Thatcher's policies have put husbands and sons out of work, and the city's notorious drugs epidemic is waiting in the wings. Shuggie's mother Agnes walks a wayward path: she is Shuggie's guiding light but a burden for him and his siblings. She dreams of a house with its own front door while she flicks through the pages of the Freemans catalogue, ordering a little happiness on credit, anything to brighten up her grey life. Married to a philandering taxi-driver husband, Agnes keeps her pride by looking good--her beehive, make-up, and pearly-white false teeth offer a glamourous image of a Glaswegian Elizabeth Taylor. But under the surface, Agnes finds increasing solace in drink, and she drains away the lion's share of each week's benefits--all the family has to live on--on cans of extra-strong lager hidden in handbags and poured into tea mugs. Agnes's older children find their own ways to get a safe distance from their mother, abandoning Shuggie to care for her as she swings between alcoholic binges and sobriety. Shuggie is meanwhile struggling to somehow become the normal boy he desperately longs to be, but everyone has realized that he is "no right," a boy with a secret that all but him can see. Agnes is supportive of her son, but her addiction has the power to eclipse everyone close to her--even her beloved Shuggie.A heartbreaking story of addiction, sexuality, and love, Shuggie Bain is an epic portrayal of a working-class family that is rarely seen in fiction. Recalling the work of Edouard Louis, Alan Hollinghurst, Frank McCourt, and Hanya Yanagihara, it is a blistering debut by a brilliant novelist who has a powerful and important story to tell.

    In 1973, Paul Seneschal, a shy nineteen-year-old from rural Manitoba, takes flight from the world behind the wrought iron gates of St. Norbert Abbey. Here forty monks grow their own food, wake at three in the morning to pray, and converse largely through a spare but expressive vocabulary of hand signals. Renamed Brother Antoine, Paul strives for wisdom and holiness, yet life within the cloister can't block out all of humanity's foibles. One monk lapses into pyromania; another, a French Canadian, attacks any English-speaker who gets too close; another resembles "a bald Martha Ray." We soon see that even in this rarefied realm, human folly nestles cheek by jowl with the divine. A wise yet refreshingly humorous account of a life of faith, ALL WE KNOW OF HEAVEN offers an a fascinating glimpse into a quiet world that very few people know about.

    Also included are Paul Reekie's fictional account of ideals betrayed, and Irvine Welsh's first ever sci-fi story, featuring alien space casuals wreaking havoc through the known universe. The resulting mix is intoxicating to say the least.

    A scheming bastard in and out of school, Diller screws, drinks, snorts, cons and kills his way through the Lanarkshire underworld and attempts to survive the attention of his local drug-lord, Hondo, who's less than impressed by Diller's growing debt and status; He's also having a busy week at school.A brutal and wickedly funny novella inspired by The Prodigy's 'Smack my Bitch Up' music video.Contains strong language and graphic violence throughout.

    Deasy quietly explores the ties that bind, and the evolution of a heart that everyone will recognize, and root for" -- Jane McCafferty, author of "One Heart" --- Ransom Seaborn is an astonishing literary debut in the spirit of Gatsby and Holden Caulfield.

    Her great-great-grandmother Ellen was obsessed with the strange legend of Ulla, a Viking maiden who washed up on shore with the nearly lifeless body of her husband—and who inspired countless epic poems and the island’s name.Central to the mystery is an ornate chalice and Libby, an archaeologist, finally has permission to excavate the site where Ulla is believed to have lived. But what Libby finds in the ancient dunes is a body from the Victorian era, clearly murdered…and potentially connected to Ellen.What unfolds is an epic story that spans centuries, with Libby mining Ellen and Ulla’s stories for clues about the body, and in doing so, discovering the darker threads that bind all three women together across history.Infused with Sarah Maine’s signature “meticulous research and descriptive passages of lush, beautiful landscapes” (Publishers Weekly), Women of the Dunes is a beautifully told and compelling mystery for fans of Kate Morton and Beatriz Williams.

    Her one fault is that she has no heart, and takes great delight in breaking up loving couples. Then, despite herself, she becomes fond of one of her lovers, and discovers a tiny heart growing in her chest.

    One night he witnesses something miraculous, and makes a terrible mistake. His action changes lives—not only his own, but those of his family and the entire tightly knit community in which they live. Can he ever atone for the wrong he has done, and can love grow when its foundation is violence? Based on the legend of the selkies—seals who can transform into people—evokes the harsh beauty of the landscape, the resilience of its people, both human and animal, and the triumph of hope over fear and prejudice. With exquisite grace, Su Bristow transports us to a different world, subtly and beautifully exploring what it means to be an outsider, and our innate capacity for forgiveness and acceptance. Rich with myth and magic, Sealskin is, nonetheless, a very human story, as relevant to our world as to the timeless place in which it is set.

    

    Lottie is a child star, dancing and singing at the Gaiety Theatre to an enraptured audience, whilst Louella acts as Max Magic's assistant. But Lottie was in hospital for weeks after a road accident and has lost her memory. Louella tries to help but the white mist remains. Until Lottie meets a boy with golden-brown eyes who calls her "Sassy" and accuses her of running away.It is after this meeting that the dreams start, dreams of another life, almost another world, and Lottie, sharing them with Baz, begins to believe he knows more than he chooses to tell. But then Merle joins the act and Lottie feels Baz and Merle, both older than she, are in league against her. Then the dreams begin to grow clearer and Lottie realises she must find her past, at no matter what cost.

    Twenty-seven-year-old A&R man Stelfox is slashing and burning his way through the music industry, a world where 'no one knows anything' and where careers are made and broken by chance and the fickle tastes of the general public - 'Yeah, those animals'.Fuelled by greed and inhuman quantities of cocaine Stelfox blithely criss-crosses the globe ('New York, Cologne, Texas, Miami, Cannes: you shout at waiters and sign credit card slips and all that really changes is the quality of the porn') searching for the next hit record amid a relentless orgy of self-gratification.But as the hits dry up and the industry begins to change, Stelfox must take the notion of cutthroat business practices to murderous new levels in a desperate attempt to salvage his career.Kill Your Friends is a dark, satirical and hysterically funny evisceration of the record business, a place populated by frauds, charlatans and bluffers, where ambition is a higher currency than talent, and where it seems anything can be achieved - as long as you want it badly enough.

    In an attempt to escape her not-so-innocent past in Glasgow, Bessy Buckley—a wide-eyed and feisty young Irish girl—takes a job as a maid in a big house outside Edinburgh working for the beautiful Arabella—the "missus." Bessy lacks the necessary scullery skills for her new position, but as she finds out, it is her ability to read and write that makes her such a desirable property. Bessy is intrigued by her new employer but puzzled by her increasingly strange requests and her insistence that Bessy keep a journal of her mundane chores and most intimate thoughts. And it seems that the missus has a few secrets of her own, including her near- obsessive affection for Nora, a former maid who died in mysterious circumstances. Giving in to her curiosity, Bessy makes an infuriating discovery and, out of jealousy, concocts a childish prank that backfires and threatens to jeopardize all that she has come to hold dear. Yet even when caught up in a tangle of madness, ghosts, sex, and lies, she remains devoted to Arabella. But who is really responsible for what happened to her predecessor Nora? As her past threatens to catch up with her and raise the stakes even further, Bessy begins to realize that she has not quite landed on her feet. The Observations is a brilliantly original, endlessly intriguing story of one woman’s journey from a difficult past into an even more disturbing present, narrated by one of the most vividly imagined heroines in recent fiction. This powerful story of secrets and suspicions, hidden histories and mysterious disappearances is at once compelling and heart-warming, showing the redemptive power of loyalty and friendship. A hugely assured and darkly funny debut, The Observations is certain to establish Jane Harris as a significant new literary talent.

    A world ruled by women. A world designed to be perfect. Here, women and men are kept separate. Women lead highly controlled and suffocating lives, while men are subordinate – used for labour and breeding. Sisterland’s leaders have been watching Constance and recognise that she’s special. Selected to reproduce, she finds herself alone with a man for the first time. But the mate chosen for her isn’t what she expected – and she begins to see a darker side to Sisterland. Constance’s misgivings about the regime mount. Is she the only one who questions this unequal society, or are there other doubters? Set in the near future, About Sisterland is a searing, original novel which explores the devastating effects of extremism.

    She hopes the news will make her marriage to Sam stronger. But why does Molly always call best friend Ed in a crisis?Ed. The very same Ed that Molly fell in love with at a party when they were teenagers, underneath a star-filled sky. Then life took them in very different directions. They could only ever be friends.Suddenly Molly starts to question every decision she’s ever made. What if they could turn back the clock? Back to the very beginning. When the only certainty they shared was each other …

    This book, which won raves at its first publication, shows all the hallmarks of the writer who became the award-winning film director so well known today.