Legends persist of their presence, and this collection of stories muse on the Knights' arrival at history's turning points to guide destiny in Good's eternal war against Evil. Original.1 • Introduction (Crusade of Fire: Mystical Tales of the Knights Templar) • essay by Katherine Kurtz7 • White Knights • novelette by Katherine Kurtz36 • Interlude One • essay by uncredited40 • Harvest of Souls • novelette by Deborah Turner Harris75 • Interlude Two • essay by uncredited77 • In the Presence of Mine Enemies • novelette by Susan Shwartz106 • Interlude Three • essay by uncredited109 • The Last Voyage • novelette by Patricia Kennealy-Morrison148 • Interlude Four • essay by uncredited150 • Bones of Contention • novelette by Richard Woods185 • Interlude Five • essay by uncredited186 • Occam's Treasure • novelette by Robert Reginald216 • Interlude Six • essay by uncredited217 • Stella Maris • novelette by Scott MacMillan254 • Interlude Seven • essay by uncredited256 • Sleeping Kings • novella by Debra Doyle and James D. Macdonald280 • A Partial Templar Bibliography (Crusade of Fire: Mystical Tales of the Knights Templar) • essay by uncredited282 • About the Authors (Crusade of Fire: Mystical Tales of the Knights Templar) • essay by uncredited

    What you see isn't always the only thing you receive. Come for the popcorn, the show, and the animals. Stay for the Horror. We insist. Panis Et Poenam by Alex Winck Make My Escape by C.L. Williams SOLD by Katie Jaarsveld Diamonique by Samie Sands Heaven Must Be Missing An Angel by Andrew Darlington Stuff of Dreams by Rick Eddy WONDERLAND by Samie Sands The Freak by Kevin Hall Clown in the Mirror by Katie Jaarsveld Carnival Carnage by Samie Sands

    Their experiences, especially during and following Israel’s 2008-2009 offensive known as “Operation Cast Lead”, have fundamentally impacted their lives and their writing. Indeed, many of these writers saw the war as a catalyst for their writing, as they sought an outlet and a voice in its aftermath. They view the book as a means of preserving Palestinian memories and presenting their own narratives to the world without filters. Their words take us into the homes and hearts of moms, dads, students, children, and elders striving to live lives of dignity, compassion, and meaning in one of the world’s most embattled communities. (Some of the stories also take us with courage and empathy into the imagined world of Israelis living just on the other side of the great barriers Israel has built in and around Gaza and the West Bank to wall the Palestinians in.) These stories are acts of resistance and defiance, proclaiming the endurance of Palestinians and the continuing resilience and creativity of their culture in the face of ongoing obstacles and attempts to silence them. Whether tackling the tragedy that surrounds missile strikes and home raids, or the everyday indignities encountered by Palestinian refugees, Gaza Writes Back brings to life the real issues that the people of Gaza face. One prominent theme in many of the stories is the value placed on the wisdom of parents and grandparents. A sense of longing pervades the book, as the characters in the stories reveal desires ranging from the mundane to the complex—including, in several of the stories, a strong yearning to return to the characters’ long-cherished family homes and properties after many decades in exile from them. Social differences within Gaza are also sensitively explored. A few stories are especially difficult—but critical—to digest , for the vividness with which they depict the experiences of victims of Israeli military strikes and confront the legacy of violence and occupation, particularly on young people.Readers will be moved by the struggles big and small that emerge from the well-crafted writing by these young people, and by the hope and courage that radiates from the authors’ biographies. The contributors are university students and recent graduates, Palestinians who have chosen to speak out in their second language, which is an “expressive way to be more creative in a world where words are significantly mighty,” according to Tasnim Hamouda. Another contributor, Nour El Borno, believes “that if a person can write effectively, it is his or her duty to get up, write, and help change this world to something better.” Five years after Operation Cast Lead, these stories remind us that the pain lingers on and the people of Gaza will be forever scarred by the attack. Yet, the call for justice remains forceful and persistent, and these young Gazan writers refuse to let the world forget about them—their land, their people, and their story.

    Babel was best known for his mastery of the short story form—in which he ranks alongside Kafka and Hemingway—but his career was tragically cut short when he was murdered by Stalin's secret police. Edited by his daughter Nathalie Babel and translated by award-winner Peter Constantine, this paperback edition includes the stunning Red Cavalry Stories; The Odessa Tales, featuring the legendary gangster Benya Krik; and the tragic later stories, including "Guy de Maupassant." This will be the standard edition of Babel's stories for years to come.

    Miraculously, the boat is still afloat--and its only passenger is alive!"Make Me Laugh": Fat, ugly Jackie Slater is a third-rate comic playing the desperation circuit of sleazy nightclubs. Enter Chatterje, the miracle guru. Suddenly, Jackie is a big-time TV comic--but the laughs are tinged with hysteria."Pamela's Voice": Jonathan has ever-so-neatly "disposed" of his nagging, druid-like wife, Pamela. Strange, then, that she should return from the grave in full bloom--and bitchier than ever.PLUS "Does the Name Grimsby Do Anything to You?"--The worst space risk of all: Lunar Insanity... "Clean Kills and Other Trophies"... Father and son play the most dangerous game... and the Emmy Award Nominee "They're Tearing Down Tim Riley's Bar".Don't miss television's most imaginative show -- Rod Serling's Night Gallery

    Peter Constantine's historic collection presents 38 new stories and with them a fresh interpretation of the Russian master. In contrast to the brooding representative of a dying century we have seen over and over, here is Chekhov's work from the 1880s, when Chekhov was in his twenties and his writing was sharp, witty and innovative. Many of the stories in The Undiscovered Chekhov reveal Chekhov as a keen modernist. Emphasizing impressions and the juxtaposition of incongruent elements, instead of the straight narrative his readers were used to, these stories upturned many of the assumptions of storytelling of the period. Here is "Sarah Bernhardt Comes to Town," written as a series of telegrams, beginning with "Have been drinking to Sarah's health all week! Enchanting! She actually dies standing up!..." In "Confession...," a thirty-nine year old bachelor recounts some of the fifteen times chance foiled his marriage plans. In "How I Came to be Lawfully Wed," a couple reminisces about the day they vowed to resist their parents' plans that they should marry. And in the more familiarly Chekhovian "Autumn," an alcoholic landowner fallen low and a peasant from his village meet far from home in a sad and haunting reunion in which the action of the story is far less important than the powerful impression it leaves with the reader that each man must live his life and has his reasons.

    Its popularity owes much to the lyricism of the prose, thepitch-perfect rendition of black vernacular English, and the memorable characters--most notably, Janie Crawford. Collecting the most widely cited and influential essays published on Hurston's classic novel over the last quarter century, this Casebook presents contesting viewpoints by Hazel Carby, Henry Louis Gates, Jr., Barbara Johnson, Carla Kaplan, Daphne Lamothe, Mary Helen Washington, and Sherley Anne Williams. The volume also includes a statement Hurston submitted to a reference book on twentieth-century authors in 1942. As it records the major debates the novel has sparked on issues oflanguage and identity, feminism and racial politics, A Casebook charts new directions for future critics and affirms the classic status of the novel.

    Soldiers, mercenaries, free-booters. Europeans all, braving the heat and dust of India. They fought for wealth, for glory, and for sheer fun. Their glorious and inglorious exploits are full of thrill, romance, and violence. Ruskin Bond has recreated the turbulent and colourful India of the eighteenth and nineteenth centuries with the soldiers of fortune strutting across the subcontinent. The saga of their lives and loves in Delhi, Jaipur, Aligarh, Sardhana, and Lucknow reads stranger than fiction.

     Featuring eleven brand new, never before seen urban fantasy stories from bestselling, award-winning authors, Urban Magic will take you on a series of exciting adventures in worlds full of magic. All proceeds from sales of this anthology will go to the American Library Association Disaster Relief Fund, which helps libraries recover after natural disasters.

    One day he came upon a hidden treasure from a long-dead king. With it was a letter addressed to him. How had the letter come to be there? And what did it mean? To solve the mystery, Dabschelim summoned the wisest man in his kingdom, Dr Bidpai, to his side. And so began the tales of Kalila and Dimna... In all the storytelling collections from India, it is the secular animal fables found in the The Pancatantra and its Buddhist inspiration, The Jataka Tales, that have travelled the furthest and influenced world literature the most. These stories spawned equally famous classics in both Arabic and Persian - indeed the oldest surviving manuscript of The Pancatantra stories is Kalila and Dimna, an Arabic derivative of the lost Sanskrit original. From the Persian and Arab world, these fables migrated to Europe and by the 16th century existed in Spanish, Hebrew, Greek, Latin, Italian, French and English versions. Even Aesop includes a few in his famous collection. Ramsay Wood’s delightful retelling of The Pancatantra not only modernises the ancient fables but uses all the main versions from the Sanskrit to the Persian and Arabic and even the early English. Written with great colour, style and panache, and beautifully illustrated, it makes the perfect introduction to a global Indian classic.

    A major collection of writings from one of the most important twentieth century French authors, "The Blanchot Reader" includes six works of fiction ("Death Sentence, The Madness of the Day, When the Time Comes, Vicious Circles, Thomas the Obscure", and "The One Who Was Standing Apart from Me") and extended selections of critical and philosophical essays from his major book, "The Gaze of Orpheus".

    government spies can turn on your phone and use the microphone to listen to your conversations? ... that lesbian and gay relationships are illegal in 78 countries and can be punished by death? ... that Amnesty recently recorded the highest number of executions globally for more than 25 years? Through short stories and poetry, twenty-five leading authors and illustrators explore the top human rights issues facing young people today. Now is the time to take a stand and make a difference. Full list of contributors: Tony Birch, John Boyne, Sita Brahmachari, Kevin Brooks, Kate Charlesworth, Sarah Crossan, Neil Gaiman, Jack Gantos, Ryan Gattis, Matt Haig, Frances Hardinge, Jackie Kay, AL Kennedy, Liz Kessler, Elizabeth Laird, Amy Leon, Sabrina Mahfouz, Chelsea Manning, Chibundu Onuzo, Bali Rai, Chris Riddell, Mary and Bryan Talbot, Christie Watson and Tim Wynne-Jones.

    Hapless mortals have invoked monstrous entities from beyond through foul magicks, incantations and rituals. When will they learn that here can be no profit nor joy to be gained through relations with the insidious old ones? These sixteen tales of depravity, sorcery and madness may offer some illumination, but ultimately there can be no salvation for those who dabble in The Dark Rites of Cthulhu.

    Ironically, it also became the chant of millions on the streets of India against the project of Hindu Nationalism.Even as Arundhati Roy began to ask what lay between these two calls for Freedom—a chasm or a bridge?—the streets fell silent. Not only in India, but all over the world. The coronavirus brought with it another, more terrible understanding of Azadi, making a nonsense of international borders, incarcerating whole populations, and bringing the modern world to a halt like nothing else ever could.In this series of electrifying essays, Arundhati Roy challenges us to reflect on the meaning of freedom in a world of growing authoritarianism.The essays include meditations on language, public as well as private, and on the role of fiction and alternative imaginations in these disturbing times.The pandemic, she says, is a portal between one world and another. For all the illness and devastation it has left in its wake, it is an invitation to the human race, an opportunity, to imagine another world.

    Where one young Palestinian is about to make the greatest sacrifice of all...In the style of the acclaimed TV drama 24, each chapter covers an hour in the day leading up to the suicide bombing. Written in filmic, dramatic language, this is both pacy and thought-provoking and will appeal to young adults and adults alike. It is endorsed by Amnesty International UK as contributing to a better understanding of human rights and the values that underpin them.