Caroline, Lady Beaumont, arrives in London seeking excitement after ten dreary years of marriage and an even drearier year of mourning. That means conquering society, dancing like there’s no tomorrow, and taking a lover to provide passion without promises. Promises, in this dashing widow’s dictionary, equal prison. So what is an adventurous lady to do when she loses her heart to a notorious rake who, for the first time in his life, wants forever? Devilish Silas Nash, Viscount Stone is in love at last with a beautiful, headstrong widow bent on playing the field. Worse, she’s enlisted his help to set her up with his disreputable best friend. No red-blooded man takes such a challenge lying down, and Silas schemes to seduce his darling into his arms, warm, willing and besotted. But will his passionate plots come undone against a woman determined to act the mistress, but never the wife?

    ------------- The foul-up starts when the reason-for-wanting -------------- is satisfied ... and the need remains!excerpt from the introductory: THE message was an electronic shout, the most powerful and tightly-beamed short-wave transmission which men could generate, directed with all the precision which mathematics and engineering could offer. Nevertheless that pencil must scrawl broadly over the sky, and for a long time, merely hoping to write on its target. For when distances are measured in light-weeks, the smallest errors grow monstrous. As it happened, the attempt was successful. Communications Officer Anastas Mardikian had assembled his receiver after acceleration ceased-a big thing, surrounding the flagship Ranger like a spiderweb trapping a fly-and had kept it hopefully tuned over a wide band. The radio beam swept through, ghostly faint from dispersion, wave length doubled by Doppler effect, ragged with cosmic noise. An elaborate system of filters and amplifiers could make it no more than barely intelligible. But that was enough. Mardikian burst onto the bridge. He was young, and the months had not yet devoured the glory of his first deep-space voyage. "Sir!" he yelled. "A message ... I just played back the recorder ... from Earth!" Fleet Captain Joshua Coffin started. That movement, in weightlessness, spun him off the deck. He stopped himself with a practiced hand, stiffened, and rapped back: "If you haven't yet learned regulations, a week of solitary confinement may give you a chance to study them." "I ... but, sir-" The other man retreated. His uniform made a loose rainbow splash across metal and plastic. Coffin alone, of all the fleet's company, held to the black garments of a space service long extinct. -

    Not only is he five years younger than her, and as sexy as sin, he seems like her exact opposite.She likes to work hard, he likes to work out.She sets goals and milestones, he sets hearts on fire.But Nadine only needs him for one weekend.Just one weekend, for an overnight stay at a hotel.What could possibly go wrong?Don't miss The Proposal—an older woman, younger man romance, featuring a sexy male escort with a heart of gold, and the female corporate executive with no time for romance. A feel-good inspirational romance.

    She finds solace in “The Kingdom,” a stand of red oak and thick mountain laurel near her home in suburban Pennsylvania, where she can escape from her large and unruly family and share menthol cigarettes and lukewarm beers with her best friend. One night, while driving home, Libby’s mother, exhausted and overwhelmed with the fighting in the backseat, pulls over and orders Libby’s little sister Ellen to walk home. What none of this family knows as they drive off leaving a twelve-year-old girl on the side of the road five miles from home with darkness closing in, is what will happen next. A Crooked Tree is a surprising, indelible novel, both a poignant portrayal of an unmoored childhood giving way to adolescence, and a gripping tale about the unexpected reverberations of one rash act.

    Ruth has a secret that she can’t hide forever. Dora wonders if she can ever truly escape where she comes from, even when good luck strikes. Alyce is trying to reconcile her desire to dance, with the life she’s always known on her family’s fishing boat. Hank and his brothers decide it’s safer to run away than to stay home—until one of them ends up in terrible danger. Four very different lives are about to become entangled.

    Their erotic and ideological vicissitudes are driven by a reality they cannot control, like that of Homer’s characters. Invisible gods intervene in their lives to intertwine their physical attraction and intellectual admiration, courage and fear, secrets and unexpected complicity. They build their difficult and beautiful love in one of the most turbulent and romantic scenarios of Latin American history. They swim with the current; they enjoy it and enlarge it. But they are also dragged along by eddies that leave them breathless and turn their world upside down. Aguinis’ titles tend to be paradoxical. However, for this novel, he has preferred to place emphasis on the multiple meanings of the word passion. Passion refers to love, and also to the strength of ideals, to suffering, pleasure, salvation and the yearning for freedom. The emotional combat of the protagonists runs in parallel with the dizzying brilliance of concrete situations. This is what allows the suspense to grab the reader from the first page to the very end. A free-flowing, sweeping, and thrilling rhythm dominates the text, like that of musical passions. It should come as no surprise that this novel—where the voices of the female protagonist, her lover, and the omniscient writer alternate—has been written following Bach’s counterpoint model. From a distance, ineffable, we still hear the resounding epic of another war where the liberators sang to a different Carmela—also a torch, also a passion. Aguinis portrays his creations skillfully and renders them indelible. His skill in handling emotions does leaves no line void of poetry or consequences. And his extremely accurate style is a grounding that turns this work—situated in exceptional times—into one of the best love stories to mark out the course of literature.

    This intriguing story is juxtaposed with the captivating tale of Henry’s younger sister, Mary Tudor. Almost everyone knows that King Henry VIII of England had six wives and two daughters, but many do not realize that he also had two sisters. Both of King Henry’s sisters became queens through dynastic marriages, but their fates were very different. Margaret, King Henry’s elder sister, became Queen of Scotland, while Mary, his younger sister, became Queen of France. The Nymph from Heaven is a historical novel based on the life of Henry’s younger sister, Mary Tudor. Mary, not to be confused with her niece, “Bloody” Mary, graced the stage of European politics for only a few short years, but her story is a fascinating one. Born a beautiful princess into Tudor England in the late Middle Ages, Mary’s hand was sought in marriage from the age of three. But bound to duty by her high position, Mary knew that any match arranged for her would almost certainly take her out of England for marriage with a stranger in a foreign land. But Mary falls in love with a poor English knight, and is determined to marry him. Through many trials and tribulations, and against all odds, Mary marries her one true love. But the price may prove too high.

    But when Kieran Lanier moves to town and passes out on her desk on his first day at school, Zip’s life gets complicated in a way she never dreamed. Kieran has narcolepsy, and although he sometimes struggles to stay awake, he has no trouble capturing Zip’s heart and trusting her with his most guarded secret—he sees bits and pieces of the future in his dreams. And while he didn’t know who she was at the time, Kieran had seen Zip in his dreams over five months before he moved to Titusville from North Carolina. But just when Zip thinks that maybe she can handle having a boyfriend who sees things before they happen, her budding relationship with Kieran gets a jolt. She and Kieran learn that his sleeping disorder and the future flashes were likely caused by a drug invented by his birth father, Morgan Levert, a convicted felon who plays a starring role in Kieran’s nightmares. And when Zip begins to have unsettling dreams after chance encounters with Morgan's former partner-in-crime, she must decide if she can live with the possibility of seeing the future when she doesn’t always like what she sees.

      At the peak of the war in Vietnam, a baby girl is born along the Song Ma River on the night of the full moon. This is Rabbit, who will journey away from her destroyed village with a makeshift family thrown together by war. Here is a Vietnam we’ve never encountered before: through Rabbit’s inexplicable but radiant intuition, we are privy to an intimate version of history, from the days of French Indochina and the World War II rubber plantations through the chaos of postwar reunification. With its use of magical realism—Rabbit’s ability to “hear” the dead—the novel reconstructs a turbulent historical period through a painterly human lens. This is the moving story of one woman’s struggle to unearth the true history of Vietnam while simultaneously carving out a place for herself within it.

    However, it was these early stories that first earned her a reputation as a writer with "the liveliest imagination and most delicate style of her time." Influenced by Joyce, Proust, and the theories of William James, Bergson, and Freud, she strove to write a new fiction that emphasized the continuous flow of consciousness, time's passage as both a series of sequential moments and a longer flow of years and centuries, and the essential indefinability of character.Readers can discover these and other aspects of her influential style in the eight stories collected here, among them a delightful, feminist put-down of the male intellect in "A Society" and a brilliant and sensitive portrayal of nature in "Kew Gardens." Also included are "An Unwritten Novel," "The String Quartet," "A Haunted House," "Blue & Green," "The Mark on the Wall," and the title story.In recent years, Woolf's fiction, feminism, and high-minded sensibilities have earned her an ever-growing audience of readers. This splendid collection offers those readers not only the inestimable pleasures of the stories themselves, but an excellent entrée into the larger body of Woolf's work.