shows how parody, through ironic playing with multiple conventions, combines creative expression with critical commentary. Its productive-creative approach to tradition results in a modern recoding that establishes difference at the heart of similarity. In a new introduction, Hutcheon discusses why parody continues to fascinate her and why it is commonly viewed as suspect-–for being either too ideologically shifty or too much of a threat to the ownership of intellectual and creative property.

    Thirty years in the writing and drawn from a voluminous fund of letters and diaries, this exemplary biography conveys both the imaginative fancy and human complexity of the creator of Alice in Wonderland. Photos.

    But it is also about war and family, and how an unexpected background can give you the insight and the courage to say the unexpected thing.

    That was before Miss Penny met Miss Plum. Victoria Plum was weeping on a park bench and obviously bent on drowning herself in the duck pond...

    1752, Midsummer. Following a desperate summons from her mother, Tabitha Hart departs London for her home village of Netherlea - only to discover that her mother has drowned. Determined to discover the truth about the Widow Hart's death, Tabitha consults her almanack and uncovers a series of cryptic notes describing her mother's terror of someone she names only as 'D'. Teaming up with young writer Nat Starling, Tabitha begins a race against time to unmask 'D' before more deaths follow. But as the summer draws to a close and the snow sets in, cutting off Netherlea from the outside world, Tabitha and Nat are forced to face the darkest hours of their lives. With the year predicted to meet a 'violent, bloody end'' will Tabitha survive long enough to bring her mother's killer to justice?

    A fast-moving story of the great Viking army. Leif Ormson is a Skald, a story-teller, renowned for his witty tales. His brother, Sigurd is a black-smith, making knives, scythes and horse-shoes. And magnificent weapons of war. But one day, Ivar the Boneless, son of Ragnar Lothbrok, commands the brothers to make him a great sword. And he demands that they accompany his army to England. Leif and Sigurd are thrown into a maelstrom of war and violence. The great Viking army blazes across England, murdering, plundering, killing kings and setting up puppet-rulers in their place. Until now the Vikings had come only to raid and plunder. Now they have come to conquer. Leif and Sigurd face an agonising choice. Do they seek to return to their familiar lives? Or do they stay in England and embrace this uncertain new world of war, wealth and glory? From the author of Land of Blood and Water, The Lost King series and A Love Most Dangerous.,

    A selection of confused teenagers. A play doomed for disaster. A distinctly below average teacher. Being a successful teacher is difficult, especially when you are not overly keen on doing any actual work.Still, the narrator of Thrift is undeterred as he lies and cheats his way through the Christmas term, hoping that he can save his career, and perhaps even earn himself a thoroughly undeserved promotion.

    His quiet, thoughtful exterior hides a complex mind, and a fierce determination to see justice done. Like many of us, sometimes he has to look his demons in the eye, to keep fighting the good fight.This digital box set contains the fifth, sixth, and seventh mysteries in this best-selling series:The Case of the Missing Letter: The priceless Satterthwaite Desk has found its way to the island of Jersey and is on display at the local museum. When a dead body turns up on the museum’s grounds, a turbulent family drama becomes an official police inquiry. Detective Inspector Graham, along with his recently lauded investigative team, must untangle the mystery. But the trail of scandal and deceit soon spills out of the museum, and leads into the darkest corners of the island and beyond.The Case of the Pretty Lady: When a devastating hurricane surges toward the quiet island of Jersey, Detective Inspector Graham quickly finds his life turned upside down. In the wake of the storm, the body of a missing scientist washes ashore. A crime this diabolical takes teamwork to solve, and the Inspector enlists the aid of his three loyal and beloved officers. But are four heads really better than one?The Case of the Forsaken Child: Plagued by devastating memories, Detective Inspector David Graham can’t seem to escape the shadow of anger and guilt clouding his heart. When an undercover cop confides in Graham that her cover is blown, he uncharacteristically underreacts. Soon afterward, when she is killed in a hit-and-run, Graham's feelings of guilt bubble to the surface. If only he had done more…Grab a hot cup of tea and dive into this boxed set quintessentially British mystery series today.

    These new adventures are the only ones to be specially authorised by Dame Jean Conan Doyle, celebrating the centennial of Holmes' first appearance in print.Greeted with unanimous acclaim, the traditionally crafted stories feature dazzling encounters with Holmes rising to new challenges and revealing new feats of brilliant, deductive logic ... culminating in a mental duel of frightening intensity with the master criminal Moriarty. And Watson - God bless him - has his share of the spotlight too.

    They were often drunk and broke, sometimes hungry, but they were of a rebellious spirit. Inhabiting the same England with Philistines and Puritans, this parallel minority of moral pioneers lived in a world of faulty fireplaces, bounced checks, blocked drains, whooping cough, and incontinent cats.They were the bohemians.Virginia Nicholson -- the granddaughter of painter Vanessa Bell and the great-niece of Virginia Woolf -- explores the subversive, eccentric, and flamboyant artistic community of the early twentieth century in this "wonderfully researched and colorful composite portrait of an enigmatic world whose members, because they lived by no rules, are difficult to characterize" (San Francisco Chronicle).