Zel's life is peaceful and protected -- until a chance encounter changes everything. When she meets a beautiful young prince at the market one day, she is profoundly moved by new emotions. But Zel's mother sees the future unfolding -- and she will do the unspeakable to prevent Zel from leaving her...

    Gwyn, the innkeeper's lively daughter, pays little attention to the tales. But when she is stranded during a snowstorm in a cabin with the lordling Gaderian, and finds a strange garment that resembles the costume Jackaroo is said to wear, she begins to wonder....

    Poof! Alexandria is suddenly heartstoppingly beautiful. Her hair rains down gold dust, and the tears she sheds turn to diamonds. Soon a prince and a king are fighting for her hand, and they've locked her in a tower to keep her "safe." How Alexandria wishes she was a goose girl again! Clearly the only thing to do is escape — which is when her problems really begin! Patrice Kindl's inimitable voice and craft make this take on the classic fairy tale extraordinary-and extraordinarily hilarious. "A delightful, witty fairy-tale spoof.. . . Kindl's humor, the strong characterizations, and vibrant action give the story wings." (Booklist, starred review)

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    Bartholomew and Hettie are changelings--Peculiars--and neither faeries nor humans want anything to do with them.One day a mysterious lady in a plum-colored dress comes gliding down Old Crow Alley. Bartholomew watches her through his window. Who is she? What does she want? And when Bartholomew witnesses the lady whisking away, in a whirling ring of feathers, the boy who lives across the alley--Bartholomew forgets the rules and gets himself noticed.First he's noticed by the lady in plum herself, then by something darkly magical and mysterious, by Jack Box and the Raggedy Man, by the powerful Mr. Lickerish . . . and by Arthur Jelliby, a young man trying to slip through the world unnoticed, too, and who, against all odds, offers Bartholomew friendship and a way to belong.Part murder mystery, part gothic fantasy, part steampunk adventure, The Peculiar is Stefan Bachmann's riveting, inventive, and unforgettable debut novel.

    Noble Gareth defeats a dreaded knight and wins the hand of a fair maiden.

    Finn Whitman and four other teens have been hired as Disney World guides, but with an odd twist: With cutting-edge technology, they have been transformed into hologram projections capable of leading guests around the park. What begins as an exciting theme park job turns into a virtual nightmare as Finn and his pals attempt to thwart an uprising by a menacing group of Disney villains.

    But all of these soft, cuddly, sweet-faced toys share a wonderful, magical secret... they're alive!Created by Mr. Isaac Bodkins, the old toy maker, the Oddkins are made only for very special children, those who must face something difficult in life and need a true friend. The Oddkins are given to these children to inspire them, help them, and love them as long as the children need them. Only now the toys themselves - Amos, the brave stuffed bear; Skippy, the rabbit who dreams of being a superstar; Butterscotch, the gently, floppy-eared pup; as well as Burl the elephant; Gibbons; and Patch the cat - are the ones in need of help.Mr. Bodkins has passed away before he can give his life-giving powers to Colleen Shannon, the toy maker he had chosen to replace him. Yet before he dies, the old man takes Amos aside, appoints him leader of the Oddkins, and gives him a dire warning: Watch out for an evil toy maker -- and something much, much worse!That 'something' is happening right now. Locked up in the dark subbasement, another group of toys is climbing out of boxes and crates and coming to life. These bad toys -- like Rex and Lizzie, the puppets with no strings; Gear, the vicious robot; and Stinger, the horrid buzzing bumblebee with his knife-sharp stinger -- were made to hurt children, not help them. Leering, laughing, and deadly, they are being loosed on the world by a terrible, terrifying force. Frightening as it may be, the Oddkins have only one choice: to go on a journey in search of Colleen Shannon's toy shop. The night is stormy and black; the way is filled with peril. And the Oddkins have to face a danger that threatens not only their existence...but the magic in us all.

    In nineteenth-century England, a powerful sorcerer and King of the Goblins chooses Kate, the elder of two orphan girls recently arrived at their ancestral home, Hallow Hill, to become his bride and queen...

    Nordic Tales is a collection of 16 traditional tales from the enchanting world of Nordic folklore.Translated and transcribed by folklorists in the 19th century, these stories are at once magical, hilarious, cozy, and chilling.Welcome to a world of mystical adventure—where trolls haunt the snowy forests, terrifying monsters roam the open sea, a young woman journeys to the end of the world, and a boy proves he knows no fear.• Offers a fascinating view into Nordic culture• The tales come alive alongside bold, contemporary art• Part of the popular Tales series, featuring Tales of Japan, Celtic Tales, Tales of India, and Tales of East AfricaNordic Tales will enthrall fans of fairytales and captivate those interested in the rich history of Nordic culture.Ulla Thynell's glowing contemporary illustrations accompany each tale, conjuring dragons, princesses, and the northern lights.• A visually gorgeous book that will be at home on the shelf or on the coffee table• A perfect gift for fairy tale and folklore lovers, fans of Nordic culture, people of Nordic ancestry, collectors of illustrated classics, and bibliophiles looking for a comforting wintertime read• Add it to the collection of books like D'Aulaires' Book of Norse Myths by Ingri d'Aulaire and Edgar Parin d'Aulaire, Norse Mythology by Neil Gaiman, and Mythology: Timeless Tales of Gods and Heroes by Edith Hamilton.People who love Greek mythology, roman mythology, Chinese mythology, Celtic mythology, and folklore and cultural studies from around the globe will love Nordic Tales.

    Even today, Well-Loved Tales are still beloved by adults and children alike.First released in 1968, this beautiful book has been specially re-published to celebrate the 100th anniversary of Ladybird Books in 2015. Complete with stunning dust jacket, this limited edition facsimile copy of the original book by Vera Southgate has all the beautiful, memorable pictures that people remember, now available for a new generation to fall in love with.

    Prince Sigismund has grown up hearing fantastical stories about enchantments and faie spells, basilisks and dragons, knights-errant and heroic quests. He'd love for them to be true--he's been sheltered in a country castle for most of his life and longs for adventure--but they are just stories. Or are they? From the day that a mysterious lady in a fine carriage speaks to him through the castle gates, Sigismund's world starts to shift. He begins to dream of a girl wrapped, "trapped," in thorns. He dreams of a palace, utterly still, waiting. He dreams of a man in red armor, riding a red horse--and then suddenly that man arrives at the castle! Sigismund is about to learn that sometimes dreams are true, that the world is both more magical and more dangerous than he imagined, and that the heroic quest he imagined for himself as a boy . . . begins now.

    Perilous quests, true love, and animals that talk. The traditional stories of Ireland, Scotland, Brittany, and Wales transport us to the fantastical world of Celtic folklore. These timeless tales brim with wit and magic, and each on is brought to life with elegant silhouette art in this special illustrated edition.

    They collect wild mushrooms and blueberries and shelter under toadstools when it rains. They play with the squirrels and frogs, and when fall comes, they collect and prepare food to see them through the long winter, until the warm spring breeze starts to blow.A mini gift edition of Elsa Beskow's classic story.

    Yeats included almost every sort of Irish folk in this marvelous compendium of fairy tales and songs that he collected and edited for publication in 1892.-- Yeats was fascinated by Irish myths and folklore, and joined forces with the writers of the Irish Literary Revival. He studied Irish folk tales and chose to reintroduce the glory and significance of Ireland's past through this unique literature.