Features a full-color foil binding attractive enough to leave unwrapped, an inscribed removable bookmark, ribbon tie, and delicate full-color illustrations--all enhancing a classic and enduring short story.

    He was a sailor and took part in the Klondike gold rush. The Call of the Wild, the classic story of sled-dog Buck brought him instant celebrity and established his readership to this day. Self-educated, London was heavily influenced by the works of Darwin, Marx, and Nietzsche. This, along with his earlier experiences converted him to socialism as he explains in this volume.Contents:- The Class Struggle- The Tramp- The Scab- The Question of the Maximum- A Review- Wanted: A New Law of Development- How I Became a SocialistThis book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web.

    This volume collects many of his most famous short works and is a fitting compendium of his literary achievements for newcomers or longtime Hawthorne fans alike.

    In the UK,Elissa or the Doom of Zimbabwe was published together with Black Heart and White Heart: A Zulu Idyll as Black Heart and White Heart, and Other Stories.

    'Essays and Lectures' contains "The Rise of Historical Criticism", "The English Renaissance of Art", "House Decoration", "Art and the Handicraftsman", "Lecture to Art Students", "London Models" and "Poems in Prose".

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    -- Presents the most important 20th-century criticism on major works from The Odyssey through modern literature-- The critical essays reflect a variety of schools of criticism-- Contains critical biographies, notes on the contributing critics, a chronology of the author's life, and an index

    For it is the lot of prophets who frighten or disappoint to be stoned. But for some of us moderns, who have been touched with the spirit of science, prophesying is almost a habit of mind.

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Although he did not live to complete the work, he left detailed plans for the last third of this novel which were faithfully executed by his colleague, the popular author Sir Walter Besant. The novel is set during the Irish Land War of the early 1880s and tells the story of Iris Henley, an independent young woman who marries the "wild" Lord Harry Norland, a member of an Irish secret society, and becomes unhappily drawn into a conspiracy plot." The Broadview edition of Blind Love includes a critical introduction and primary source materials that address the novel's focus on movements for Irish independence. Appendices include newspaper acconts of Ireland during the Land War and of the fraud case on which Collins based his story, articles reacting to Collins's sudden death, Punch cartoons depicting the English attitudes toward the Irish, and contemporary reviews.

    ValdemarThe Black CatThe Fall of the House of UsherSilence - A FableThe Masque of the Red DeathThe Cask of AmontilladoThe Imp of the PerverseThe Island of the FayThe AssignationThe Pit and the PendulumThe Premature BurialThe Domain of ArnheimLandor's CottageWilliam WilsonThe Tell-tale HeartBereniceEleonora

    There are the usual inline tables of contents and links after each text/chapter to get back to the respective tables. The dates of first publication are noted.-------------Typee: A Romance of the South Seas. (1846)Omoo: Adventures in the South Seas. (1847)Mardi: and A Voyage Thither. (1849)Redburn: His First Voyage. (1849)White-Jacket: or, The World in a Man-of-War. (1850)Moby-Dick: or, The Whale. (1851)Pierre: or, The Ambiguities. (1852)Israel Potter: His Fifty Years of Exile. (1855)The Piazza Tales (1856): The Piazza, Bartleby, Benito Cereno, The Lightning-Rod Man, The Encantadas; or, Enchanted Isles, The Bell-TowerThe Confidence-Man: His Masquerade. (1857)Battle-Pieces and Aspects of the War. (1866)Clarel: A Poem and Pilgrimage in the Holy Land. (1876)John Marr and Other Sailors with Some Sea Pieces. (1888)Timoleon and Other Ventures in Verse. (1891)The Apple-Tree Table, and Other Sketches (1922): The Apple-Tree Table, Jimmy Rose, I and my Chimney, The Paradise of Bachelors and The Tartarus of Maids, Cock-a-Doodle-Doo!, The Fiddler, Poor Man’s Pudding and Rich Man’s Crumbs, The Happy Failure, The ’Gees.Billy Budd, and Other Prose Pieces (1924): Billy Budd, Sailor (An Inside Narrative), The Two Temples, Daniel Orme.Weeds and Wildings, With a Rose or Two. (1924)Essays: Fragments from a Writing Desk No. 1 & 2, Etchings of a Whaling Cruise, Authentic Anecdotes of “Old Zack,” Mr Parkman’s Tour, Cooper’s New Novel, A Thought on Book-Binding, Hawthorne and His Mosses.Uncollected Poems: Marquis de Grandvin at the Hostelry, Naples in the Time of Bomba, Immolated, Madam Mirror, The Wise Virgins to Madam Mirror, The New Ancient of Days, The Rusty Man, Thy Aim, Thy Aim?, The Old Shipmaster and his Crazy Barn, Camoens, Camoens in the Hospital, Montaigne and his Kitten, Falstaffs Lament over Prince Hal, Shadow at the Feast, Merry Ditty of the Sad Man, Honor, Fruit and Flower Painter, The Medallion, Time’s Long Ago!, In the Hall of Marbles, Gold in the Mountain, In Shards the Sylvan Vases Lie, In the Jovial Age of Old, A Spirit Appeared to Me, Give Me the Nerve, My Jacket Old, In the Old Farm-House, To ——, A Battle Picture, Old Age in his Ailing, Hearts-of-Gold, Pontoosuce, Epistle to Daniel Shepherd, Inscription for the Slain at Fredericksburgh, The Admiral of the White, To Tom, Suggested by the Ruins of a Mountain-Temple in Arcadia, Puzzlement, The Continents, The Dust-Layers, A Rail Road Cutting near Alexandria in 1855, A Reasonable Constitution, Rammon, Ditty of Aristippus, In A Nutshell, Adieu.

    Fascinating, entertaining, and insightful, these essays cover many subjects and are delivered with the gentle eloquence Boreham is famous for. A mustread for fans of Boreham's beautiful work and worthy of a place on any bookshelf. Contents include: “A Slice of Infinity”, “Readymade Clothes”, “The Hidden Gold”, “'Such a Lovely Bite'”, “Landlord and Tenant”, “The Corner Cupboard”, “With the Wolves in the Wild”, “Dick Sunshine”, “Forty!”, “A Woman's Reason”, “The Handicap”, “Gog and Magog”, “My Wardrobe”, “'Pity my Simplicity”, “Tuning From the Bass”, et cetera. Many vintage books such as this are becoming increasingly rare and expensive. We are republishing this volume now in an affordable, modern, highquality edition complete with a specially commissioned new biography of the author. First published in 1919.