One Day meets Sliding Doors in this outstanding debut that is causing a buzz across the publishing worldSome moments can change your life for ever. Have you ever wondered, what if...?A man is walking down a country lane. A woman, cycling towards him, swerves to avoid a dog. On that moment, their future hinges. There are three possible outcomes, three small decisions that could determine the rest of their life.Eva and Jim are nineteen and students at Cambridge when their paths first cross in 1958. And then there is David, Eva's then-lover, an ambitious actor who loves Eva deeply. The Versions of Us follows the three different courses their lives could take following this first meeting. Lives filled with love, betrayal, ambition but through it all is a deep connection that endures whatever fate might throw at them.The Versions of Us explores the idea that there are moments when our lives might have turned out differently, the tiny factors or decisions that could determine our fate, and the precarious nature of the foundations upon which we build our lives. It is also a story about the nature of love and how it grows, changes and evolves as we go through the vagaries of life.

    Parrot, the son of an itinerant English printer, wanted to be an artist but has ended up in middle age as a servant. When Olivier sets sail for the New World - ostensibly to study its prisons, but in reality to avoid yet another revolution - Parrot is sent with him, as spy, protector, foe and foil. Through their adventures with women and money, incarceration and democracy, writing and painting, they make an unlikely pair. But where better for unlikely things to flourish than in the glorious, brand-new experiment, America? A dazzlingly inventive reimagining of Alexis de Tocqueville's famous journey, Parrot and Olivier in America brilliantly evokes the Old World colliding with the New. Above all, it is a wildly funny, tender portrait of two men who come to form an almost impossible friendship, and a completely improbable work of art.

    The dreamer. The penitent. From war-torn Syria to small-town Ireland, three men, scarred by all they have loved and lost, are searching for some version of home. Each is drawn towards a powerful reckoning, one that will bring them together in the most unexpected of ways.

    Smith, amiable, charming, yet strangely determined to keep suspicion simmering. For in his pocket, he has what seems to be an order for a thousand pounds, a huge amount, and he won't explain why, or where he comes from, or what he can be planning to do in the colonies that requires so much money.Should the New York merchants trust him? Should they risk their credit and refuse to pay? Should they befriend him, seduce him, arrest him; maybe even kill him?As fast as a heist movie, as stuffed with incident as a whole shelf of conventional fiction, Golden Hill is both a novel about the 18th century, and itself a book cranked back to the novel's 18th century beginnings, when anything could happen on the page, and usually did, and a hero was not a hero unless he ran the frequent risk of being hanged.This is Fielding's Tom Jones recast on Broadway - when Broadway was a tree-lined avenue two hundred yards long, with a fort at one end flying the Union Jack and a common at the other, grazed by cows.Rich in language and historical perception, yet compulsively readable, Golden Hill has a plot that twists every chapter, and a puzzle at its heart that won't let go till the last paragraph of the last page.Set a generation before the American Revolution, it paints an irresistible picture of a New York provokingly different from its later self: but subtly shadowed by the great city to come, and already entirely a place where a young man with a fast tongue can invent himself afresh, fall in love - and find a world of trouble.

    Bound to a feudal lord, a “seigneur,” for three years in exchange for land, they become wood-cutters—barkskins. René suffers extraordinary hardship, oppressed by the forest he is charged with clearing. He is forced to marry a Mi’kmaw woman and their descendants live trapped between two inimical cultures. But Duquet, crafty and ruthless, runs away from the seigneur, becomes a fur trader, then sets up a timber business. Proulx tells the stories of the descendants of Sel and Duquet over three hundred years—their travels across North America, to Europe, China, and New Zealand, under stunningly brutal conditions—the revenge of rivals, accidents, pestilence, Indian attacks, and cultural annihilation. Over and over again, they seize what they can of a presumed infinite resource, leaving the modern-day characters face to face with possible ecological collapse.

    The family house is in the small Far West town of Fingerbone set on a glacial lake, the same lake where their grandfather died in a spectacular train wreck, and their mother drove off a cliff to her death. It is a town "chastened by an outsized landscape and extravagant weather, and chastened again by an awareness that the whole of human history had occurred elsewhere." Ruth and Lucille's struggle toward adulthood beautifully illuminates the price of loss and survival, and the dangerous and deep undertow of transience.

    She is also haltingly, fitfully giving heat and air to the art that simmers inside her. And then she meets Eric, a digital archivist with a family in New Jersey, including an autopsist wife who has agreed to an open marriage — with rules.As if navigating the constantly shifting landscapes of contemporary sexual manners and racial politics weren’t hard enough, Edie finds herself unemployed and invited into Eric’s home — though not by Eric. She becomes a hesitant ally to his wife and a de facto role model to his adopted daughter. Edie may be the only Black woman young Akila knows.Irresistibly unruly and strikingly beautiful, razor-sharp and slyly comic, sexually charged and utterly absorbing, Raven Leilani’s Luster is a portrait of a young woman trying to make sense of her life — her hunger, her anger — in a tumultuous era. It is also a haunting, aching description of how hard it is to believe in your own talent, and the unexpected influences that bring us into ourselves along the way.

    Her reputation as a crank and a recluse is amplified by her not-so-secret preference for the company of animals over humans. Then a neighbor, Big Foot, turns up dead. Soon other bodies are discovered, in increasingly strange circumstances. As suspicions mount, Janina inserts herself into the investigation, certain that she knows whodunit. If only anyone would pay her mind . . .A deeply satisfying thriller cum fairy tale, Drive Your Plow over the Bones of the Dead is a provocative exploration of the murky borderland between sanity and madness, justice and tradition, autonomy and fate. Whom do we deem sane? it asks. Who is worthy of a voice?Duration: 11 hours 39 minutes.

    When Charlotte is mugged and breaks her hip, her daughter Rose cannot accompany her employer Lord Peters to Manchester, which means his niece Marion has to go instead, which means she sends a text to her lover which is intercepted by his wife, which is just the beginning in the ensuing chain of life-altering events.In this engaging, utterly absorbing and brilliantly told novel, Penelope Lively shows us how one random event can cause marriages to fracture and heal themselves, opportunities to appear and disappear, lovers who might never have met to find each other and entire lives to become irrevocably changed.Funny, humane, touching, sly and sympathetic, How It All Began is a brilliant sleight of hand from an author at the top of her game.

    There’s Arturo the Aquaboy, who has flippers for limbs and a megalomaniac ambition worthy of Genghis Khan . . . Iphy and Elly, the lissome Siamese twins . . . albino hunchback Oly, and the outwardly normal Chick, whose mysterious gifts make him the family’s most precious—and dangerous—asset.As the Binewskis take their act across the backwaters of the U.S., inspiring fanatical devotion and murderous revulsion; as its members conduct their own Machiavellian version of sibling rivalry, Geek Love throws its sulfurous light on our notions of the freakish and the normal, the beautiful and the ugly, the holy and the obscene. Family values will never be the same.

    A baby appears quite suddenly on a pavement, a little after midnight, in a crib of litter. The enigmatic S. Tilottama is as much of a presence as she is an absence in the lives of the three men who love her.

    They fall in love and set out across the United States, pursued by a private investigator who eventually blackmails Carol into a choice between her daughter and her lover. With this reissue, The Price of Salt may finally be recognized as a major twentieth-century American novel.

    Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where “Anything-Can-Happen”. Meanwhile his creator, in a midlife crisis, has equally urgent challenges of his own.Just as Cervantes wrote Don Quixote to satirise the culture of his time, Rushdie takes the reader on a wild ride through a country on the verge of moral and spiritual collapse. And with the kind of storytelling magic that is the hallmark of his work, the fully realised lives of DuChamp and Quichotte intertwine in a profoundly human quest for love and a wickedly entertaining portrait of an age in which fact is so often indiscernible from fiction.

    She exploded onto the cultural scene first as a musician, then as a poet and popular blogger, and is now an award-winning novelist.Breasts and Eggs paints a portrait of contemporary womanhood in Japan and recounts the intimate journeys of three women as they confront oppressive mores and their own uncertainties on the road to finding peace and futures they can truly call their own.It tells the story of three women: the thirty-year-old Natsu, her older sister, Makiko, and Makiko’s daughter, Midoriko. Makiko has traveled to Tokyo in search of an affordable breast enhancement procedure. She is accompanied by Midoriko, who has recently grown silent, finding herself unable to voice the vague yet overwhelming pressures associated with growing up. Her silence proves a catalyst for each woman to confront her fears and frustrations.On another hot summer’s day ten years later, Natsu, on a journey back to her native city, struggles with her own indeterminate identity as she confronts anxieties about growing old alone and childless.

    But when splintering, blood-soaked images start haunting her thoughts, Yeong-hye decides to purge her mind and renounce eating meat. In a country where societal mores are strictly obeyed, Yeong-hye's decision to embrace a more “plant-like” existence is a shocking act of subversion. And as her passive rebellion manifests in ever more extreme and frightening forms, scandal, abuse, and estrangement begin to send Yeong-hye spiraling deep into the spaces of her fantasy. In a complete metamorphosis of both mind and body, her now dangerous endeavor will take Yeong-hye—impossibly, ecstatically, tragically—far from her once-known self altogether.