For Gideon Mack, faithless minister, unfaithful husband and troubled soul, the existence of God, let alone the Devil, is no more credible than that of ghosts or fairies. Until the day he falls into a gorge and is rescued by someone who might just be Satan himself.Mack's testament - a compelling blend of memoir, legend, history, and, quite probably, madness - recounts one man's emotional crisis, disappearance, resurrection and death. It also transports you into an utterly mesmerising exploration of the very nature of belief.

    Kate Lambert, a grieving, semi-alcoholic film student, invites an elderly woman to take part in an oral-history documentary. The woman, Jean Culver, declines, but makes her a bizarre counter-offer: if Kate can stay sober for four days, she will tell her a story. And if she can stay sober beyond that, there will be another, and then another, amounting to the entire history of one family’s life.Though still shattered by the death of her father, and by the desultory abuse imposed by Laurits, her enigmatic collaborator and erstwhile lover – Kate is soon drawn into a Scheherazade-like matrix of tales, some painfully final, some still unfinished, in which Jean gradually offers a heartbreaking account, not only of one family, but of the American century itself, from World War II to Vietnam and the Weather Underground.A profound, mysterious, deeply moving novel – a meeting of love and grief, like water on arid soil – Ashland & Vine is the story of an unlikely friendship that transcends time, age and the limits of narrative to reveal the unexpected grace that comes of listening to another’s history, while telling, as carefully as we can, what we know of our own.

    “We’ll do it if you do it . . .” Mary and Ross are unmarried, ambitious, and way too young, and though smitten with their daughter, they eventually—and with regret—abdicate responsibility to Ross’s parents, who raise Natassia in the intellectually stimulating (and seemingly loving) atmosphere of their Manhattan apartment. Fifteen years later, 1989, Natassia is an Honors student and a violin player. Despite the absence of her mother, a world-class modern dancer who survives by living in the moment, and her father, a physician in the Pacific Northwest, Natassia is thriving—until her mysterious romance with a man she will not identify derails her so profoundly that her parents, grandparents, and even her godparents, Nora and Christopher, must come together to save her. A dancer, a doctor, two book editors, a painter and a psychotherapist—all are forced to turn away from and also draw upon the creative and intellectual endeavors that consume and define them. Struggling to buoy Natassia, her guardians sink along with her into the deepest darkness.Mary, a Korean war orphan, must learn from step one how to provide the mother love she herself never received; indeed, the daughter's breakdown sparks the mother's coming-of-age. Ross, still in love with Mary after ten years’ separation, must face the consequences of his obsessions. And Nora and Christopher, burdened by a decades-old secret, use desperate measures to save Natassia—and their marriage.Within the intimate universe of one unorthodox family, Falling in Love with Natassia explores the blurred lines between love that heals and sex that harms. These characters will shock you with how forcefully their hurt hearts demand restitution; they will mystify you with the paths they choose as they move toward recovery and redemption.

    Among the captives sold into slavery in Algiers were the island pastor, his wife and their three children. Although the raid itself is well documented, little is known about what happened to the women and children afterwards. It was a time when women everywhere were largely silent.In this brilliant reimagining, Sally Magnusson gives a voice to Ásta, the pastor's wife. Enslaved in an alien Arab culture Ásta meets the loss of both her freedom and her children with the one thing she has brought from home: the stories in her head. Steeped in the sagas and folk tales of her northern homeland, she finds herself experiencing not just the separations and agonies of captivity, but the reassessments that come in any age when intelligent eyes are opened to other lives, other cultures and other kinds of loving.The Sealwoman's Gift is about the eternal power of storytelling to help us survive. The novel is full of stories - Icelandic ones told to fend off a slave-owner's advances, Arabian ones to help an old man die. And there are others, too: the stories we tell ourselves to protect our minds from what cannot otherwise be borne, the stories we need to make us happy.

    It was the night everything changed. It was the night Leisel died.Now, two years later, as Jared reflects on his life, he can't help but wonder at the chain reaction of choices that led him to this: a black nametag and a calling to serve as a missionary of God.It had been Leisel who had first sparked Jared's interest in the gospel. She and Rob had befriended Jared early on in his senior year of high school. But even as all of Rob's choices seem to be leading him away from the Church, all of Jared's choices were drawing him closer to it--and to Leisel. And on the night of the horrible crash, Jared finally understands how life-changing the consequences of a choice can be.

    The problems of everyday living accumulate and begin to torture Joy, who blames her problems not on her work or on the accidental drowning of her illicit lover, but on herself. While painful and deeply serious, this is a novel of great warmth and energy: it's the wit and irony found in moments of despair that prove to be Joy's salvation. First published by Polygon in 1989 and Dalkey Archive Press in 1994, now available again.

    When Myrtle embarks upon the great and passionate love affair of her life, beautiful Annie finds only disappointment. Still their friendship survives, until a horrifying accident exposes the secret sadness, jealousy, and betrayal each has hidden over the years.

    Morvern's reaction is both intriguing and immoral. What she does next is even more appalling. Moving across a blurred European landscape-from rural poverty and drunken mayhem of the port to the Mediterranean rave scene-we experience everything from Morvern's stark, unflinching perspective.Morvern is utterly hypnotizing from her very first sentence to her last. She rarely goes anywhere without the Walkman left behind as a Christmas present by her dead boyfriend, and as she narrates this strange story, she takes care to tell the reader exactly what music she is listening to, giving the stunning effect of a sound track running behind her voice.In much the same way that Patrick McCabe managed to tell an incredibly rich and haunting story through the eyes of an emotionally disturbed boy in The Butcher Boy, Alan Warner probes the vast internal emptiness of a generation by using the cool, haunting voice of a female narrator lost in the profound anomie of the ecstasy generation. Morvern is a brilliant creation, not so much memorable as utterly unforgettable."

    Jonathan Safran Foer has called her writing “thrilling.” Jeanette Winterson has praised her for her “style, ideas, and punch.” Here, in a novel at once profound, playful, and exhilaratingly inventive, she transfixes us with a portrait of a family unraveled by a mysterious visitor.Amber—thirtysomething and barefoot—shows up at the door of the Norfolk cottage that the Smarts are renting for the summer. She talks her way in. She tells nothing but lies. She stays for dinner.Eve Smart, the author of a best-selling series of biographical reconstructions, thinks Amber is a student with whom her husband, Michael, is sleeping. Michael, an English professor, knows only that her car broke down. Daughter Astrid, age twelve, thinks she’s her mother’s friend. Son Magnus, age seventeen, thinks she’s an angel.As Amber insinuates herself into the family, the questions of who she is and how she’s come to be there drop away. Instead, dazzled by her seeming exoticism, the Smarts begin to examine the accidents of their lives through the searing lens of Amber’s perceptions. When Eve finally banishes her from the cottage, Amber disappears from their sight, but not—they discover when they return home to London—from their profoundly altered lives.Fearlessly intelligent and written with an irresistible blend of lyricism and whimsy, The Accidental is a tour de force of literary improvisation that explores the nature of truth, the role of chance, and the transformative power of storytelling.

    Passionate, exhilarating and darkly humorous, "The Burn" is an extraordinary collection of short stories by a master of paranoia and an unsurpassed prose stylist.

    A twenty-seven-year-old college dropout with stalled ambitions, he works at an animal shelter and lives with his bullheaded older brother, Littlefield, in their old family home on Meadow Island, Maine, a house that has fallen into disrepair since their father’s untimely death several years earlier.When a massive blizzard hits the state one Saturday afternoon, Bennie, Littlefield, and a crew of roughneck war-game enthusiasts decide to play paintball at the local granite quarry. Bennie accidentally falls into a gully, landing in the hospital, and wonders if his life can get any worse. But when one of the players disappears during the storm and Littlefield becomes the main suspect in the disappearance, Bennie realizes that the game might have had much higher stakes. Then Littlefield takes off without a word of explanation, forcing Bennie to seriously question his loyalty to his enigmatic brother. With the guidance of his intrepid girlfriend, Helen, and his twin sister, Gwen, Bennie goes looking for answers, embarking on a journey that brings him closer to a truth he may not want to discover. What he finds will change his family and his life forever.Written in prose as arresting and spare as the novel’s rural Maine setting, Lewis Robinson’s Water Dogs is a marvel of modern fiction, a book rich in empathy that follows one man’s path through the uncertainties of youth and loss toward self-discovery.

    A Barbara Kingsolver Omnibus; Contains Homeland, The Bean Trees, Pigs In Heaven and 11 other short stories.

    It relates the story of a young dreamer and English soldier, Edward Waverley, who was sent to Scotland in 1745. He journeys North from his aristocratic family home, Waverley-Honour, in the south of England (alleged in an English Heritage notice to refer to Waverley Abbey in Surrey) first to the Scottish Lowlands and the home of family friend Baron Bradwardine, then into the Highlands and the heart of the 1745 Jacobite uprising and aftermath.

    Six years later—worn down by a tedious job, childcare, and an aching absence in her life—Fiona’s mundane existence is blown apart by the revelation that Rona had been working as a prostitute before she vanished. Driven to discover the truth, Fiona embarks on an obsessive quest to investigate the sex industry that claimed her sister. However, as she is drawn into this complex world, Fiona finds herself seduced by the power it offers women in a society determined to see them only as victims. In bold, unflinching prose, Fishnet offers a clear-eyed look at the lives of sex workers, questioning our perception of contemporary femininity and challenging assumptions about power, vulnerability, and choice.

    The interactions between Jake, Joni, Angie, and Vic reveal a hellish cocktail of adolescent ad mid-life crises, the savagery of sibling rivalry, the waking nightmare of a marriage gone cold, and, naturally, the unbridgeable, infernal chasm between the generations. It's a story of everyday life.