When his captors discover that he speaks several languages, he is put to work as a Tätowierer (the German word for tattooist), tasked with permanently marking his fellow prisoners.Imprisoned for more than two and a half years, Lale witnesses horrific atrocities and barbarism—but also incredible acts of bravery and compassion. Risking his own life, he uses his privileged position to exchange jewels and money from murdered Jews for food to keep his fellow prisoners alive.One day in July 1942, Lale, prisoner 32407, comforts a trembling young woman waiting in line to have the number 34902 tattooed onto her arm. Her name is Gita, and in that first encounter, Lale vows to somehow survive the camp and marry her.A vivid, harrowing, and ultimately hopeful re-creation of Lale Sokolov's experiences as the man who tattooed the arms of thousands of prisoners with what would become one of the most potent symbols of the Holocaust, The Tattooist of Auschwitz is also a testament to the endurance of love and humanity under the darkest possible conditions.

    "Each family," writes the author, "stood confident of being able to go on with what was theirs, while in fact they were playthings, often victims, of the now united Germany and what was brewing therein." Did the monstrous thing that followed have its foundation in families such as these? "Writing about them made me think so. Hence the title."

    Hannah listens to the extraordinary witness of women who were present under the German Occupation; in her desire to understand their lives and through them her own, she finds a city bursting with clues and connections. Out in the migrant suburbs, Tariq is searching for a mother he barely knew. For him, in his innocence, each boulevard, Métro station and street corner is a source of surprise.In this urgent and deeply moving novel, Faulks deals with questions of empire, grievance, and identity. With great originality and a dark humour, Paris Echo asks how much we really need to know if we are to live a valuable life.

    At the war’s end, Frankfurt was a smoldering ruin, severely damaged by the Allied bombings. But that was two decades ago. Now it is 1963, and the city’s streets, once cratered are smooth and paved. Shiny new stores replace scorched rubble. Eager for her wealthy suitor, Jürgen Schoormann, to propose, Eva dreams of starting a new life away from her parents and sister. But Eva’s plans are turned upside down when a fiery investigator, David Miller, hires her as a translator for a war crimes trial.As she becomes more deeply involved in the Frankfurt Trials, Eva begins to question her family’s silence on the war and her future. Why do her parents refuse to talk about what happened? What are they hiding? Does she really love Jürgen and will she be happy as a housewife? Though it means going against the wishes of her family and her lover, Eva, propelled by her own conscience , joins a team of fiery prosecutors determined to bring the Nazis to justice—a decision that will help change the present and the past of her nation.

    It is the second Paul Muller novel set in Europe before World War II. Muller is recruited to become a spy to resist Hitler's campaign to absorb Austria into the German Reich and, from his perch in Vienna, finds himself at the epicenter of the desperate struggle to preserve Austrian independence. Muller plays a dangerous game in helping Austria oppose Hitler's demands and he hatches a bold plan to divert Austria's gold reserves so they stay out of Hitler's grasp. The novel captures this gripping drama in rich and vivid detail as political pressures mount and the threat of war looms. A Spy in Vienna re-creates for readers the fraught atmosphere of 1930's, when the threat of Nazi violence hung over Europe. Aficionados of that epoch will relish the authenticity of the novel, which reawakens the tensions and turbulence of the era, with its undercurrent of violence and fear. The narrative recaptures the urgency of the crisis as repeated confrontations escalated to an explosive conclusion. Today, sitting at the safe remove of eighty years, we know the outcome. Hitler's bald aggression prevailed; his takeover of Austria became a crucial stepping stone leading to World War II. But the characters in the novel know none of this; for them, the events they are caught up in are frightening and bewildering, confronting them with dire choices and fearful consequences. The novel transports the reader into that contemporary maelstrom of intrigue and danger—combining real history with a compelling story. Admirers of Paul Muller in Danzig will revel in his new adventures in Vienna, as once again he confronts Nazi tyranny.

    We first meet ex-policeman Bernie Gunther in 1936, in March Violets (a term of derision which original Nazis used to describe late converts.) The Olympic Games are about to start; some of Bernie's Jewish friends are beginning to realize that they should have left while they could; and Gunther himself has been hired to look into two murders that reach high into the Nazi Party. In The Pale Criminal, it's 1938, and Gunther has been blackmailed into rejoining the police by Heydrich himself. And in A German Requiem, the saddest and most disturbing of the three books, it's 1947 as Gunther stumbles across a nightmare landscape that conceals even more death than he imagines. (For a review of Kerr's latest novel, The Grid, see our Thrillers section.)

    Born in Berlin in 1920 and raised by the same parents, one boy is Jewish, his adopted brother is Aryan. At first, their origins are irrelevant. But as the political landscape changes they are forced to make decisions with horrifying consequences.

    He was arrested, interrogated and imprisoned by the communists, and watched illiterate Taliban soldiers burn piles of his books in the street. He even resorted to hiding most of his stock—almost ten thousand books—in attics all over Kabul.But while Khan is passionate in his love of books and his hatred of censorship, he also has strict views on family life and the role of women. As an outsider, Åsne Seierstad found herself in a unique position, able to move freely between the private, restricted sphere of the women—including Khan’s two wives—and the freer, more public lives of the men.It is an experience that Seierstad finds both fascinating and frustrating. As she steps back from the page and allows the Khans to speak for themselves, we learn of proposals and marriages, hope and fear, crime and punishment. The result is a genuinely gripping and moving portrait of a family, and a clear-eyed assessment of a country struggling to free itself from history.' to 'This mesmerizing portrait of a proud man who, through three decades and successive repressive regimes, heroically braved persecution to bring books to the people of Kabul has elicited extraordinary praise throughout the world and become a phenomenal international bestseller. The Bookseller of Kabul is startling in its intimacy and its details—a revelation of the plight of Afghan women and a window into the surprising realities of daily life in today’s Afghanistan.'

    In it, Marguerite Yourcenar reimagines the Emperor Hadrian's arduous boyhood, his triumphs and reversals, and finally, as emperor, his gradual reordering of a war-torn world, writing with the imaginative insight of a great writer of the twentieth century while crafting a prose style as elegant and precise as those of the Latin stylists of Hadrian's own era.

    Defiantly independent Claire Lacombe tests her theory: if men can make things happen, perhaps women can too. . . . Manon Philipon finds she has a talent for politics--albeit as the ghostwriter of her husband's speeches. . . . And Pauline Léon knows one thing for certain: the women must apply the pressure or their male colleagues will let them starve. While illuminating the lives of Robespierre, Danton, and Condorcet, Piercy also opens to us the minds and hearts of women who change their world, live their ideals--and are prepared to die for them.

    There, she unexpectedly meets up with an old acquaintance, famous model-turned-photographer Lee Miller. Neither has emerged from the war unscathed. Nora is racked with the fear that her efforts to survive under the Vichy regime may have cost her daughter’s life. Lee suffers from what she witnessed as a war correspondent photographing the liberation of the Nazi concentration camps.Nora and Lee knew each other in the heady days of late 1920s Paris, when Nora was giddy with love for her childhood sweetheart, Lee became the celebrated mistress of the artist Man Ray, and Lee’s magnetic beauty drew them all into the glamorous lives of famous artists and their wealthy patrons. But Lee fails to realize that her friendship with Nora is even older, that it goes back to their days as children in Poughkeepsie, New York, when a devastating trauma marked Lee forever. Will Nora’s reunion with Lee give them a chance to forgive past betrayals…and break years of silence to forge a meaningful connection as women who have shared the best and the worst that life can offer?A novel of freedom and frailty, desire and daring, The Beautiful American portrays the extraordinary relationship between two passionate, unconventional women.

    Boyle's riotous first novel, now in a new edition for its 25th anniversary Twenty five years ago, T.C. Boyle published his first novel, Water Music, a funny, bawdy, extremely entertaining novel of imaginative and stylistic fancy that announced to the world Boyle's tremendous gifts as a storyteller. Set in the late eighteenth century, Water Music follows the wild adventures of Ned Rise, thief and whoremaster, and Mungo Park, a Scottish explorer, through London's seamy gutters and Scotland's scenic highlands to their grand meeting in the heart of darkest Africa. There they join forces and wend their hilarious way to the source of the Niger.

    Paris 1943: Lana Antanova is on her way to see her husband with the thrilling news that she is pregnant. But when she arrives at the convent where he teaches music, she’s horrified to see Gestapo officers execute him for hiding a Jewish girl in the piano. A few months later, grieving both her husband and her lost pregnancy, Lana is shocked when she’s approached to join the resistance on the French Riviera. As the daughter of a Russian countess, Lana has the perfect background to infiltrate the émigré community of Russian aristocrats who socialize with German officers, including the man who killed her husband. Lana’s cover story makes her the mistress of Guy Pascal, a wealthy Swiss industrialist and fellow resistance member, in whose villa in Cap Ferrat she lives. Together, they gather information on upcoming raids and help members of the Jewish community escape. Consumed by her work, she doesn’t expect to become attached to a young Jewish girl or wonder about the secrets held by the man whose house she shares. And as the Nazis’ deadly efforts intensify, her intention to protect those around her may put them all at risk instead. With Anita Abriel’s “heartfelt and memorable” (Pam Jenoff, New York Times bestselling author) storytelling, Lana’s War is a sweeping and suspenseful tale of survival and second chances during some of the darkest days of history.

    Recounts how the author, an Austrian, escaped from an English internment camp in India in 1943 and spent the next seven years in Tibet, observing its social practices, religion, politics, and people.

    Three brothers and a sister comprise the Tanner family—Simon, Kaspar, Klaus, and Hedwig: their wanderings, meetings, separations, quarrels, romances, employment and lack of employment over the course of a year or two are the threads from which Walser weaves his airy, strange and brightly gorgeous fabric. “Walser’s lightness is lighter than light,” as Tom Whalen said in Bookforum: “buoyant up to and beyond belief, terrifyingly light.”Robert Walser—admired greatly by Kafka, Musil, and Walter Benjamin—is a radiantly original author. He has been acclaimed “unforgettable, heart-rending” (J.M. Coetzee), “a bewitched genius” (Newsweek), and “a major, truly wonderful, heart-breaking writer” (Susan Sontag). Considering Walser’s “perfect and serene oddity,” Michael Hofmann in The London Review of Books remarked on the “Buster Keaton-like indomitably sad cheerfulness [that is] most hilariously disturbing.” The Los Angeles Times called him “the dreamy confectionary snowflake of German language fiction. He also might be the single most underrated writer of the 20th century....The gait of his language is quieter than a kitten’s.”“A clairvoyant of the small” W. G. Sebald calls Robert Walser, one of his favorite writers in the world, in his acutely beautiful, personal, and long introduction, studded with his signature use of photographs.