Sean Murphy, a young medical student, investigates the incredible success rate at a prestigious Florida medical center and finds an international conspiracy willing to put a price tag on life itself to fund the staggering cost of medical research.

    Once the dead man was an honest lawyer. Now Stella Marz stares at the body of her former lover, hanging from a doorway in a gruesome tableau.For Stella Marz, the search for Jack Novak's killer leads into another bizarre homicide case, back through her own past and through the city where she was born and where now--a good Catholic girl turned career woman--she is in crisis. Somewhere in this city a hidden alliance of big money, big plans, and dark secrets is fueling a great American revival. And somehow Stella Marz will bring the darkness into the light--no matter what it reveals, no matter who it destroys. . . .

    It is run by a crack team of operatives both within its own walls and out in the field. When a job is too dirty--or too dangerous--it's the only place our government can turn.But nothing can prepare Director Paul Hood and his Op-Center crisis management team for what they're about to uncover--a very real, very frightening power play that could unleash new players in a new world order...

    A teenager with no past, no family - and no memories. Carol and Paul were instantly drawn to her, this girl they named Jane - she was the daughter they never had. It was almost too good to be true.

    Today, twenty years later, disgruntled hero of an unheroic war, all Bob Lee Swagger wants to be left alone and to leave the killing behind.But with consummate psychological skill, a shadowy military organization seduces Bob into leaving his beloved Arkansas hills for one last mission for his country, unaware until too late that the game is rigged.The assassination plot is executed to perfection—until Bob Lee Swagger, alleged lone gunman, comes out of the operation alive, the target of a nationwide manhunt, his only allies a woman he just met and a discredited FBI agent.Now Bob Lee Swagger is on the run, using his lethal skills once more—but this time to track down the men who set him up and to break a dark conspiracy aimed at the very heart of America.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    In this adventure he must find and seize a golden Buddha - the artifact and its contents are vital to striking a deal with the Russians and the Chinese and restoring the Dalai Lama to power in Tibet.

    It's easy to see why when you read his latest tour de force, Nightshade, a chillingly creepy tale that will have you looking over your shoulder every chance you get. Stunningly crafted, with a plot that has more twists than a bag full of pretzels, Nightshade promises to be Saul's most compelling novel yet. And given his backlist of grimly horrifying but riveting fare, that's no small accomplishment. In a small New England town, Joan Hapgood is content with her life until the events of one fateful afternoon trigger a long string of tragedies that threaten both her future and her sanity. It starts when Joan's mother, Emily, who has been steadily deteriorating under the effects of Alzheimer's disease, accidentally starts a fire while trying to cook. To say Joan's relationship with her mother is strained would be a gross understatement. In Emily's eyes, Joan has always been a poor second to her sister, Cynthia, who was beautiful, devoted, and bright. Despite Cynthia's death many years before, Joan still lives in her big sister's shadow whenever Emily is around. Not only has Joan never been pretty enough, bright enough, or loving enough, but she has a bastard son whose father remains unknown -- all unforgivable sins to Emily.Against the wishes of her husband, Bill, and her son Matt, Joan moves her mother into the Hapgood family home where she and Bill have lived for ten years. Emily's insistence that Cynthia is not only still alive, but present, combined with her viciously acerbic attitude toward Matt and Joan, strains Joan's marriage to the breaking point, forcing Bill to move out. Given that Bill is the only father Matt has ever known, the boy takes the separation hard, becoming understandably angry. When Bill ends up dead during a hunting trip -- possibly shot by Matt himself -- the town begins to wonder just how angry Matt has become.The death of Bill Hapgood is followed by several mysterious disappearances, including that of Joan's mother, Emily. In each case, the bulk of the evidence points to young Matt, and soon the entire town is close to forming a lynch mob. Matt himself isn't sure what the truth is, for he keeps suffering odd fugue states and imagining that he sees, hears, and smells his dead Aunt Cynthia. For Joan, the intense grief brought on by her husband's death must be set aside as she fights to prove her son's innocence. But no one suspects the real truth, which is so bizarre, so horrifyingly twisted, it will haunt those who survive forever.For those who like their plot lines well-crafted and convoluted, Nightshade is sure to please. From the unnerving first pages of the prologue to the final sentence on the last page, Saul tosses in enough red herrings and ambiguities to keep readers guessing. Horror fans won't be disappointed either; while the body count is a bit lighter than in some of Saul's other works, there is plenty of blood and gore to be had, and a ghost or two (or are they?) to liven things up.—Beth Amos

    Three years have passed since the detonation that killed Carol's partner and lover, but she is still severely scarred both mentally and physically. She can't bear to look in the mirror, and she hasn't been with another man since David Boudreaux left her bed that last morning he went to work. She gets through the day with the help of Tagamet and alcohol.When a bomb call takes the life of another colleague, Carol begins to investigate a series of explosions that seem to be designed to exterminate bomb technicians. She soon realizes that she's "the one that got away." With the help of an FBI agent whom she loathes professionally for interfering with her job but finds attractive anyway, Carol must track down one of the most frighteningly brilliant killers of the modern age.

    In the first a doctor has to confront his father's killer, in the second a detective investigates a series of horrific murders, and in the third an international organization devises a masterplan of apocalyptic dimensions.

    Her husband, a former U.S. Senator, has been missing for days. Kidnapped? Murdered? She doesn't know, but she thinks she knows who's involved, and why. And that she's next.Hours later in Washington, D.C., a cell phone rings. The White House chief of staff needs Jacob Winter now. His chief investigator and an Army Intelligence veteran, Winter knows how to move quickly and decisively, but he's never faced a problem like this. The disappearances are bad, but when the blackened body shows up barbed-wired to a tree, Winter knows there is much worse to come. And soon enough, there is. Large forces are at work, determined to do whatever it takes to achieve their ends. Winter will have to use all his resources not only to prevail but also to survive. And so will the nation. . . .

    He knows unlimited surveillance is the only way to keep America safe.Evelyn Gallagher doesn’t care much about any of that. She just wants to keep her head down and manage the NSA’s camera network and facial recognition program so she can afford private school for her deaf son, Dash.But when Evelyn discovers the existence of a program code-named God’s Eye and connects it with the mysterious deaths of a string of journalists and whistle-blowers, her doubts put her and Dash in the crosshairs of a pair of government assassins: Delgado, a sadistic bomb maker and hacker, and Manus, a damaged giant of a man who until now has cared for nothing beyond protecting the director.Within an elaborate game of political blackmail, terrorist provocations, and White House scheming, a global war is being fought—a war between those desperate to keep the state’s darkest secrets and those intent on revealing them. A war that Evelyn will need all her espionage training and savvy to survive, because the director has the ultimate advantage: The God’s Eye View.

    Fleeing into the night, Billy cannot shake the horrific memory of the savage violence, nor the pursuit of a cold-blooded killer. For wherever Billy turns --- from Hollywood Boulevard to the boardwalks of Venice --- he is haunted by the chuck chuck sound of a knife sinking into flesh. As LAPD homicide detective Petra Connor desperately searches for the murderer, as the media swarms mercilessly around the story, the vicious madman stalks closer to his prey. Only Petra can save Billy. But it will take all her cunning to uncover a child lost in a fierce urban labyrinth --- where a killer seems right at home ...

    It gave her a second chance at life. After leaving Hollywood to host a San Antonio TV show spotlighting children with special needs, Cat fights to gain respect as a newscaster. She meets Alex Pierce, an ex-cop turned crime writer, who regards her as a woman, not as a heart patient. When fatal "accidents" begin killing the other heart recipients, Alex may -or may not- be her most important ally. With her new world turning sinister and a mysterious stalker shadowing her every move, Cat is caught in a dark maze of betrayal and secrets...and perhaps sees too late the mask hiding a killer's face.

    But as he's steeling himself, a crew of robbers bursts into the bank and begins to viciously shoot employees and customers. With nothing to lose, Nate confronts the robbers, taking them out one-by-one. The last man standing leaves Nate with a cryptic warning.Nate soon learns what that message meant. He is kidnapped by Pavlo, a savage Russian mobster and mastermind of the failed heist. Unable to break back into the bank to get the critical item inside, Pavlo gives Nate an ultimatum—break in and get what he needs or watch Pavlo slowly kill the one thing Nate loves most—his ex-wife Janie and his teenaged daughter Cielle—both lost when he came back from Iraq broken and confused. Now he's got one last chance to protect the people he loves, even if it's the last thing he is able to do.