In her two Caveliers—Call Again Cavalier and Imperial Cavalier—she has two of the very best event horses in the world. Mary Kings's success in the world of eventing has been hard won. She does not come from a privileged background. Her first pony was the ancient "cast off" from the local vicar's children—and success with this pony gave her an iron will to succeed. To support herself in the early days she had a variety of unglamorous jobs—including butcher delivery rounds and cleaning out toilets in the local campsite. Her talent was apparent from very early on and she first competed at Badminton in 1985, had her first win there on King William in 1992, and had her second on Star Appeal in 2000. Just when everything seemed to be going well she suffered a terrible fall in 2001 and broke her neck but she was back competing at the very top level the following year. Mary King's story is fascinating and inspiring for anyone with an interest in equestrian sports.

    Intent on burying the past, Taylor determines to keep busy in the present. This includes following in her mother's footsteps (whether she likes it or not), a part-time job learning the art of the perfect latte from a sharp-tongued barista, and volunteer hours at an animal shelter. At the shelter, Taylor meets a savagely wounded mare whose strength and grace mysteriously touch her own damaged spirit, reawakening old ghosts and inviting new healing. With the help of friends - including a handsome veterinarian with saving hands - Taylor discovers second changes are found in unlikely places and that, against all odds, love restores a broken heart.

    Theirs is a relationship of trust, harmony, and respect born of a way of life that is all but lost. One man puts it within our grasp again. In this book, GaWaNi Pony Boy illustrates the traditional training methods - methods that are steeped in common sense and age-old wisdom - of his ancestors, America's first great horsemen. The full-color photographs and simple eloquence takes us back to the days when horse training was not merely about getting results but about creating a bond for life. An inspiration for riders and a feast for horse and Native American culture enthusiasts, Horse, Follow Closely: Native American Horsemanship forges a relationship with readers that few books can ever hope to achieve.

    Cities, farmland, entire industries were once shaped as much by the needs of horses as humans. The intervention of horses was fundamental in countless historical events. They were sculpted, painted, cherished, admired; they were thrashed, abused and exposed to terrible danger. From the Roman Empire to the Napoleonic Empire every world-conqueror needed to be shown on a horse. Tolstoy once reckoned that he had cumulatively spent some nine years of his life on horseback.

    --Library Journal-- An RASD/ALAOutstanding Reference Sources Book-- A Library JournalBest Reference Sources

    He does, and using his training, intelligence, and intuition, he seemingly works miracles with the pets and farm animals he treats. Laugh at some of the stories—poor Frick and Frack that never learn to avoid porcupines and Banty the chicken that doesn’t end up in the pot. Cry as a few hit your heart—the animals that are beyond the work of a vet’s miracles. And cringe at others—the cat that swallowed the darning needle. You’d yowl too! Animals Don’t Blush sweeps you into the community welcoming Gross and his new wife with open hearts and makes you feel, despite the harsh conditions, it’s a wonderful place to live. As tough and sensitive as his clients, Gross cares for all his animals with kindness and respect. And despite intrusive examinations and heroic treatments, none of his patients ever blush.

    When she wasn’t around horses she was pretending to be one, cantering on two legs, hands poised to hold invisible reins. To her classmates, girls like Halimah were known as “horse girls,” weird and overzealous, absent from the social worlds of their peers. Decades later, when memes about “horse girl energy,” began appearing across social media—Halimah reluctantly recognized herself. The jokes imagine girls as blinkered as carriage ponies, oblivious to the mockery behind their backs. The stereotypical horse girl is also white, thin, rich, and straight, a daughter of privilege. Yet so many riders don’t fit this narrow, damaging ideal, and relate to horses in profound ways that include ambivalence and regret, as well as unbridled passion and devotion.Featuring some of the most striking voices in contemporary literature—including Carmen Maria Machado, Pulitzer-prize winner Jane Smiley, T Kira Madden, Maggie Shipstead, and Courtney Maum—Horse Girls reframes the iconic bond between girls and horses with the complexity and nuance it deserves. And it showcases powerful emerging voices like Braudie Blais-Billie, on the connection between her Seminole and Quebecois heritage; Sarah Enelow-Snyder, on growing up as a Black barrel racer in central Texas; and Nur Nasreen Ibrahim, on the colonialist influence on horse culture in Pakistan.By turns thought-provoking and personal, Horse Girls reclaims its titular stereotype to ask bold questions about autonomy and desire, privilege and ambition, identity and freedom, and the competing forces of domestication and wildness.

    

    Bridgman (for nearly 50 years a teacher at the Art Students League in New York) for a solid foundation and understanding of human anatomy. They have found, and continue to find, that his unique way of discovering the vitalizing forces in the human form and realizing them in drawing carries the student pleasantly over one of art's most severe hurdles. Bridgman's superb anatomical sketches, of which there are nearly 500 in the book, also bring clearly to fruition his lucid theories of how to draw the human body in its structure and its complex movements.Constructive Anatomy, an anatomical reference guide for the working artist, sculptor, and student, graphically shows important parts of the human body, both in motion and in repose — hand, wrist, thumb, fingers, forearm, arm, armpit, shoulder, neck, head, eye, nose, ear, mouth, chin, trunk (front, side, and back), pelvis, hip, thigh, leg, knee, ankle, foot, and toes. Drawings of bone and muscle structure of the working of the joints and the interrelation of the various parts of the body are mainly concerned with movement of all sorts — movements that are described in detail as well as illustrated. The bending, twisting,and turning, creasing and interlocking of the various parts of the body are represented in drawing as the wedging of masses in specific ways that are clearly defined by Mr. Bridgman.Every artist will save tedious hours of research with this simple but effective approach, and will be delighted with its directness and fervor.

    Attempting to put the most plausible pieces of history together, John Howe, concept artist for The Lord of the Rings film trilogy, begins the journey that will move readers to explore these lost worlds even further. *intended for Grade Level 4 and up!

    At thirteen she finds herself skeptic and suspicious, with no family, no friends, and forced to participate in horse therapy. Horse therapy “will teach trust, perseverance, respect and the value of teamwork,” or so says the program’s instructor. Tara is unconvinced. Trust only got her heart broken, perseverance only gets her put down, and no one respects or wants to team up with the misfit foster kid. At the stable, Tara meets Trouble, an angry horse bent on destroying everything and everyone around him. When Tara realizes he’s just as misunderstood and untrusting as she is, she pushes aside her fear and a special relationship is formed. Trouble trusts Tara, and Tara in turn finds hope and acceptance as well as the will to love and trust again herself. But Tara’s confidence is shaken as a great challenge looms ahead. Trouble’s manipulative owner is determined to have him destroyed because of his ‘dangerous’ nature. Tara must overcome her own limitations and fight to save the horse that has freed her heart and given her life value and meaning.

    Ateliers, popular in the nineteenth century, teach emerging artists by pairing them with a master artist over a period of years. The educational process begins as students copy masterworks, then gradually progress to painting as their skills develop. The many artists at every level who learned from Classical Drawing Atelier have been clamoring for more of this sophisticated approach to teaching and learning. In Classical Painting Atelier, Aristides, a leader in the atelier movement, takes students step-by-step through the finest works of Old Masters and today’s most respected realist artists to reveal the principles of creating full-color realist still lifes, portraits, and figure paintings. Rich in tradition, yet practical for today’s artists, Classical Painting Atelier is ideal for serious art students seeking a timeless visual education.

    He has been a professional production artist and instructor for the last fifteen years with clients including Disney, Marvel Comics, Hasbro Toys, ABC, Microsoft, Electronic Arts, DreamWorks and Nickelodeon.Audience level: Intermediate to advanced

    “This book touched my heart." - GoodreadsSomebody left Lee Estes in charge of the Walker place while the trainers are on the road and he manages to lose a champion cutting horse scheduled to be picked up by a buyer. The unsophisticated buyer only wants Lady Joe as a trophy horse to impress clients at a prestigious law firm, so Lee buys a cheap no-talent blue roan lookalike. When the buyer tells Lee to enter the animal in a weekend cutting for photographs, he must scramble to find a blue roan cutter to substitute for the bogus horse. By chance, the only blue roan cutter around belongs to Jim Harrison’s wife, who has no use for Lee and is about to divorce Jim. Lee persuades his best friend since high school days that there is opportunity here for Jim to save his marriage. Things go haywire from there in this humorous misadventure that takes an affectionate glimpse at the sport of cutting and becomes a trenchant comment on the future of the horse in a world where it is no longer essential to everyday life.